Patricia Piccinini is one of the representative digital artists of contemporary art in Australia. She has been invited to exhibit at many famous international exhibitions such as the Berlin Biennial in Germany, Gwangju Biennial in Korea, Liverpool Biennial in UK etc. Last year, she also exhibited her artworks in TECH/NO/ZONE - an exhibition at the Museum of Contemporary Art in Taipei. Now she is representing Australia at the 2003 Venice Biennial with sculpture. She is concerned with ethical issues, with what constitutes 'life' and, especially, with social attitudes and responsibilities toward mutant forms (Ewen McDonald, 2002). Her digital artworks not only reflect the rapid change of material world outside but also reveal the crisis about varieties of human body inside. These factors interlace the anxiety from the artist about the increasingly artificial, digital and deformed world. In this thesis I would like to discover the implication of her art works from the angle of Concept Art and discuss the trend of technology as an artistic medium.