元代倪瓚是我國文人畫史上的巨子，明清數百年間其聲譽和影響與日俱增，清代的文人畫家更是把他奉為難以企及的楷模。數百年以來，倪瓚一直被人們不斷地研究，特別是二十世紀以來，倪瓚研究一直是繪畫史研究的熱點。隨著新材料的陸續發現和研考視角的轉換，倪瓚研究正在逐步走向深入，已出現了一些較有價值的成果。因此，對一個世紀以來倪瓚研究的成果作必要的回顧，總結其得失，對予今後有關研考的進一步深入和拓展，應有其積極的現實意義。 本文綜述了二十世紀以來海內外倪瓚研考概況，具體介紹了倪瓚研究的生平問題、繪畫美學思想、繪畫風格、書法藝術、人品問題等各類成果，分析得失，可以說是對當前倪瓚研究的回顧與展望。

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