圖書| 1. | Berry, Chris(2007)。Haunted Realism: Postcoloniality and the Cinema of Chang Tso-chi。Cinema Taiwan。New York and London：Routledge。   |
| 2. | Bordwell, David.(2004)。Transnational Spaces: Toward a Poetics of Chinese Film。Chinese-language Film: Historiagraphy, Poetics。Honolulu：U of Hawaii P。 |
| 3. | Deppman, Hsiu-Chuang(2010)。Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film。Honolulu：U of Hawaii P。 |
| 4. | Hitchcock, Peter.(2009)。Taiwan Fever?: Tsai Ming-Liang and the Everyday Postnation。Chinese Connections: Critical Perspectives on Film, Identity and, Diaspora。Philadelphia：Temple UP。 |
| 5. | Klevan, Andrew(2000)。Disclosure of the Everyday: Undramatic Achievement in Narrative Film。Trowbridge：Flicks Books。 |
| 6. | Lu, Tong-Lin(2002)。Confronting Modernity of Taiwan and Mainland China。Cambridge：Cambridge UP。 |
| 7. | Margulies, Ivone(1996)。Nothing Happens: Chantal Akerman's Hyperrealist Everyday。Durham and London：Duke UP。 |
| 8. | Neri, Corrado(2002)。A Time to Live, A Time to Die : A Time to Grow。Chinese Films in Focus。London：BFI。 |
| 9. | 林文淇(2006)。理論抗拒與日常生活。文化的視覺系統Ⅱ：日常生活與大眾文化。台北：麥田。 延伸查詢 |
| 10. | 陳儒修、羅頗誠(1994)。台灣新電影的歷史文化經驗。台北：萬象圖書。 延伸查詢 |
| 11. | Chow, Rey(2007)。Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility。New York：Columbia University Press。 |
| 12. | Udden, James(2009)。No Man an Island: The Cinema of Hou Hsiao-hsien。Hong Kong：Hong Kong University Press。 |
| 13. | Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。 |
| 14. | Yip, June Chun(2004)。Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary。Durham, North Carolina：Duke University Press。 |
| 15. | Bhabha, Homi K.(1994)。The Location of Culture。Routledge。 |
| 16. | Yip, J.(1997)。Constructing a nation: Taiwanese history and the films of Hou Hsiao-Hsien。Transnational Chinese Cinemas: Identity, Nationhood, Gender。Honolulu, HI：University of Hawaii Press。 |
| 17. | Tay, William(1994)。The Ideology of Initiation: The Films of Hou Hsiao-Hsien。New Chinese Cinemas: Forms, Identities, Politics。Cambridge：Cambridge UP。 |
| 18. | 詹宏志(1988)。臺灣新電影的來路與去路--一個報導與三個評論。臺灣新電影。台北市：時報。 延伸查詢 |