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題名：航向蔡明亮的愛欲烏托邦：論《黑眼圈》及其他
書刊名：臺大文史哲學報
作者：謝世宗
作者(外文)：Shie, Elliott Shr-tzung
出版日期：2018
卷期：89
頁次：頁117-149
主題關鍵詞：蔡明亮；烏托邦；喜劇視境；異化；馬庫司；Tsai Ming-liang；Comic vision；Utopia；Alienation；Herbert Marcuse
原始連結：連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:73
  • 點閱點閱:15
期刊論文
1.劉永晧、詹京霖、張雅鈞(20070300)。某種不確定的幸福--訪蔡明亮。電影欣賞，25(2)=130，54-63。  延伸查詢new window
2.馮品佳(20020300)。慾望身體--蔡明亮電影中的女性影像。中外文學，30(10)=358，99-112。new window  延伸查詢new window
3.劉紀雯(20030500)。艾騰．伊格言和蔡明亮電影中後現代「非地方」中的家庭。中外文學，31(12)=372，117-152。new window  延伸查詢new window
4.許甄倚(20070600)。Re-enchanting the Everyday Banal in the Age of Globalization : Alienation, Desire, and Critique of Capitalist Temporality in Tsai Ming-Liang's The Hole and What Time is it There?。NTU Studies in Language and Literature，17，133-157。new window  new window
5.張小虹(20070600)。臺北慢動作：身體--城市的時間顯微。中外文學，36(2)=417，121-154。new window  延伸查詢new window
6.林建光(20100300)。裸命與例外狀態：《洞》的災難想像。中外文學，39(1)=428，9-39。new window  延伸查詢new window
7.黃冠閔(20091100)。觸覺中的身體主體性--梅洛龐蒂與昂希。臺大文史哲學報，71，147-183。new window  延伸查詢new window
8.張靄珠(20131200)。蔡明亮電影的廢墟、身體、與時間-影像：析論《天邊一朵雲》、《你那邊幾點》及《黑眼圈》。中外文學，42(4)=443，79-116。new window  延伸查詢new window
9.張靄珠(20020300)。漂泊的載體--蔡明亮電影的身體劇場與慾望場域。中外文學，30(10)=358，75-98。new window  延伸查詢new window
10.楊志偉(20110600)。愛是怎麼做？情慾之愛、友愛之愛、到關係即愛的倫理主體。中外文學，40(2)=433，55-102。new window  延伸查詢new window
11.楊凱麟(20130300)。荒蕪的生命、茂盛的影像：論蔡明亮電影的內框與平行主義。文化研究，15，147-168。new window  延伸查詢new window
12.顏健富、吳佩蓉(20050700)。以文字剖析光影--蔡明亮電影的「空間、情慾與身體」研究概述。婦研縱橫，75，24-35。  延伸查詢new window
13.Bao, Weihong(2007)。Biomechanics of Love: Reinventing the Avant-Garde in Tsai Ming-liang's Wayward Tomographic Musical。Journal of Chinese Cinemas，1(2)，139-160。  new window
14.Cardullo, Bert(2002)。An Interview with Jacques Tati by Andre Bazin, with the Participation of Francois Truffaut。Quarterly Review of Film and Video，19(4)，285-298。  new window
15.Lee, Vivian(2007)。Pornography, Musical, Drag, and the Art Film: Performing Queer in Tsai Ming-liang's The Wayward Cloud。Journal of Chinese Cinemas，1(2)，117-137。  new window
16.Winters, Ben(2010)。The Non-diegetic Fallacy: Film, Music, and Narrative Space。Music & Letters，91(2)，224-244。  new window
17.Winters, Ben(2012)。Musical Wallpaper? Toward an Appreciation of Non-narrating Music in Fihn。Music, Sound and the Moving Image，6(1)，39-54。  new window
18.林文琪。從臺灣「禁」到馬來西亞--專訪蔡明亮談《黑眼圈》。放映週報，99。  延伸查詢new window
會議論文
1.雍志中、李若韻(2008)。歡迎光臨蔡明亮博物館：論蔡明亮電影《黑眼圈》中的殘片展示美學。中華傳播學會2008年年會。臺北：淡江大學大眾傳播學系。  延伸查詢new window
圖書
1.Marcuse, Herbert(1969)。An Essay on Liberation。Boston, Massachusetts：Beacon Press。  new window
2.Kellner, Douglas(1984)。Herbert Marcuse and the Crisis of Marxism。London：Macmillan Press。  new window
3.Harvey, David(1989)。The Urban Experience。Baltimore, MD：The John Hopkins University Press。  new window
4.Marcuse, Herbert(1974)。Eros and Civilization: A Philosophical Inquiry into Freud。Beacon Press。  new window
5.Marcuse, Herbert(1972)。Counterrevolution and Revolt。Boston, Massachusetts：Beacon Press。  new window
6.Lorde, Audre(1984)。Sister Outsider: Essays and Speeches。Crossing Press。  new window
7.丁乃非、劉人鵬(2011)。置疑婚姻家庭連續體。新北市：蜃樓出版社。  延伸查詢new window
8.Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。  new window
9.Mauss, Marcel、Gunnison, Ian(1970)。The Gift: Forms and Functions of Exchange in Archaic Society。London：Cohen & West。  new window
10.Tuan, Yi-fu(1982)。Segmented Worlds and Self: Group Life and Individual Consciousness。Minneapolis, Minnesota：University of Minnesota Press。  new window
11.Sennett, Richard(1977)。The Fall of Public Man。New York, NY：Alfred A. Knopf。  new window
12.Aristotle、姚一葦(1994)。詩學箋注。臺北：臺灣中華書局。  延伸查詢new window
13.聞天祥(2002)。光影定格／蔡明亮的心靈場域。臺北市：恆星國際文化。  延伸查詢new window
14.Sennett, Richard(1994)。Flesh and Stone: The Body and the City in Western Civilization。New York：W. W. Norton。  new window
15.Benjamin, Walter、Zohn, Harry(1973)。Charles Baudelaire: A Lyric Poet in the Era of High Capitalism。London：New Left Books。  new window
16.Eagleton, Terry(1986)。Against the Grain: Essays 1975-1985。Verso。  new window
17.Adorno, Theodor W.、Bernstein, J. M.(1991)。The Culture Industry: Selected Essays on Mass Culture。Routledge。  new window
18.Lim, Song Hwee(2014)。Tsai Ming-liang and a Cinema of Slowness。Honolulu, HI：University of Hawai'i Press。  new window
19.Wirth, Louis、Reiss, Albert J. Jr.(1971)。On Cities and Social Life: Selected Papers。Chicago：The University of Chicago Press。  new window
20.Calvino, Italo、Creagh, Patrick(1986)。The Uses of Literature。San Diego：Harcourt Brace Jovanovich。  new window
21.Dyer, Richard(2012)。In the Space of a Song: The Uses of Song in Film。New York：Routledge。  new window
22.Bazin, Artdré、Gray, Hugh(1967)。What is Cinema?。Berkeley, Los Angles：University of California Press。  new window
23.孫松榮(2014)。人鏡出境：蔡明亮的影像藝術與跨界實踐。臺北：五南出版社。  延伸查詢new window
24.Berry, Chris(2003)。Chinese Film in Focus: 25 New Takes。London：BFI Publishing。  new window
25.Berry, Michael(2005)。Speaking in Images: Interviews with Contemporary Chinese Filmmakers。New York：Columbia University Press。  new window
26.Carroll, Noel(1998)。Interpreting the Moving Image。Cambridge：Cambridge University Press。  new window
27.Chen, Robert、Liao, Gene-Fon(1995)。Focus on Taipei through Cinema 1950-1990。Taipei：Taipei Golden Horse Film Festival Executive Committee。  new window
28.Horkheimer, Max、Adorno, Theodor W.、Cumming, John(1982)。The Dialectic of Enlightenment。New York：Continuum。  new window
29.Lira, Song Hwee(2006)。Celluloid Comrades: Representation of Male Homosexuality in Contemporary Chinese Cinemas。Honolulu：University of Hawai'i Press。  new window
30.Marcuse, Herbert、Kellner, Douglas(2002)。One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society。London：Routledge。  new window
31.Marcuse, Herbert、Kellner, Douglas(2007)。Art and liberation: Collected Papers of Herbert Marcuse Volume Four。London：Rouledge。  new window
32.Miles, Malcolm(2012)。Herbert Marcuse: An Aesthetics of Liberation。London：Pluto Press。  new window
33.Sandel, Michael J.(2012)。What Money Can't Buy: The Moral Limits of Market。New York：Farrar, Straus and Giroux。  new window
34.Shklovsky, Viktor、Sher, Benjamin(1991)。Theory of Prose。Dalkey Archive Press。  new window
35.Sontag, Susan(1966)。Against Interpretation。New York：Anchor Books。  new window
36.卓伯棠(2012)。蔡明亮電影講座。香港：天地圖書有限公司。  延伸查詢new window
37.林松輝、譚以諾(20160000)。蔡明亮與緩慢電影。臺北：國立臺灣大學出版中心。new window  延伸查詢new window
38.葉月瑜(20000000)。歌聲魅影：歌曲敘事與中文電影。臺北：遠流。new window  延伸查詢new window
39.Levitas, Ruth(1990)。The Concept of Utopia。Syracuse University Press。  new window
40.Bakhtin, Mikhail、Emerson, Caryl(1984)。Problems of Dostoevsky's Poetics。University of Minnesota Press。  new window
41.Bachelard, Gaston、Jolas, Maria、Stilgoe, John R.(1994)。The Poetics of Space。Beacon。  new window
42.Marcuse, Herbert、Sherover, Erica(1978)。The aesthetic dimension: Toward a critique of Marxist aesthetics。Boston：Beacon Press。  new window
43.Butler, Judith(1999)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。  new window
其他
1.新華網。專訪蔡明亮：有聲時代我選擇默片，http://news.sina.com/oth/xinhuanet/000-103-102-112/2009-04-06/20163770497.html。  延伸查詢new window
圖書論文
1.Schweppenhauser, Gerhard、Isom, Matthew(2007)。Art as Cognition and Remembrance: Autonomy and Transformation of Art in Herbert Marcuse's Aesthetics。Art and Liberation: Collected Papers of Herbert Marcuse Volume Four。London：Rouledge。  new window
 
 
 
 
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