近年來，泳裝時裝化已蔚為風潮，女性泳裝也跳脫單純以游泳為訴求的設計方式，轉而呈現出人文的、藝術的、感官的、建築的另類美學。此次泳裝創作以「複調美學」的設計概念，讓古代「複調美學」本作品以「複調美學」的設計概念，讓中華文化藝術的詩意與現代建築：層次、圓弧、穿透、陰影…等理念，轉換、移植於真實形態之泳裝設計上。貫穿古今的設計概念，允許「許多地位平等的意識，連同它們各自的世界」，以不需融合的方式，共同存在創作的泳裝作品內，形成一種包含文化底蘊與空間探索的「複調美學」。此件作品，在圖案設計上：將中華文化特有之山水潑墨畫風格，藉由AMA數位繪圖軟體，運用碎形理論重新設計出江水悠遠、極富詩意的「山水意象」數位畫作。在款式設計上：以日本建築大師伊東豊雄所設計的高雄亞運主場館為創作概念；以柔軟的弧型線條詮釋女性優美的曲線設計，以剛硬的鐵灰色展現陽剛的結構氛圍，兼具藝術與律動之美。多層次的美學共生，讓泳裝的定位不再只是曲線的展現，而是藉由文化與空間藝術，呈現出時尚與自信的美感。

In recent years, swimwear-inspired fashion is a fast growing trend. The design concept of female swimsuit has changed from the purpose of swimming to an aesthetic of arts, humanities, sensory, and architecture. Applying Polyphonic aesthetics to the design concept, the poetic sentiment from Chinese painting and architectural elements such as arc, penetration, levels, shadow... etc. was transformed into the real-world example of swimwear design. It ran through ancient and modern design concept and allowed multiple equality of consciousness to connect with their respective world. A Polyphonic aesthetics composition comprising the cultural heritage and space exploration can be formed by co-existence in this swimwear design without fusion of difference. The pattern design illustrated an imagery digital painting of distant river and poetic landscape. It was accomplished by applying fractal theory with AMA software to generate the Chinese landscape splash ink painting. The style design was inspired by the Kaohsiung National Stadium designed by Japanese architect Toyo Ito. It combines the beauty of art and rhythm from the soft curvy woman figure and the rigid iron-gray masculine structure. Swimwear is no longer defined by showing off natural curves. Through the co-existence of culture and space art, the beauty of fashion and self-confidence is displayed in the multi-layered aesthetic symbiosis.