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題名:藝術的社會學啟蒙︰以身體技藝為建構基礎的社會美學
書刊名:臺灣社會學
作者:齊偉先
作者(外文):Chi, Wei-hsian
出版日期:2013
卷期:25
頁次:頁1-44
主題關鍵詞:藝術公共藝術社會美學身體技藝慶典ArtPublic artSocial aestheticsBodily techniqueFestival
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(1) 專書(0) 專書論文(1)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:20
  • 點閱點閱:76
自 1990年代以來,歐美社會出現了新一波的公共藝術論述,它將現代藝術引入一個新的對話主題︰藝術的公共性。公共藝術看似不過是現代藝術多元發展中的其中一支,但事實上它卻透露出美學領域的一項重要內涵,亦即美學實作與政治性的權力論述兩者之間存在著一種共棲共存的生產模式。本文藉由探索「藝術」在近代歐美社會發展的系譜,說明近代社會理解「藝術」與藝術公共性的方式有何變遷,藉此試圖說明作為一種美學實作的藝術與政治性的權力論述兩者之間所存在的內在關聯。此外,文中以台灣社會為例進一步說明,在藝術專業領域之外還存在著其他領域的美學實作,如民間的文化及廟會慶典活動。它們雖以不同的方式進行社會美學的建構,但也展現出與政治性的權力論述共棲共存的相同運作邏輯。本文考察藝術的公共性內涵所獲得的啟發,不僅僅讓我們瞭解到美學實作與權力論述之間所存在的相互建構模式,也讓我們瞭解到有關社會美學的討論必須回歸到身體技藝這個更基礎的面向來考察,如此才能掌握社會美學在現代社會中所扮演的角色。
A new genre of public art started appearing in western modern countries in the 1990s. This forced modern art to face a new issue: artistic publicity. Public art is more than a new form of art, and it leads us to see that there is a specific reciprocal relation between aesthetic practices and political as well as religious discourses. By examining the semantic lineage of "art" in western modern societies, this paper shows how modern societies understand "art" and construct artistic publicity. In addition, this paper takes Taiwan society as an example for showing that there is still another kind of aesthetic practice in modern society. They are various forms of cultural festivals that are run in a different way than professional art, but both have the same constructive function in social aesthetics. This theoretical discourse contributes to the viewpoint that bodily technique shall be seen as the basic operative medium of social aesthetics.
期刊論文
1.陳其南(2004)。公民美學運動在台灣。書香遠傳,15,4-5。  延伸查詢new window
2.Werckmeister, O. K.(1973)。Marx on Ideology and Art。New Literary History,4(3),501-519。  new window
3.齊偉先(20110600)。臺灣民間宗教廟宇的「公共性」變遷:臺南府城的廟際場域研究。臺灣社會學刊,46,57-114。new window  延伸查詢new window
學位論文
1.張靜玉(2004)。從臺灣公共藝術與社區總體營造探討意識認同(碩士論文)。國立臺灣師範大學。  延伸查詢new window
圖書
1.Kester, Grant H.(2004)。Conversation Pieces: Community + Communication in Modern Art。Berkeley:The Regents of the University of California Press。  new window
2.悅再沁(2005)。藝術反轉:公民美學與公共藝術。台北:典藏藝術。  延伸查詢new window
3.顏名宏(2005)。場域游走:互動公共藝術。台北:典藏藝術。  延伸查詢new window
4.Aristotle(1920)。Aristotle on the Art of Poetry。New York:Oxford University Press。  new window
5.Bakhtin, Mikhail M.、Pam Morris(1994)。The Bakhtin Reader: Selected Writings of Bahtin, Medvedev, and Voloshinov。New York:E. Arnold。  new window
6.Bourriaud, Nicolas(2009)。Precarious Constructions: Answer to Jacques Ranciere on Art and Politics。A Precarious Existence: Vulnerability in the Public Domain。Rotterdam:NAi Publishers。  new window
7.Finkelpearl, Tom(2000)。Dialogues in Public Art。Cambridge, MA:MIT Press。  new window
8.Hegel, G.W.F.(1986)。Vorlesungen fiber die Asthetik I。Frankfurt/Main:Suhrkamp。  new window
9.Jacob, Mary Jane(1995)。An Unfashionable Audience。Mapping the Terrain: New Genre Public Art。Seattle:Bay Press。  new window
10.Joachim, R.(1971)。Historisches Worterbuch der Philosophic。Basel:Schwabe and Co Verlag。  new window
11.Kant, Immanuel(1970)。Kritik der Urteilskraft。Koln:Konemann。  new window
12.Koppert, Anush(2012)。Sex und Text: Zur Produktion Konstruktion weiblicher Sexualitat in der Gegenwartsliteratur von Frauen um 2000。Tubingen:Stauffenburg。  new window
13.Lifshitz, Mikhail(1973)。The Philosophy of Art of Karl Marx。London:Pluto Press。  new window
14.Luhmann, Niklas(1996)。Die Kunst der Gesellschaft。Frankfurt/Main:Suhrkamp。  new window
15.McClellan, Andrew(2003)。A Brief History of the Art Musuem Public。rt and Its Publics, Museum Studies at the Millennium。Oxford:Blackwell Publishing。  new window
16.McRobbie, Angela(1999)。In the Culture Society: Art, Fashion and Popular Music。London:Routledge。  new window
17.Phillips, Patricia C.(1995)。Public Constructions。Mapping the Terrain: New Genre Public Art。Seattle:Bay Press。  new window
18.Ranciere, Jacques(2009)。Aesthetics and Its Discontents。Cambridge:Polity Press。  new window
19.Steinman, Susan Leibovitz(1995)。Directional Signs: A Compendium of Artists' Works。Mapping the Terrain: New Genre Public Art。Seattle:Bay Press。  new window
20.Wolff, J.(1981)。The social production of art。London:New York, NY:Macmillan:New York University Press。  new window
21.Gadamer H.-G(1990)。Wahrheit und Methode: Grundzuge einer philosophis- chen Hermeneutik。Tubingen:J. C. B. Mohr。  new window
22.Wolff, Janet(1983)。Aesthetics and the Sociology of Art。London:George Allen and Unwin。  new window
23.Deleuze, Gilles、Lester, Mark、Stivale, Charles J.、Boundas, Constantin V.(1990)。Francis Bacon: The Logic of Sense。New York:Columbia University Press。  new window
24.馬克.杰木乃茲、欒棟、關寶豔(1990)。阿多諾:藝術、意識型態與美學理論。臺北:遠流。  延伸查詢new window
25.Deleuze, Gilles、Patton, Paul(1994)。Difference and Repetition。Columbia University Press。  new window
26.Bourdieu, Pierre、Johnson, Randal(1993)。The Field of Cultural Production: Essays on Art and Literature。Polity Press:Columbia University Press。  new window
27.Bourriaud, Nicolas、Pleasance, Simmon、Woods, Fronza、Copeland, Mathieu(2002)。Relational Aesthetics。Les Presse du réel。  new window
28.Rancière, Jacques、Rockhill, Gabriel(2004)。The Politics of Aesthetics: The Distribution of the Sensible。Continuum。  new window
29.Rancière, Jacques、Elliott, Gregory(2009)。The Emancipated Spectator。Verso。  new window
30.Adorno, Theodor W.(1970)。Asthetische Theorie。Frankfurt/Main:Suhrkamp。  new window
31.Bourdieu, Pierre(1983)。Okonomisches Kapital, kulturelles Kapital, soziales Kapital。Soziale Ungleichheiten, soziale Welt。Gottingen:Otto Schartz & Co。  new window
圖書論文
1.哈伯瑪斯(1998)。現代性:一個不完整的方案。反美學:後現代文化論集。台北:立緒文化。  延伸查詢new window
2.Lacy, Suzanne(1995)。Cultural Pilgrimages and Metaphoric Journeys。Mapping the Terrain: New Genre Public Art。Seattle:Bay Press。  new window
3.Benjamin, Walter(1968)。The Work of Art in the Age of Mechanical Reproduction。Illuminations: Essays and reflections。New York:Schocken Books。  new window
 
 
 
 
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