本文由囚與逃與各種時空的關聯切入，指出囚／逃與實／虛、有限／無、色／空、形／神等在詩人創造中如何「跨」與「互動」的關係，並藉現代智能科學針對人的左右腦功能的差異，和其與精神分析、現象學研究的系统性聯結，以理解詩人可能求取的解脫之道或方向。其後就台灣三世代詩人面對不同時空變化的對應方式作一探索，以了解數十年間的三代詩人如何試圖透過「命名的消解」、「文體的跨界」、「論述的抽離」、「流派的出位」、「主客的互溶」等，以跳脫或「逃」出「囚」其身心的「牢籠」，找到安頓自身的表現形式或內容。

This paper is observed from the captivity and escape angle associated with a variety of space-time, pointing out that captivity / escape, real / virtual, yes / no, color / blank form /spirit, etc., how through the ＂cross＂ and ＂interaction＂ to generate the creation of poetry. This thesis also use the right and left brain function, psychoanalysis, phenomenology systematic research links, in order to understand the direction of liberation poet strike. Subsequent to explore Subsequent to explore Taiwan’s three generations of poets face different temporal and spatial variation of a corresponding manner, trying to understand how three generations of poets through the ＂naming digestion＂, ＂stylistic cross＂, ＂discourse detached＂, ＂faction out of place＂, ＂subject and object of miscible＂ etc., to ＂escape＂ the ＂captivity＂ of their physical and mental ＂cage＂ to settle their performance to find the form and content.