臺灣人文及社會科學引文索引資料庫系統

:::

詳目顯示

回上一頁
第 1 筆 / 總合 1 筆   第一頁 上一頁 下一頁 最後一頁
/1頁
題名：演譯中華: 《趙氏孤兒》歐遊記
作者：陳奕廷
作者(外文)：Chen Yi Ting
校院名稱：輔仁大學
系所名稱：跨文化研究所比較文學博士班
指導教授：康華倫
學位類別：博士
出版日期：2014
主題關鍵詞：跨文化；戲劇；翻譯；改編；趙氏孤兒；translation studies；adaptation；theatre；intercultural studies；The Orphan of Zhao
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:21
《趙氏孤兒》作為第一部西傳的中國戲劇，在十八世紀點燃了歐洲對該劇改編的熱潮，寫就了中國在跨文化戲劇交流史上最璀璨的一頁。探尋這一連串改編熱潮的起因，法國耶穌會神父馬若瑟 (Joseph de Prémare, 1666-1736）將《趙氏孤兒》譯成法文，並於1735年，在另一位法籍耶穌會神父杜赫德 (Du Halde, 1674-1743) 所編撰當時有關中國最宏富的百科全書《中國通誌》（Description géographique, historique, chronologique,politique de l’Empire de la Chine et de la Tartarie chinoise）中刊行，無疑是眾多歐洲劇作家爭相改編現象的濫觴。在馬若瑟的譯作於歐陸出版後，義大利歌劇劇作家梅塔斯塔奇奧 (Pietro Metastasio, 1698-1782) 在1752年依馬若瑟翻譯的法文版《趙氏孤兒》完成了歐洲第一個成功在舞台上演出的歌劇改編本; 伏爾泰1755年的劇作《中國孤兒》是《趙氏孤兒》這個劇本在歐洲得享盛名的關鍵改編，長久以來亦是《趙氏孤兒》西傳研究的主角。愛爾蘭劇作家Arthur Murphy在1759年以伏爾泰的《中國孤兒》為基礎，在著意刪改後完成了十八世紀最後一個重要的改編本。莫菲的《中國孤兒》重現了紀君祥《趙氏孤兒》中「搜孤救孤」捨身為君的忠義，並將伏爾泰《中國孤兒》裡的浪漫情節毫無保留地去除，不僅在當時的巡演中盛況空前，也成為十八世紀《趙氏孤兒》改編中最接近紀君祥原作的劇本。本論文嘗試以尊重自我獨立性，致力於破除「忠於原著」 教條束縛的時代潮流觀代這個十八世紀對中國戲劇波瀾壯闊的翻譯改編潮，用嶄新且包容的態度將這個議題賦予新生，捐除和原作一較高下的成見，投以欣賞個別文化特性的目光，揭開譯作與改編內蘊的光采。
The Orphan of Zhao deserves attention because of the part it has played in the literature of the East and the West. The Yuan play which has revenge and retribution as its central theme, was the first Chinese play to be rendered into any European language and the only Chinese play that has left an imprint in Western drama. When the Yuan play was first introduced to Europe in the incomplete translation by father Joseph Henri Prémare (1666-1736), a French Jesuit missionary in 1735 (in ]. B. du Halde's Description Géographique, Historique, Chronologique, Politique et Physique de l'Empire de la Chine et de la Tartarie Chinoise). The Orphan of Zhao was well-received throughout Europe with the vogue of chinoiserie at its height. Between 1752 and 1759, the play was adapted into Italian (Metastasio) , French (Voltaire) and English (Murphy). In Vienna, the Italian playwright Pietro Metastasio had received a request from Empress Maria Theresa to write a drama for a court performance. Thus, in 1752, he produced L'Eroe cinese. For the play, he had taken inspiration of The Orphan of Zhao and specifically mentions the story in Du Halde's book. However, as Metastasio was restricted by the number of actors (namely five) and duration, his play had a rather simple plot. In 1755, Voltaire wrote his L'Orphelin de la Chine. About his adapted play, Voltaire's thesis was that of a story exemplifying morality, that is as he explained, that genius and reason has a natural superiority over blind force and barbarism. In 1759, the Irish playwright Arthur Murphy wrote his Orphan of China. He stated that he had been attracted by Prémare's play, but his play even more resembles Voltaire's L'Orphelin de la Chine. Murphy's Orphan of China was first performed in April 1759 and became highly successful in England. Within ten years, playwrights of three countries had adapted the Yuan play to their own needs. Metastasio interpreted his image of China with rigid structure of opera seria. Voltaire found the ideal of absolutism governed by virtue and reason in ancient China even if he had to idealize Genghis Khan in the process. Murphy found that the divine right of kings and virtue can coexist in a fictitious China ruled by the tyrant Genghis Khan. This thesis, thus, tries to analyze the translation of Prémare, and the mentioned three importante adaptations during the eighteenth century with Antoine Berman’s view of translation criticism as well as the theory of adaptation of Linda Hutcheon. The ways of The Orphan of Zhao’s translation and adaptation suggest that the life and reincarnation of a subject matter or literary motif is determined by the ideological or psychological need of a specific time and place.
Testi Trattati:

Ji Junxiang, 趙氏孤兒Zhaoshiguer, Shanghai: Editoria Shanghai Guji, 2010 (ristampato).

Julien, Stanislas. Tchao-chi-koueul, ou L’Orphelin de la Chine. Paris : Moutardier, 1834.

Lekain, Henri Louis. Mémoires. Paris : Colnet, 1801.

Metastasio, Pietro. L’eroe cinese, in: Pietro Metastasio, Drammi per musica: L’età teresiana, 1740-1771. in Laura Bellina, Anna, 3 vols. vol.3, Milano: Marsilio, 2009.

Murphy, Arthur. The Orphan of China. London : Printed for P. Vaillant, 1759.

Prémare, Josephe de. Tchao chi cou ell, ou le Petit Orphe1in de la Maison des Tchao. Tragédie chinoise, in Du Halde, Description géographique, historique, chronologique, politique et physique de l'empire de la Chine et de la Tartarie chinoise, Parigi, 1732, vol. 3, pp. 339-378.

Voltaire. L’Orphelin de la Chine. In Oeuvres completes de Voltaire, Vol. 5. Paris : Impr. de la Société littéraire-typographique, 1784.

Bibliografia essenziale :

“Ad Antonio Tolomeo Trivulzio, Milano,”Lettera 542, Vienna 9 Gennaio 1752, in Brunelli, Bruno. Tutte le opere di Pietro Metastasio, 3 vols., vol3, Milano: Mondadori, 1952, pp. 707-08.

Aldridge, Alfred Owen. Voltaire and the century of light. Princeton, N.J. : Princeton University Press, 1975.

Antoine Berman, La traduzione e la lettera o l’albergo nella lontananza, trad. Gino Giometti, Macerata: Quodlibet, 2003.

Angela C. Pao. The Orient of the Boulevards: Eoticism, Empire, and Nineteenth-Century French Theater. Philadelphia: University of Pennsylvania Press, 1997.

Appleby, Joyce. “Consumption in Early Modern Social Thought.” In Consumption and the World of Goods, ed John Brewer and Roy Porter, 162-76. Londra: Routledge, 1993.

Bassnett, Susan. La traduzione. Teorie e pratica. Milano: Bompiani, 2003.

Bayo, Manuel. China-Occidente : interculturalismo y teatro. Capital Federal : Nueva Generacion, 1998.

Beales, Derek. Enlightenment and reform in 18th-century Europe. New York: I.B. Tauris, 2005.

Beloff, Max. The age of absolutism, 1660-1813. N. Y : Harper, 1966.

Bérenger, Jean. A History of the Habsburg Empire. London: Routledge, 1994.

Berg, Maxine, e Helen Cliffford, eds. Consumers and Luxury: Consumer Culture in Europe, 1650-1850. Manchester: Manchester University Press, 1999.

Bertuccioli, Giuliano e Masini, Federico. Italia e Cina. Roma: Laterza, 1996.

Bhabha, Homi K. "Cultural Diversity and Cultural Differences." The Post-colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths and Helen Tiffm. 2nd ed. London: Routledge, 2006.

Bianconi, Lorenzo. Il teatro d'opera in Italia. Geografia, caratteri, storia. Bologna: il Mulino, 1993.

Binni, Walter. L' Arcadia e il Metastasio. Venezia: La Nuova Italia, 1968.

Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. New York : Hill and Wang, 1964.

Brown, F. C. Elkanah Settle: His Life and Works, Chicago: University of Chicago Press, 1910.

Bruce, Harold Lawton. Voltaire on the English Stage. California: University of California Press, 1978.

Bruno Osimo, Storia della traduzione, Milano: Hoepli, 2002.

Brusantin, Manlio. Storia dei colori. Torino: Einaudi, 1999.

Cardwell, Sarah. Adaptation revisited. Television and the classic novel. Manchester : Manchester University Press, 2002.

Carlson, Marvin A. Voltaire and the theatre of the eighteenth century. Westport, Conn. : Praeger, 1998.

Carpanetto, Dino e Giuseppe Ricuperati. L’Italia del Settecento: crisi, trasformazioni, lumi. Roma: Laterza, 1986.

Catford, John Cunnison. A Linguistic Theory of Translation, Oxford: Oxford University Press, 1965.

Cecchi, Emilio and Natalino Sapegno, Eds. Storia della Letteratura Italiana. 9 Vol., Milano: Garzanti, 1974, Vol. VI.

Chambers, E.K. The Elizabethan stage. Qxford: Clarendon Press, 1923, 4 vol., tomo III.

Chegai, Andrea. L' esilio di Metastasio. Forme e riforme dello spettacolo d'opera fra Sette e Ottocento. Milano: Le Lettere, 1998.

Chen, Shouyi. “The Chinese Orphan: A Yuan Play. Its Influence on European Drama of the Eighteenth Century.” T’ien Hsia Monthly, 4 (1936), pp. 89-115.

Chung Si Cheng, Lu Kuei Pu, Pechino : Editoria Letteratura mondiale, 1957 (ristampato).

Claudia Marie Kovach, “Reconsidering the‘Victor Vanquished’: Panoplies of Power in Voltaire’s L’Orphelin de la Chine,” Studies in Language and Literature 5 (1992): 59-76.

Cohen, Keith. Film and fiction. The dynamics of exchange. New Haven: Yale University Press, 1979.

Cordier, Henri. La Chine en France au XVIIIe siècle. Paris : H. Laurens, 1910.

De Van, Gilles. L’opera italiana. Roma: Carocci, 2002.

Derrida, Jacques,《Des Tours de Babel》, in J.F. Graham (ed.), Difference in Translation, Cornell University Press : Ithaca, 1985.

Diderot, D. Poésie Dramatique, XX, Des vêtements, in Entretiens sur le fils naturel, De la poésie dramatique, Paradoxe sur le comédien, a cura di J. Goldzink, Paris : Flammarion, 2005.

Étiemble, René. L'Europe chinoise v. 2. De la sinophilie a la sinophobie. Paris : Gallimard, 1989.

Fan, Cunzhong. “The Beginnings of the Influence of Chinese Culture in England.” Waiguoyu, 6 (1982).

Fontana, Michela. Matteo Ricci. Un gesuita alla corte dei Ming, Milano: Mondadori, 2005.

Freeman, Lisa. Character’s Theater: Genre and Identity on the Eighteenth Century-English Stage. Philadelphia: University of Pennsylvania Press, 2002.

Fubini, Enrico. Musica e cultura nel Settecento europeo. Torino: EDT, 1987.

Galasso, Giuseppe. Storia d’Europa. Roma: Laterza, 1996.

Gardiner, K.H.J. The Roman Empire in Chinese Sources, vol. XV, in Studi Orientali, Roma: Università di Roma, 1996, pp. 47-69.

Genette, Gérard. Palimpsestes. La littérature au second degré. Paris : Seuil, 1982.
Gernet, Jacques. Chine et christianisme, action et réaction, Paris :Gallimard, 1982.

Gibbon, Edward. The History of the Decline and Fall of the Roman Empire. Vol. 4, ed. J. B. Bury. New York: Heritage Press, 1978.

Goldsmith, Oliver. Citizen of the World, or Letters from a Chinese Philosopher Residing in London to His Friends in the East. 1762. Ristampato, Londra: Folio Society, 1969.

Greenblatt, Stephen. ed. Cultural Mobility: A Manifesto. Cambridge: Cambridge University Press, 2009.

Grout, Donald Jay e Hermine Weigel Williams. A Short History of Opera. New York: Columbia University Press, 1988 (terza edizione).

Guy, Basil. The French Image of China before and After Voltaire. Geneva: Institut et Musée Voltaire, 1989.

Harvey, David Allen. The French Enlightenment and its others : the Mandarin, the savage, and the invention of the human sciences. New York: Palgrave Macmillan, 2012.

Heller, Eva. Psychologie de la couleur: effets et symboliques. Paris : Pyramyd, 2009.

Herre, Franz. Maria Teresa. Il destino di una sovrana. Milano: Mondadori, 2000.

Honour, Hugh. Chinoiserie: The Vision of Cathay. London: John Murray, 1961.

Hsia, Adrian. “ The Orfan of the House Zhao in French, English, German, and Hong Kong Literature.” Comparative Literature Studies, XXV/ 4 (1988), pp. 335-351.

Hsu Tao-ching. The Chinese conception of theatre. Washington: U.P., 1985.

Hume, David. A Treatise of Human Nature. Ed. L. A. Selby-Bigge. Oxford: Clarendon Press, 1978.

Hung, Ho-Fung. Orientalist Knowledge and Social Theories: China and the European Conceptions of East-West Differences from 1600 to 1900. Sociological Theory, Vol. 21, No. 3 (Sep., 2003), pp. 254-280.

Hutcheon, Linda. A Theory of Adaptation. New York: Routledge, 2006.

Iotti, Gianni. "Voltaire as story-teller” In The Cambridge companion to Voltaire, ed. Nicholas Cronk, 89-114. Cambridge ; New York : Cambridge University Press, 2009.

Israël Fortunato. « La traduction littéraire: l’appropriation du texte », in La Liberté en traduction, Paris : Didier Erudition, 1991.

Jacobson, Dawn. Chinoiserie. London : Phaidon Press, 1993.

Kivy, Peter. Osmin’s Rage: Philosophical Reflections on Opera, Drama and Text. Princeton: Princeton University Press, 1988.

Krause, Sharon. “Despotism in the Spirit of Laws.” In Montesquieu’s Science of Politics: Essays on The Spirits of Laws, ed. David W. Carrithers, pp. 231-72. Lanham, Md.: Rowman & Littlefield, 2001.

Ladmiral, Jean-René. Traduire : théorèmes pour la traduction. Paris: Gallimard, 1979.

Lanciotti, Lionello. Letteratura cinese. Roma: ISIAO, 2007.

Lavezzi, Gianfranca. Metastasio: Melodrammi e Arie. Milano: Bur, 2007.

Legge, James. Chinese Classics. vol. 5, Taipei: SMC Publication, 1991.

Lefevere, Andre, "Mother Courage’s Cucuber: Text, System and Refraction in “A Theory of Literature." The Translator Studies Reader. London: Routledge, 2000. 239-255.

---. Traduzione e riscrittura. La manipolazione della fama letteraria (1992), trad. it., UTET, Torino, 1998.

---."Why Waste Our Time on Rewrites?" The Manipulation of Literature: Studies in
Literary Translation. Ed. Theo Hermans. London: Croom Helm, 1985. 215-243.


Liu, Wu-Chi.“The Original Orphan of China.” Comparative Literature 5 (1953). pp. 193-212.

Margot, Jean-Claude. Traduire sans trahir. Lausanne : L’Age d’homme, 1979.

Masini, Federico. Italia e Cina. Roma: Laterza, 1996.

Mckeon, Michael. The Origins of the English Novel, 1600-1740. Baltimore: John Hopkins University Press, 1987.

Michael E. Yonan.“Veneers of Authority: Chinese Lacquers in Maria Teresa’s Vienna,” Eighteenth Century Studies 37, N.4 (2004).

Mignini, Filippo. Padre Matteo Ricci: l’Europa alla corte dei Ming. Milano: Edizioni Gabriele Mazzotta, 2003.

Mona Baker, Routledge encyclopedia of translation studies, London and New York: Routledge, 2004.

Montesquieu, Charles-Louis de Secondat. The Spirits of Laws. Ed. David Wallace Carrithers. Berkeley: University of California Press, 1977.

Mounin, Georges. Les problemes theoriques de la traduction. Paris : Gallimard, 1963.

Muller, Herbert J. The Spirit of Tragic. New York: Washington Square Press, 1965.

Mungello, David. Curious Land: Jesuit Accommodation and the Origins of Sinology. Honolulu: University of Hawaii Press, 1989.

---. The great encounter of China and the West, 1500-1800. Lanham: Rowman & Littlefield Publishers, 2009.

Nicoll, Allardyce. A History of Early Eighteenth Century Drama 1700-1750. California: The University Press, 2010.

Pastoureau, Michel. Noir - Histoire d'une couleur. Paris : Editions du Seuil, 2008.

Pavis, Patrice. Theatre at the crossroads of culture. London: Routledge, 1992.

Pergnier, Maurice . Les fondements socio-linguistiques de la traduction. Lille : Presses universitaires de Lille, 1978.

Qian Zhongshu, [Ch'ien Chungshu], "Tragedy in Old Chinese Drama", T'ien Hsia Monthly, l, l, Ag. 1935. pp. 135-158.

R. Del Donna, Anthony e Pierpaolo Polzonetti, Eds. The Cambridge Campanion to Eighteenth- Century Opera. UK: Cambridge University Press, 2009.

Reichwein, Adolf. China and Europe: Intellectual and Artistic Contacts in the Eighteenth Century. Taipei: Ch’eng-wen Publishing, 1967.

Ricoeur, Paul. La traduzione:una sfida etica, traduzione di Bertoletti Ilario e Mara Gasbarrone. Brescia: Mocelliana, 2007.

Rousseau, Jean-Jacques. Discours sur les sciences et les arts. Genève : Barillot & fils, 1751

Rowbotham, Arnold H. “Voltaire, Sinophile”. PMLA, Vol. 47, No. 4 (1932), pp. 1050-1065.

Sabattini, Mario e Paolo Santangelo. Storia della Cina. Roma: Laterza, 2005.

Said, Edward W. Orientalismo : L'immagine europea dell'Oriente, traduzione di Stefano Galli. Milano: Feltrinelli, 2013.

Sala di Felice, Elena.“Delizie e saggezza dell’antica Cina secondo Metastasio.”Accademia Clementina. Atti e memorie 30 (1992), pp. 207-221.

Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006.

Savarese, Nicola. Teatro e Spettacolo fra Oriente e Occidente. Roma: Laterza, 2001 (V. edizione).

Schmidgall, Gary. Literature as opera. New York : Oxford Unicersity Press, 1977.

Sekora, John. Luxury: The Concept in Western Thought, Eden to Smollett. Baltimore: John Hopkins University Press, 1977.

Sieber, Patrice. Theaters of desire. New York: Palgrave Macmillan, 2003.

Spence, Jonathan D. The Chan’s Great Continent: China in Western Minds. New York: Norton, 1998.

Steiner, George. After Babel. 2nd Edition. Oxford: Oxford UP, 1992.

---. The Death of Tragedy. London, Faber and Faber, 1961.

Strohm, Reinhard. L’opera italiana nel Settecento. Venezia: Marsilio, 1997.

Thomas Percy. Miscellaneous Pieces Relating to the Chinese. Londra, 1762.

Veca, Salvatore. L'idea di incompletezza. Milano: Feltrinelli Editore, 2011

Voltaire. Aventure indienne. In Traité sur la tolérance. Paris : Moland, 1763.

---. Oeuvres complètes de Voltaire: Essai sur les moeurs. Annales de l'empire. Paris: Moland, 1786.

W. L. Idema, "The Orphan of Zhao: Self-Sacrifice, Tragic Choice and Revenge and the Confucianization of Mongol Drama at the Ming Court," Cina.21 (1988). pp. 331-353.

Wang Kuo Wei, Song Yuan Qiqiu Shi (Storia del teatro durante le dinastie Song e Yuan). Pechino: Commercial Press, 1915.

Watson, Walter.“Montesquieu e Voltaire on China.”Comparative Civilizations Review 2 (1989), pp. 38-51.

Wellington, Marie. The Art of Voltaire's Theater: An Exploration of Possibility. Bern: Peter Lang, 1987.

Wenjie, Yu. Tradizione e realtà del teatro cinese. Milano: ICE, 1995.

William H. Sun, “The Orphan of Chao and China: A Comparative Study Of Three Revenge Plays by Ji Junxiang, Voltaire and Shakespeare,” in Text and Presentation: The Journal of the Comparative Drama Conference 11 (1991): pp. 25-51.

Wittuck, Charles. The “Good Man” of the Eighteenth Century. Londra: George Allen, 1999.

Xiping, Zhang. Following the steps of Matteo Ricci to China. Taipei: Zhong Xin, 2006.

Zhang, Longxi. Mighty Opposites: From Dichotomies to Differences in the Comparative Study of China. Stanford: Stanford University Press, 1998.

Zoli, Sergio. La Cina e la cultura italiana dal Cinquecento al Settecento. Bologna: Patron, 1973.
---. La Cina e l’età dell’Illuminismo in Italia. Bologna: Pàtron, 1974.

 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關博士論文
 
無相關著作
 
QR Code
QRCODE

臺灣人文及社會科學引文索引資料庫

目前上線人數：1459（臺灣：1452，外國：7） ／ 本年度總使用人次：1563831 ／ 訪客人次（自102年09月）：67364344
國家圖書館著作權聲明 Copyright © 2013 All rights reserved.
本館地址: 100201臺北市中山南路20號． 本館地圖及交通資訊．
總機：(02)23619132．最佳瀏覽解析度為1024x768以上