A very striking phenomenon, related to the birth of the so-called "new literatures in English" of the post-colonial period, in the second half of the 20th century in the United States, is the hegemony of writers from the mainstream being sharply challenged from the exciting writing done by "minority" or "ethnic" writers, whether they are Asian, African, Latino or Chicano. What these writers have in common are their multilinguality and their multiculturalism. They represent a "nonwhite" minority population in a largely white country. Sandra Cisneros, a most prominent representative of Chicana Literature, is a native of the Midwest, Chicago, where she grew up among Puerto Ricans. She wrote many poems and short prose pieces that appeared in magazines and anthologies before the publication in 1983 of The House on Mango Street, a work she completed as a National Endowment for the Arts Fellow and won the Before Columbus American Book Award in 1985. It is dedicated: "A las Mujeres/To the Women", and it contains forty-four vignettes ranging from one paragraph to five pages. Through these brief lyrical narratives, the narrator, a girl named Esperanza, recounts her growth from puberty to adolescence within the sociopolitical frame of poverty, racial discrimination, and gender subjugation. The book's action is propelled by three major themes: the girl's desire to find a suitable house, to find her identity, and to become a writer. These themes are inextricably interrelated, and the resolution of the themes of house and identity is to be achieved by her role as writer.