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題名:紀錄片/奇觀/文化異質:以《蘭嶼觀點》與《私角落》為例
書刊名:中外文學
作者:邱貴芬 引用關係
作者(外文):Chiu, Kuei-fen
出版日期:2004
卷期:32:11=383
頁次:頁123-140
主題關鍵詞:蘭嶼觀點私角落文化異質奇觀東方主義表演性原住民同志紀錄片
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(7) 博士論文(2) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:7
  • 共同引用共同引用:0
  • 點閱點閱:125
期刊論文
1.Dirlik, Arif(1995)。Confucius in the Borderlands: Global Capitalism and the Reinvention of Confucianism。Boundary 2,22(3),229-273。  new window
2.Dirlik, Arif(1994)。The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism。Critical Inquiry,20(2),328-356。  new window
3.田玉文(1994)。深入問題的核心--從《蘭嶼觀點》的眾聲中出發。電影欣賞,69,23-35。  延伸查詢new window
4.胡台麗(19931100)。「蘭嶼觀點」的原點--民族誌電影的實踐。電影欣賞,11(6)=66,21-26。  延伸查詢new window
5.李道明(1994)。見一百年來臺灣電影及電視對臺灣原住民的呈現。電影欣賞,12(3),55-64。  延伸查詢new window
6.陳蓁美(1993)。《蘭嶼觀點》的多面觀點:《蘭嶼觀點》試映會後座談。電影欣賞,11(6),14-20。  延伸查詢new window
圖書
1.Minh-ha, Trinh T.(1992)。Framer Framed。New York。  new window
2.Bruzzi, Stella(2000)。New Documentary: A Critical Introduction The Global in the Local。London/New York。  new window
3.Tomlinson, John(1991)。Cultural Imperialism: A Critical Introduction。Baltimore:The Johns Hopkins University Press。  new window
4.Minh-ha, Trinh T.(1991)。When the moon waxes red: Representation, gender and cultural politics。Routledge。  new window
5.McQuire, Scott(1998)。Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera。Sage。  new window
6.Nichols, Bill(1991)。Representing Reality: Issues and Concepts in Documentary。Indiana University Press。  new window
7.Sturken, Marita、Cartwright, Lisa(2001)。Practices of Looking: An Introduction to Visual Culture。Oxford University Press。  new window
8.Rabinowitz, Paula(1994)。They Must be Represented: The Politics of Documentary。Verso。  new window
9.Bourdieu, Pierre(1992)。Did You Say ‘Popular’?。Language and Symbolic Power。Cambridge。  new window
10.Clifford, James(1988)。On Ethnographic Authority。The Predicament of Culture: Twentieth-century Ethnography, Literature, and Art。Cambridge。  new window
11.Cowie, Elizabeth(1999)。The Spectacle of Actuality。Collecting Visible Evidence。Minneapolis。  new window
12.Dirlik, Arif(1996)。Looking Backward in the Age of Global Capital: Thoughts on History in Third World Cultural Criticism。In Pursuit of Contemporary East Asian Culture。Boulder。  new window
13.Dirlik, Arif(2001)。Asians on the Rim: Transnational Capital and Local Community in the Making of Contemporary Asian America。Places and Politics in an Age of Globalization。New York。  new window
14.Fusco, Coco(1996)。The Other History of Intercultural Performance。The Visual Culture Reader。London/New York。  new window
15.Ginsburg, Faye(1999)。The Parallax Effect: The Impact of Indigenous Media on Ethnographic Film。Collecting Visible Evidence。Minneapolis。  new window
16.Leuthold, Steven(1998)。Indigenous Aesthetics: Native Art, Media, and Identity。Indigenous Aesthetics: Native Art, Media, and Identity。Austin。  new window
17.Lukehaus, Nancy、Cool, Jenny(1999)。Paradigms Lost and Found: The ‘Crisis of Representation’ and Visual Anthropology。Collecting Visible Evidences。London。  new window
18.MacDougall, David(1994)。Whose Story is it?。Visualizing Theory: Selected Essays from V. A. R. 1990-1994。New York。  new window
19.Nichols, Bill(1994)。The Ethnographers’ Tale。Blurred Boundaries: Questions of Meaning in Contemporary Culture。Bloomington。  new window
其他
1.李道明(2002)。臺灣紀錄片的美學問題初探,臺北。  延伸查詢new window
圖書論文
1.Rosen, Philip(1993)。Document and Documentary: On the Persistence of Historical Concepts。Theorizing Documentary。New York:Routledge。  new window
2.Ruby, Jay(2000)。Speaking for, Speaking about, Speaking with, or Speaking Alongside。Picturing Culture: Explorations of Film and Anthropology。Chicago:University of Chicago Press。  new window
 
 
 
 
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