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題名:藝術自由與嘲諷性模仿之著作權侵害判斷
書刊名:成大法學
作者:林昱梅 引用關係
作者(外文):Lin, Yuh-may
出版日期:2004
卷期:7
頁次:頁129-234
主題關鍵詞:藝術自由嘲諷性模仿著作權著作人格權著作財產權合理使用轉化性利用聯想標準CopyrightMoral rightsEconomic rightsArtistic freedomParodyFair useTransformative useConjure up test
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(6) 博士論文(1) 專書(1) 專書論文(1)
  • 排除自我引用排除自我引用:6
  • 共同引用共同引用:48
  • 點閱點閱:281
嘲諷性模仿是一種以幽默反諷的方式利用他人作品,並具有批評意義之藝術創作。為使讀者能夠辨識出模仿對象,嘲諷性模仿者常利用被模仿作品最有特色的部分,因而有侵害著作權之疑慮。嘲諷性模仿是一種藝術創作,享有藝術自由,被利用作品的著作權人格權與著作財產權,也受憲法位階的人格權與財產權保障。故嘲諷性模仿是否侵害著作權之問題,基本上是一種基本權衝突,立法者與法院應本於利益衡量之立場調和此種衝突。就此美國與德國均有不少足資借鑑之案例。美國實務上係以在著作權法上之是否為「合理使用」作為解決問題的方法;德國則以是否屬著作權法第二十四條之「自由利用」為解決模式,二者皆為解決基本權衝突的方法。 我國著作權法第十七條「禁止不當變更權」規定中,有「致損害其名譽」之要件,足以提供法院針對嘲諷性模仿之藝術自由與著作人格權衝突為利益衡量之依據。至於嘲諷性模仿之藝術自由與著作財產權之衝突,我國著作權法第六十五條第二項之四個合理使用之判斷要素,可作為利益衡量之判斷標準。雖然我國著作權法對於嘲諷性模仿是否侵害著作財產權之問題,有適當的條文可以適用,不過基於對藝術自由之重視,與藝術創作之鼓勵,本文認為應於著作權法新增條文,規定基於藝術創作之目的所為之著作利用,得主張合理使用。
Abstract Parody is an ironic imitation of another work for the purpose of criticism and humor. A parody must inevitably make use of another creative work because to be effective a parody must make the audience realize the parodied work. The reference to another artist's work, which often entails copying of the source, may constitute copyright infringement. Parody, as a method of criticism, may also injure an artist's honor or reputation by changing the content of the original work. Virtually, parody is an artistic creation and protected by artistic freedom. The author's moral rights and economic rights are also subject to constitutional protection. Therefore, the unauthorized use or copying of copyrighted material for parodic purposes lead to conflicts between the basic rights of the parodist and the copyright owners. The "fair use doctrine" of the American Copyright Act and the "free use" provision of the Copyright Act of Germany provide solutions to the problem of interest conflict, which can be good examples for us. Article 17 Copyright Act of Taiwan says "the author has the right to prohibit others from distorting, mutilating, modifying, or otherwise changing the content, form, or name of the work, thereby damaging the author's reputation." The words "thereby damaging the author's reputation" shows a request of interest balance. The Copyright Act of Taiwan enumerates in Article 65 II four "fair use factors" that must be analyzed to determine whether a particular use of a copyrighted work, such as a parody, is fair use. The four factors for determination of fair use are just a basis of the balance of the conflict between the copyright owner and the parodist. For the purpose of the artistic freedom, and regarding the interest in providing incentives to create more art, Copyright Act of Taiwan must add a new provision to refer to the fair use of the copyrighted works for the purpose of the artistic expression.
期刊論文
1.Abramson, Elliot M.(1988)。How Much Copying under Copyright?。Tempel L. Rev.,61,133。  new window
2.Kernberg, Adine Y.(1993)。The Right to Bear Art: The Impact of Municipal Anti-peddling Ordinances on the first Amendment Rights of Artists。Columbia-VLA Journal of Law and the Arts,18,155。  new window
3.Lehr, Paul Tager(1994)。Note: The Fair-Use Doctrine before and after "Pretty Woman's" unworkable, Framework: The Adjustable Tool for Censoring Distasteful Parody。Fla. L. Rev.,46,443。  new window
4.Marquis, Mel(1997)。Fair Use of the First Amendment: Parody and its Protections。SHCLJ,8,123。  new window
5.Nahmod, Sheldon H.(1987)。Artistic Expression and Aesthetic Theory: The Beautiful, The Sublime and The First Amendment。Wisconsin Law Review,221-263。  new window
6.(1984)。The Parody Defense to Copyright Infringement。Harv L. Rev.,97,1395。  new window
7.O'Neil, Robert M.(1990)。Artistic Freedom and Academic Freedom。Law & Contemp Probs.,53,177。  new window
8.Yonover, Geri J.(1996)。The Precarious Balance: Moral Rights, Parody, and Fair Use。Cardozo Arts and Entertainment Law Journal,14,79。  new window
9.Von Becker, Bernhard(2000)。Zitat und Kunstfreiheit。ZUM,864。  new window
10.Henschel, Johann Friedrich(1990)。Die Kunstfreiheit in der Rechtsprechung des BVerfGE。NJW。  new window
11.Platho, Rolf(1992)。Die Parodie: eine freie Bearbeitung nach §23 UrhG。GRUR,360。  new window
12.馮震宇、胡心蘭(20010700)。論美國著作權法合理使用原則之發展與適用。中原財經法學,6,159-225。new window  延伸查詢new window
學位論文
1.林昱梅(1993)。藝術自由之研究--藝術自由之保障、限制與藝術之扶助(碩士論文)。輔仁大學。  延伸查詢new window
2.陳怡凱(1995)。基本權之衝突:以德國法為中心(碩士論文)。國立臺灣大學,臺北。  延伸查詢new window
圖書
1.曾陳明汝(2001)。商標法原理。曾陳明汝。new window  延伸查詢new window
2.楊崇森(1983)。著作權法論叢。華欣出版社。  延伸查詢new window
3.蕭雄淋(200103)。著作權法論。臺北:五南。  延伸查詢new window
4.沙蓀、黃中憲(2003)。蒙娜麗莎五百年。貓頭鶯出版社。  延伸查詢new window
5.劉慶瑞(1986)。中華民國憲法要義。  延伸查詢new window
6.謝東山(2000)。藝術概論。偉華書局。  延伸查詢new window
7.Fromm, Friedrich Karl、Nordemann, Wilhelm(1988)。Urheberrecht。Stuttgart。  new window
8.Jarass, Hans、Pieroth, Bodo(1995)。GG。München。  new window
9.Katz, Alfred(1996)。Staatsrecht。Heidelberg。  new window
10.Maunz, Theodo、Dürig, Günter(1989)。GG。München。  new window
11.Von Mangoldt, Hermann、Klein, Friedrich(1985)。GG。München。  new window
12.Rehbinder, Manfred(2001)。Urheberrecht。München。  new window
13.Schack, Haimo(2001)。Urheber- und Urhebervertragsrecht。Tübingen。  new window
14.Stuhlcrt, Sabine(2002)。Die Behandlung der Parodie im Urheberrecht。München。  new window
15.Richter, Hans、吳瑪悧(1988)。達達:藝術和反藝術,達達對二十世紀藝術的貢獻。臺北:藝術家。  延伸查詢new window
16.Tatarkiewicz, Wladyslaw、劉文潭(1989)。西洋六大美學理念史。聯經出版事業股份有限公司。  延伸查詢new window
17.羅明通(2002)。著作權法論。臺北:台英國際商務法律事務所。  延伸查詢new window
18.蕭雄淋(1999)。新著作權法逐條釋義。台北市:五南圖書出版股份有限公司。  延伸查詢new window
19.蕭雄淋(1995)。著作權法漫談精選。台北:月旦。  延伸查詢new window
20.Hutcheon, Linda(1985)。A theory of parody : the teachings of twentieth-century art forms。New York。  new window
21.陳新民(19991000)。中華民國憲法釋論。臺北市:陳新民。  延伸查詢new window
22.陳慈陽(2004)。憲法學。元照出版有限公司。  延伸查詢new window
23.李建良、陳新民(1992)。憲法人權與憲法裁判。  延伸查詢new window
24.李惠宗(2001)。憲法要義。臺北:元照。  延伸查詢new window
25.Hutcheon, Linda(1988)。A Poetics of Postmodernism: History, Theory, Fiction。London:Routledge。  new window
26.陳朝平(2000)。藝術概論。台北市:五南。  延伸查詢new window
27.Rose, Margaret A.(1993)。Parody: ancient, modern, and post-modern。Cambridge University Press。  new window
28.彭吉象(1994)。藝術學概論。臺北:淑馨出版社。  延伸查詢new window
29.Schricker, Gerhard(1999)。Urheberrecht。München。  new window
其他
1.焦桐。台灣文學的街頭運動,http://wwwhornbill.cdc.net.my/collection/jiaotong/s0209a2.htm。  延伸查詢new window
圖書論文
1.Denninger, E.(1989)。Freiheit der Kunst。Handbuch des Staatsrechts der Bundesrepublik Deutschland。Heidelberg。  new window
2.林昱梅(2001)。著作之引用與藝術自由。當代公法新論:翁岳生教授七秩誕辰祝壽論文集。元照。  延伸查詢new window
3.許宗力(1999)。基本權的功能與司法審查。憲法與法治國行政。台北:元照。  延伸查詢new window
4.張懿云(1997)。詼諧諷剌性作品在著作權法上的問題。智慧財產權與國際私法:曾陳明汝教授六秩誕辰祝壽論文集。  延伸查詢new window
5.賀德芬(1994)。言論自由與著作權的保護--兼談著作權的限制。文化創新與商業契機。元照。new window  延伸查詢new window
 
 
 
 
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