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題名：合製文化：反思全球化下的國際電影合製
書刊名：新聞學研究
作者：魏玓 引用關係
作者(外文)：Wei, Ti
出版日期：2006
卷期：89
頁次：頁127-164
主題關鍵詞：文化全球化；國族電影；國際電影合製；電影政策；歐影；Cultural globalization；National cinema；International film co-production；Film policy；Eurimages
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(7) 博士論文(1) 專書(1) 專書論文(2)
  • 排除自我引用排除自我引用:6
  • 共同引用共同引用:10
  • 點閱點閱:91
在好萊塢電影工業的強勢主控以及文化全球化的脈絡下，各國經常採用國際合製（international co-production）策略以維繫本國電影工業；台灣政府近年來也加入推動行列。但國際電影合製不僅是經濟行為，更涉及了不同文化與藝術之交流以及其間複雜的權力動態關係。本文從國際電影合製的發展歷史與爭議切入，並以重要國際合製計劃與組織為例回應相關議題和辯論，嘗試對台灣電影政策有所啟發和提示。
In the context of cultural globalization and Hollywood’s domination in the global film market, many national governments have adopted international co-production as a strategy of maintaining and developing the domestic film industry. Recently, the Taiwan government has also proposed similar co-production projects. However, the international co-production of film is not only an economic practice but also relates to a cultural and artistic inter-exchanges and complex power dynamics. The paper starts with a critical review of the history and theories of international co-production and then takes some major international co-production programs and organizations as case studies in responding to related issues and debates. Based on the findings the paper aims to provide some suggestions on Taiwan’s co-production policy.
期刊論文
1.Klein, Christina(2004)。Crouching Tiger, Hidden Dragon: A Diasporic Reading。Cinema Journal，43(4)，18。  new window
2.Higson, Andrew(1989)。The Concept of National Cinema。Screen，30(4)，36-46。  new window
3.魏玓(20041200)。從在地走向全球：臺灣電影全球化的歷程與類型初探。臺灣社會研究，56，65-92。new window  延伸查詢new window
4.馮建三(20000900)。國家主權與廣電管制：一個動態觀點，從歐洲聯盟「電視無疆界」十年史談起。傳播文化，8，317-338。new window  延伸查詢new window
5.Jakel, A.(2003)。Dual Nationality Film Productions in Europe after 1945。Historical Journal of Film, Radio & Television，23(3)，231-244。  new window
6.Finn, A.、Hoskins, C.、McFadyen, S.(1996)。Telefilm Canada Investment in Feature Films: Empirical Foundations for Public Policy。Canadian Public Policy，22(2)，151-161。  new window
7.Hoskins, C.、McFadyen, S.(1993)。Canadian Participation in International Co-productions and Co-ventures in Television Programming。Canadian Journal of Communication，18(2)，219-236。  new window
8.Jackel, A.(2001)。The Search for the National in Canadian Multilateral Cinematographic Co-productions。National Identities，3(2)，155-167。  new window
會議論文
1.魏玓(2005)。國際電影合製之理論與實際的相關議題初探：「歐影」（Eurimages）的啟發與參照。0。  延伸查詢new window
研究報告
1.盧非易(2003)。歐盟之影視政策研究。0。  延伸查詢new window
學位論文
1.許靜文(2004)。全球化脈絡下的華語武俠電影分析，0。  延伸查詢new window
圖書
1.Miller, T.、Govil, N.、McMurria, J.、Maxwell, R.(2001)。Global Hollywood。London：BFI。  new window
2.Curren, J. P.(2002)。Media and power。Routledge。  new window
3.Hoskins, Colin、McFadyen, Stuart、Finn, Adam(1997)。Global Television and Film: An Introduction to the Economics of the Business。Oxford University Press。  new window
4.Tomlinson, John(1999)。Globalization and Culture。Polity Press。  new window
5.Hobsbawm, Eric J.(1990)。Nations and Nationalism Since 1780: Programme, Myth, Reality。Cambridge University Press。  new window
6.Gellner, Ernest(1983)。Nations and Nationalism。Cornell University Press。  new window
7.Anderson, Benedict(1991)。Imagined Communities: Reflections on the Origin and Spread of Nationalism。Verso。  new window
8.Johnston, Carla B.(1997)。國際電視合作：從入門到成功。國際電視合作：從入門到成功。臺北。  延伸查詢new window
9.(2006)。臺北電影節觀察筆記：加拿大篇。臺北電影節觀察筆記：加拿大篇。臺北。  延伸查詢new window
10.魏玓(2005)。是出口還是深淵：臺灣國際合製路線的評估與檢討。中華民國九十四年電影年鑑。臺北。  延伸查詢new window
11.Dobson, J.(1999)。Nationality, Authenticity, Reflexivity: Kieslowski's Trois Couleurs: Bleu (1993), Blanc (1993), and Rouge (1994)。French Cinema in the 1990s: Continuity and Difference。Oxford。  new window
12.European Audiovisual Observatory(2004)。Public Funding for Film and Audiovisual Works in Europe: A Comparative Approach。Public Funding for Film and Audiovisual Works in Europe: A Comparative Approach。Strasbourg。  new window
13.Guback, T.(1969)。The International Film Industry: Western Europe and America since 1945。The International Film Industry: Western Europe and America since 1945。Bloomington。  new window
14.Hallenberger, G.、Krewani, A.(1996)。The Aesthetic Side of European Coproductions。European Coproductions in Television and Film。Heidelberg, Germany。  new window
15.Hedetoft, U.(2000)。Contemporary Cinema: Between Cultural Globalisation and National Interpretation。Cinema and Nation。London, UK。  new window
16.Hill, J.(1992)。The Issue of National Cinema and British film Production。New Questions of British Cinema。London, UK。  new window
17.Kallas, C.(1996)。The Benefit and the Cost of Co-production。European Co-productions in Television and Film。Heidelberg, Germany。  new window
18.Moran, A.(1996)。Terms for a Reader: Film, Hollywood, National Cinema, Cultural Identity and Film Policy。Film Policy: International, National and Regional Perspectives。London, UK。  new window
19.Murdock, G.(1996)。Trading Places: The Cultural Economy of Co-production。European Co-productions in Television and Film。Heidelberg, Germany。  new window
20.Nowell-Smith, G.(1985)。But Do We Need It?。British Cinema Now。London, UK。  new window
21.Pendakur, Manjunath(1990)。Canadian Dreams and American Control: The Political Economy of the Canadian Film Industry。Canadian Dreams and American Control: The Political Economy of the Canadian Film Industry。Detroit, MI。  new window
22.Steil, N.(1996)。European Film Financing。European Co-Productions in Television and Film。Heidelberg, Germany。  new window
23.Wasko, Janet(2003)。How Hollywood Works?。London, UK：Sage。  new window
24.Wieland, B.(1996)。European Co-operations and European Industrial Policy in the TV and Film Industry。European Co-productions in Television and Film。Heidelberg, Germany。  new window
其他
1.Inclusion Europe: The European Association of Persons with Intellectual Disability and Their Families，Film Fund Luxembourg(2000)。Annual Report 2000，0。  new window
2.Council of Europe(1988)。Resolution [(88)15]，0。  new window
3.Council of Europe(1992)。European Convention on Cinematographic Coproduction，0。  new window
4.Film Fund Luxembourg(1999)。Annual Report 1999，0。  new window
5.Government of Canada(1983)。The Agreement between the Government of Canada and the Government of the French Republic Concerning Cinematographic Relations，0。  new window
6.Klein, C.(2003)。The Asia Factor in Global Hollywood，0。  new window
7.Ministry of Culture of the Czech Republic(2005)。Report on the State of Czech Cinematography in 2004，0。  new window
8.Ministry of Culture of the Slovak Republic(2005)。Report on the Slovak Audiovisual Situation in 2004，0。  new window
9.Telefilm Canada(2006)。Official Co-productions Mandate, Policies and Requirements，0。  new window
圖書論文
1.李亞梅(2002)。從臥虎藏龍看國際合製路線的迷思。中華民國九十一年電影年鑑。臺北：國家電影資料館。  延伸查詢new window
2.Higson, A.(2000)。The Limiting Imagination of National Cinema。Cinema and Nation。London, UK：Routledge。  new window
3.Jackel, A.(1996)。European Co-production Strategies: The Case of France and Britain。Film Policy: International, National and Regional Perspectives。London：Routledge。  new window
 
 
 
 
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