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題名：Rethinking OCP Effects on Tone Sandhi
書刊名：語言暨語言學
作者：蕭宇超 引用關係
作者(外文)：Hsiao, E. Yu-chau
出版日期：2015
卷期：16:6
頁次：頁927-945
主題關鍵詞：比較性標記；祖父效應；違反落標；連讀變調；Comparative markedness；Grandfathering effect；OCP；Tone sandhi；Violation locus
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:43
  • 點閱點閱:78
「必要差異原則」（OCP）不允許相同的成分彼此毗鄰，這個限制最早是從非洲聲調語言中的聲調異化現象所觀察得。在漢語方言中，語境連讀變調對於相鄰的聲調具敏感性，往往是由OCP效應所導致。本文調查了漢語方言變調的文獻，並觀察在調根、調弧及調域各個層次的OCP效應。本人提出，OCP必須輔予「違反落標」的限制，並且主張，聲調保留並非取決於韻律首或邊端位置之特殊性，而是藉由「祖父效應」所成就。
The obligatory contour principle (OCP), disallowing identical elements to be adjacent, was originally observed in phenomena of tonal dissimilation in African tone languages. In Chinese dialects, contextual tone sandhi, which is sensitive to neighboring tones, is often characterized as resulting from OCP effects. This paper surveys the literature of tone sandhi in Chinese dialects and observes the OCP effects on tone roots, contours, and registers. In terms of comparative markedness, I posit that OCP must be supplemented with locus of violation, and tone retention does not follow from prosodic headship/edge privilege, but is achieved by the grandfathering effect.
期刊論文
1.Cao, Yanjie(2007)。Pitch shifting and neutral tones of Shandong Leling dialect。Journal of Dezhou University，2007(5)，55-60。  new window
2.Cheung, H.(1985)。Tone sandhi of Zhenjiang。Dialect，1985(3)，191-204。  new window
3.Fang, Songxi(1987)。Disyllabic tone sandhi of Zhoushan。Dialect，1987(2)，116-123。  new window
4.Hsiao, Yuchau E.(2013)。Disyllabic tone sandhi in Guangdong and Taiwan Quonglin Raoping Hakka。Chinese Studies，31(3)，293-328。  new window
5.He, Wei(1979)。Tone sandhi of Huojia。Dialect，1979(2)，122-136。  new window
6.Hsiao, Yuchau E.、Chiu, Yun-yi(2006)。Trisyllabic and tetrasyllabic tone sandhi in Dongshi Hakka。Language and Linguistics，7(2)，455-483。  new window
7.Huang, Xiaoping(2010)。Disyllabic tone sandhi of Tiantou Hakka in Ningdu, Jiangxi Province。Dialect，2010(3)，245-249。  new window
8.Iwata, Rei(1982)。Tone sandhi of Lianyungang。Dialect，1982(4)，285-296。  new window
9.Zhang, Chengcai(1989)。Disyllabic tone sandhi of Shangxian。Dialect，1989(3)，208-212。  new window
10.Duanmu, San(1994)。Against Contour Tone Units。Linguistic Inquiry，25(4)，555-608。  new window
11.Ito, Junko、Kitagawa, Yoshihisa、Mester, Armin(1996)。Prosodic faithfulness and correspondence: Evidence from a Japanese argot。Journal of East Asian Linguistics，5，217-294。  new window
12.林蕙珊(20110400)。Sequential and Tonal Markedness in Dongshi Hakka Tone Sandhi。語言暨語言學，12(2)，313-357。new window  new window
13.Lombardi, Linda(1999)。Positional faithfulness and voicing assimilation in Optimality Theory。Natural Language and Linguistic Theory，17(2)，267-305。  new window
14.McCarthy, John J.(2003)。Comparative Markedness。Theoretical Linguistics，29(1/2)，1-51。  new window
15.Snider, Keith L.(1990)。Tonal upstep in Krachi: evidence for a register tier。Language，66(3)，453-474。  new window
16.Yip, Moira(1989)。Contour Tones。Phonology，6(1)，149-174。  new window
17.趙元任(1930)。A System of Tone Letters。Le Maître Phonétique，45，24-27。  new window
會議論文
1.Inkelas, Sharon(1987)。Tone feature geometry。The 18th Annual Meeting of the North East Linguistic Society。Amherst：GLSA。222-237。  new window
學位論文
1.Wee, Lian-hee(2004)。Inter-tier Correspondence Theory(博士論文)。Rutgers, The State University of New Jersey。  new window
2.林蕙珊(2004)。Directionality in tone sandhi and the effect of identity preservation(博士論文)。National Tsing Hua University，Hsinchu。  new window
3.Goldsmith, John A.(1976)。Autosegmental Phonology(博士論文)。Massachusetts Institute of Technology，Cambridge。  new window
4.端木三(1990)。A formal study of syllable, tone, stress and domain in Chinese languages(博士論文)。MIT，Cambridge。  new window
5.包智明(1990)。On the Nature of Tone(博士論文)。Massachusetts Institute of Technology，Cambridge。  new window
6.Leben, William Ronald(1973)。Suprasegmental Phonology(博士論文)。Massachusetts Institute of Technology，Cambridge, Mass。  new window
7.Liu, Jin(2003)。Research on the Tone Sandhi of Cangshan Dialect(碩士論文)。Hebei University，Hebei。  new window
8.Zhang, Jie(2001)。A Formal Optimality-Theoretic Model for Tone-duration Interaction(博士論文)。University of California, Los Angeles。  new window
9.Beckman, Jill N.(1998)。Positional Faithfulness(博士論文)。Massachusetts Institute of Technology。  new window
10.洪同年(1987)。Syntactic and semantic aspects of Chinese tone sandhi(博士論文)。University of California at San Diego。  new window
11.Hsu, Kuei-ping(1996)。Hakka Tone Sandhi: The interface between syntax and phonology(碩士論文)。National Tsing Hua University，Hsinchu。  new window
12.Nelson, Nicole A.(2003)。Asymmetric Anchoring(博士論文)。State University of New Jersey，New Brunswick。  new window
13.Yip, Moira Jean(1980)。The Tonal Phonology of Chinese(博士論文)。Massachusetts Institute of Technology。  new window
14.Shih, Chi-Lin(1986)。The prosodic domain of tone sandhi in Chinese(博士論文)。University of California San Diego。  new window
圖書
1.Li, Rong(1996)。Dictionary of Xuzhou Dialect。Jiangsu：Jiangsu Education Press。  new window
2.Prince, Alan S.、Smolensky, Paul(2004)。Optimality Theory: Constraint Interaction in Generative Grammar。Blackwell Publishing Ltd.。  new window
3.陳淵泉(2000)。Tone sandhi: Patterns across Chinese dialects。Cambridge：Oxford University Press。  new window
4.Bao, Z.(1999)。The Structure of Tone。Oxford University Press。  new window
5.Yip, Moira Jean Winsland(2002)。Tone。Cambridge University Press。  new window
6.蕭宇超(19910000)。Syntax, Rhythm and Tone: A Triangular Relationship。臺北市：文鶴。new window  延伸查詢new window
圖書論文
1.Hsiao, Yuchau E.(2008)。Yinping tone sandhi in two Hakka dialects。Interfaces in Chinese Phonology: Festschrift in Honor of Matthew Chen on his 70th Birthday。Taipei：Academia Sinica。new window  new window
2.Hyman, Larry M.(1978)。Historical tonology。Tone: A Linguistic Survey。New York：Academic Press。  new window
3.Hsiao, Yuchau E.(2015)。Tonal chain shifts in Taiwanese: a comparative markedness approach。Capturing Phonological Shades within and across Languages。Cambridge Scholars Publishing。  new window
4.Hyman, Larry M.(1993)。Register tones and tonal geometry。The phonology of tone: The representation of tonal register。Mouton de Gruyter。  new window
 
 
 
 
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