康海《中山狼》雜劇向來因其劇作思想高度的批判性與諷刺性而廣受注意，本論文著眼於康海在改編與創作方面的藝術成就。文章首先探溯《中山狼》雜劇之改編原型──〈中山狼傳〉，對〈中山狼傳〉不同版本與《中山狼》雜劇的聯繫進行簡明考辨。其次，由文本改編暨戲曲批評的角度，探討康海《中山狼》雜劇由傳體小說敷演為寓言雜劇的創作手法，以此路徑凸顯《中山狼》雜劇苦心經營之成果。最後將之與同時代、同題材之作品──王九思《中山狼》院本──相較，對二者不同的改編呈現作出比較與評議。

Kang Hai's Wolf of Zhongshan drama has long received attention because the drama's high degree of criticism and satire. This thesis focuses on the artistic accomplishments of Kang Hai's Wolf of Zhongshan drama in adaptations and creative work. The paper first traces the prototype of Wolf of Zhongshan drama－＂Biography of Wolf of Zhongshan,＂ to investigate the connections between different versions of ＂Biography of Wolf of Zhongshan＂ and Wolf of Zhongshan drama. Next, the critical perspective of text adapted to drama and music was used to evaluate Kang Hai'sWolf of Zhongshan drama from its transition from a biographical novel to a metaphorical drama, which is used to accentuate the accomplishments of hard work in managing the Wolf of Zhongshan drama. Finally, it was compared to works in the same era and of the same topics -Wang Jiusi'sWolf of Zhongshan drama, to make comparisons and evaluations of the different adaptations of the two.