從19世紀碑學思潮逐漸成熟後，書法藝術革命性的創變思維就不斷被提出，這一百多年來，帖學傳統往往被視為保守或走回頭路。本文從清季以來對帖學傳統的質疑談起，以「館閣體的僵化效應」、「碑學思潮的衝擊」與「創變書風的極端」三方面來說明帖學傳統被忽視的情況；再從帖學傳統的典範性出發，以「筆法的回歸」、「文人精神的實踐」以及「傳統與創變之間」三點來論述帖學傳統在近、現代書法創作中的典範意義與啟示。文末提出帖學傳統中，書法風格「背離」與「回歸」之間的關係作為結語。

Since 19th century, the study of tablet calligraphy is getting mature. By the mean time, different views of calligraphy emerged. Under such circumstance, hardwood calligraphy was considered conservative. This paper is about a model of hardwood calligraphy. First, I will explain ＂formalism of Guange style＂, ＂the impaction of tablet calligraphy＂ and ＂the new calligraphy style＂. Second, I will discuss ＂the regulation of hardwood calligraphy＂, ＂the achievement of scholar spirit＂ and ＂between tradition and innovation＂. Finally, I will bring forward the relation between deviate and retreat about calligraphy style.