渡也寫作半世紀，他的詩世界綿密細緻，且具奇想；又能融現代主義與寫實主義之技法於一爐，為臺灣現代詩開拓新領土。他的地誌詩，就充分展現了此一雙重技巧的書寫功力。本文以他所寫地誌詩，特別是澎湖和嘉義兩地之詩作，借用人文地理學有關「地方感」的理論和概念，爬梳渡也詩作，發現他的地誌詩係以「記憶」與「歸屬」兩大主軸，來表現地方感的強烈召喚。嘉義和澎湖，可以視為渡也界定自我生命與「場所精神」 的地方，既再現了童年嘉義、父祖澎湖，也讓我們看到深沉、醇厚的土地之情、鄉土之愛

Du Ye has written poetry for half a century. In his poetry world, it is not only smooth and detailed, but extremely fantasy; it also integrates modernism and realism and creates new horizons for Taiwan modern poetry. Du Ye's topography poem shows the dual skills fully. In this paper, we focus on Du Ye's topography poem, especially the poem in Penghu and JiaYi, borrowing the theory and concept of ＂the sense of place＂ of geography of the humanistic, neatening the recognition of the land in Du Ye poems, and this is in order to draw the outline of local situation and realism in Du Ye's