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題名:《六朝麗指》駢文理論與《文心雕龍》關係之考察
書刊名:高雄師大國文學報
作者:溫光華
作者(外文):Wen, Kuang-hua
出版日期:2019
卷期:30
頁次:頁1-38
主題關鍵詞:六朝麗指文心雕龍駢體駢文理論Liu chao li zhiWen xin diao longParalleled proseArticle theory of paralleled prose
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:21
  • 點閱點閱:2
《文心雕龍》及《六朝麗指》兩書相距逾一千四百年,著作的性質、體例及架構雖有顯著差異,但在駢體文學的發展上,兩書面對的都是駢儷文風盛行的特殊時代,其作者劉勰以及孫德謙,以高度關切的態度面對六朝駢體文學問題,也均總結了六朝文學的創作經驗及規律,故兩書文論其實存在著相當程度的互應與關聯性,是值得探討的學術議題。故本論文從駢文理論的角度著眼,考察《六朝麗指》與《文心雕龍》此兩書之關係,主要從駢文的體裁、駢體的作法等面向切入,進行辨析,發現孫德謙《六朝麗指》或多方參藉引用《文心雕龍》的文句,或對《文心雕龍》觀點予以辨正、補充及延伸,兩書不僅文學觀念相近、理路相通,甚至沿襲之處也甚多,明顯可見《文心雕龍》的理論視野確實影響了《六朝麗指》之立論,兩書時代雖相隔一千四百餘年,但兩者之間的學術淵源關係當可充分確認
The time when "Wen Xin Diao Long" and "Liu Chao Li Zhi" appeard is more than 1400 years apart. Although the characteristic, style and structure of these two books are obviously different, they all faced the period when paralleled prose were very popular. Liu xie and Sun Deqian were also deeply concerned about the development of paralleled prose in the Six Dynasties, and sumed up the writing experience and the rules of literature in the Six Dynasties. There are some links between them, especially literary theories. This is an issue worthy of being discussed. Therefore, this study will research the relationship between the "Liu Chao Li Zhi" and "Wen Xin Diao Long" , mainly from the style and skills of paralleled prose , and try to find out that "Liu Chao Li Zhi" presents its many viewpoints according to "Wen Xin Diao Long" , or made supplements to the viewpoint of "Wen Xin Diao Long". These two books are not only similar in literary concepts, but also have many follow-up points. It is obvious that the vision of theory in "Wen Xin Diao Long" has influenced the theory of "Liu Chao Li Zhi". Although these two books are more than 1400 years apart, the relationship between the two books still can be confirmed
期刊論文
1.王榮林(2016)。論孫德謙六朝麗指中的「文有賦心」。戲劇之家,2016(12)=239,264+266。  延伸查詢new window
2.莫山洪(2004)。論駢文理論的歷史演進。上饒師範學院學報,24(2),67-72。  延伸查詢new window
3.蘇瑞隆(2010)。漢魏六朝俳諧賦初探。南京大學學報:哲學.人文科學.社會科學,2010(5),118-128+159。  延伸查詢new window
4.顏崑陽(20010700)。六朝文學「體源批評」的取向與效用。東華人文學報,3,1-35。new window  延伸查詢new window
學位論文
1.王益鈞(2006)。孫德謙駢文理論研究(碩士論文)。香港中文大學,香港。  延伸查詢new window
2.李倩倩(2006)。孫德謙六朝麗指新探(碩士論文)。河北師範大學,河北。  延伸查詢new window
圖書
1.呂雙偉(2011)。清代駢文理論研究。北京:人民出版社。  延伸查詢new window
2.奚彤雲(2006)。中國古代駢文批評史稿。上海:華東師範大學出版社。  延伸查詢new window
3.劉麟生(1990)。中國駢文史。臺北:臺灣商務印書館。  延伸查詢new window
4.范文瀾(1982)。文心雕龍注。臺北:宏業書局。  延伸查詢new window
5.王更生(1985)。文心雕龍讀本。臺北:文史哲出版社。  延伸查詢new window
6.于景祥(2002)。中國駢文通史。長春:吉林人民出版社。  延伸查詢new window
7.劉永濟(1981)。文心雕龍校釋。台北:華正書局。  延伸查詢new window
8.楊明照(2000)。增訂文心雕龍校注。北京:中華書局。  延伸查詢new window
9.王利器(1991)。文鏡秘府論校注。台北:貫雅文化事業有限公司。  延伸查詢new window
10.鄔國平(1995)。清代文學批評史。上海:上海古籍出版社。  延伸查詢new window
11.永瑢、紀昀(1985)。四庫全書總目提要。臺北:臺灣商務印書館。  延伸查詢new window
12.孫德謙(1963)。六朝麗指。臺北:新興書局。  延伸查詢new window
13.駱鴻凱(1982)。文選學。臺北:漢京文化事業。  延伸查詢new window
14.古田敬一、李淼(1994)。中國文學的對句藝術。臺北:褀齡出版社。  延伸查詢new window
15.于景祥(2017)。文心雕龍的駢文理論和實踐。北京:中華書局。  延伸查詢new window
16.王運熙、楊明(1989)。魏晉南北朝文學批評史。上海古籍出版社。  延伸查詢new window
 
 
 
 
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