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題名:聆聽更明亮的夏日--《牯嶺街少年殺人事件》的科技媒介聲景
書刊名:興大人文學報
作者:王念英
作者(外文):Wang, Nien-ying
出版日期:2020
卷期:64
頁次:頁1-25
主題關鍵詞:楊德昌牯嶺街少年殺人事件聲景聲音研究科技媒介感知模式Edward YangA Brighter Summer DaySound studiesSoundscapeMedia technologyModes of perception
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:25
  • 點閱點閱:4
期刊論文
1.Williams, Alan(1980)。Is Sound Recording Like a Language?。Yale French Studies,60,51-66。  new window
2.葉月瑜(19950900)。從民族主義到後現代性--臺灣電影與流行歌曲互動之初探(1970年中期至1990年中期)。電影欣賞,13(5)=77,44-57。  延伸查詢new window
3.Austerlitz, Saul(2003)。Music and A Brighter Summer Day。Cineaction,62(1),67-71。  new window
4.Shiau, Hong-Chi(2007)。A Brighter Summer Day: Mourning Yang De-chang (Edward)。Asian Cinema,18(2),294-302。  new window
5.Yeh, Emilie Yueh-yu(2003)。Elvis, Allow Me to Introduce Myself: American Music and Neocolonialism in Taiwan Cinema。Modern Chinese Literature and Culture,15(1),1-28。  new window
6.邵懿德(19870300)。關於八○年代臺灣新電影環境「新」的聲音。電影欣賞,5(2)=26,27-31。  延伸查詢new window
圖書
1.黃建業(1995)。楊德昌電影研究:台灣新電影的知性思辯家。臺北:遠流。  延伸查詢new window
2.Chion, Michel、Gorbman, Claudia(1994)。Audio-Vision: Sound on Screen。New York:Cambridge University Press。  new window
3.葉蓁、黃宛瑜(2011)。想望臺灣:文化想像中的小說、電影和國家。書林出版有限公司。  延伸查詢new window
4.白睿文、羅祖珍、劉俊希、趙曼如(2007)。光影言語:當代華語片導演訪談錄。臺北:麥田。  延伸查詢new window
5.王耿瑜、楊德昌(1991)。楊德昌電影筆記。台北:時報文化。  延伸查詢new window
6.Frodon, Jean-Michel(2012)。楊德昌的電影世界:從《光陰的故事》到《一一》。台北:時周文化。  延伸查詢new window
7.Adorno, Theodor(1991)。The Culture Industry。Routledge。  new window
8.張靚蓓(2009)。聲色盒子:音效大師杜篤之的電影路。臺北:大塊文化。  延伸查詢new window
9.Crary, Jonathan(1990)。Techniques of the Observer: On Vision and Modernity in the Nineteenth Century。MIT Press。  new window
10.朱天文(2008)。最好的時光。台北:INK印刻。  延伸查詢new window
11.Schafer, R. Murray(1994)。The Soundscape: Our Sonic Environment and the Tuning of the World。Destiny Books。  new window
12.Berry, Michael(2005)。Speaking in Images: Interviews with Contemporary Chinese Filmmakers。New York:Columbia University Press。  new window
13.Adorno, Theodor W.、Benjamin, Walter、Lonitz, Henri、Walker, Nicholas(1999)。The Complete Correspondence 1928-1940。Cambridge, MA:Harvard UP。  new window
14.Crary, Jonathan(2001)。Suspensions of Perception: Attention, Spectacle, and Modern Culture。Cambridge, MA:MIT Press。  new window
15.Morat, Daniel(2014)。Sounds of Modern History: Auditory Cultures in 19th-and 20th-Century Europe。New York:Berghahn。  new window
16.葉月瑜(20000000)。歌聲魅影:歌曲敘事與中文電影。臺北:遠流。new window  延伸查詢new window
圖書論文
1.Wu, Meiling(2005)。Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman。Chinese-Language Film: Historiography, Poetics, Politics。University of Hawaii Press。  new window
2.Yeh, Emilie Yueh-yu(2009)。American Popular Music and Neocolonialism in the Films of Edward Yang。Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora。Philadelphia:Temple UP。  new window
3.詹宏志、焦雄屏(1988)。臺灣新電影宣言。七十年臺灣新電影。遠流。  延伸查詢new window
4.江凌青(20150000)。從媒介到建築:楊德昌如何利用多重媒介來呈現《一一》裡的臺北。新空間.新主體:華語電影研究的當代視野。臺中:國立中興大學。new window  延伸查詢new window
5.Altman, Rick(1992)。The Material Heterogeneity of Recorded Sound。Sound Theory/Sound Practice。Routledge。  new window
6.Benjamin, Walter(2003)。"The Work of Art in the Age of Its Technological Reproducibility," "On Some Motifs in Baudelaire"。Selected Writings, Volume 4, 1938-1940。Belknap-Harvard UP。  new window
 
 
 
 
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