This study uses in-depth interviews to explore the ways female audiences interpret a TV soap opera. In recent scholarship on audience, audiences are conceptualized as having active and critical interpretive ability, which is further regarded by certain post-modernist theorists as the ability to resist and subvert dominant ideology. This study therefore intends to use concrete and micro-level research to see to what extent resistant decoding exists among audience members. From this, we can explore further how women interact with morms that contain patriarchal ideology. Research findings show that there are three types of audiences: norm-conforming, situational, and structural-critical, the last accounting of 10% of the interviewees. However, structural-critical, the last accounting for 10% of the interviewees. However, even structural-critical women enjoy the soap opera and its heroine, and they do not adopt resistant decoding in opposition to textual encoding. This study therefore regards audiences' critical attitude and resistant decoding as two analytically separate issues. This paper argues that the concept of resistance and its application should be modified and the existence of resistant decoding should not be overestimated.