＜詩人玉屑＞與詩格同樣在討論詩法的問題，＜詩人玉屑＞很自然會採錄詩格的資料。直接引用詩格資料，在內容上會出現三點相連的關係： １．採用詩格對創作技巧的分析和接納詩格新奇的表現方式。 ２．在內容分類上，＜詩人玉屑＞與詩格有前後相承的關係。 ３．借用詩格簡短的評論觀點，給予學詩者創作上的指引。 間接採用詩格的內容，亦振示接受了詩格兩種觀點： １．接受詩格從作品形式上的變化去討論創作。 ２．強調透過對詩句的直接體驗而學習創作，並將詩句歸納為眾多不同的創作類型。 由於文學思想的發展，詩格對＜詩人玉屑＞的影響出現兩種不同的情況。一方面由於近體詩相對穩定的形式，再加上宋人對詩法的討論已有豐碩的成果，詩格的影響是客觀而間接的。另一方面，詩格獨特的評論形式，帶來一種不同的方式論述詩法的內容，它的影響是明顯而直接的。

　　　　　Since the "Shiren Yuxie" and "Shi Ger" focus on the rules of poetry writing, it is natural for the "Shiren Yuxie" to extract useful materials from "Shi Ger". Direct borrowing from "Shi Ger" shows the following three kinds of relationship in terms of content: 1.The discursive model of the "Shi Ger" in terms of creative techniques and innovative expression is borrowed. 2.In terms of classification, the "Shiren Yuxie" shows clear sign of innovative the "Shi-Ger". 3.The concise critical viewpoint of the "Shi Ger" is borrowed to stimulate the beginner poet. Indirect borrowing from the "Shi Ger" also reveals that the following two views of that book: 1.The "Shi Ger" method of using chasges in artistic style to evaluate different texts. 2.An emphassis on learning how to write a poem through direct experience of the lines and classification of poems into different types. The "Shi Ger's" influence on the "Shiren Yuxie" can be seen in the following aspects. On the one hand, the artistic format of contemporary poetry is rather uniform and the people of the Song Dynasty had already different schools of thought on the rules of poetry writing. In this way, the influence of the "Shi Ger" is objective and indirect. On the other hand, the unique discursive style of the "Shi Ger" brings a new perspective for discussing the rules of poetics. This impact is direct and obvious.