In the early period of the the post-war era, the most important figures in introducing Lu Hsun to Taiwan are Hsu Shou-shang and wood engraver Huang Jung-ts'un. I have analyzed Hsu's roles and intentions in an earlier paper, and will discuss Huang's with this one. My purpose is to explore Huang Jung-ts'an's role in transmitting Lu Hsun's thoughts in his woodcuts, so as to understand another aspect of Lu Hsun's influence in Taiwan. In this paper I shall argue that, by broadcasting Lu's ideas of 'antiimperialism', 'anti-feudalism', 'anti-aggressions', and 'fighting for democracy' reflected in his woodcuts,Huang pursued to incarnate the ideal of the 'post-war democracy' in China to first take place in Taiwan. Up to the 1990s, the information about Huang Jung-ts'an was fragile and limited. The scarcity of the sources had remained as a problem until the breakthrough of the studies of his biography recently. Straitened by the sources and my lack of knowledge about woodcuts, this paper leaves some questions unsolved: Did Lu's ideas about wooden prints have ever thrown light on the wood engravers in Taiwan? Furthermore, how are the ideas of id Lu's literature related to those in his woodcuts? I wish this paper would call scholar's attention to these questions, which were left by Huang as well as by Lu, for further studies.