本論文以丘逢甲的秋懷詩系列作為切入點，探析日治時期臺灣古典詩歌中以秋懷為主題的作品，其中包括臺灣割讓之初以許南英、林癡仙、林幼春、呂厚庵、施梅樵的秋懷詩，這五人的作品都是針對丘逢甲的秋懷系列而唱。至日治後期，施梅樵再度以秋懷書感為題發夠在《詩報》上，前後得到四十一人的熱回響。因此，本論文即在此一主軸下，探討諸人秋懷唱和誠的寫作面向，並進一步分析其中的意義與價值。全文分五部分展開：一、秋懷的抒情傳統；二、丘逢甲的秋懷與唱和；三、一種秋心、六種情懷；四、秋懷的再度回響；五、結論。

Chou Feng-chia’s series of poems on autumn are adopted in this study as the contacting point to discuss Taiwan classic poetry in Japanese domination, all of which with the theme about autumn are mainly written by Shu Nan-ying, Lin Chih-sian, Lin You-chun, Lyu Hou-an and shih Mei-ciao. Their poetic works all correspond to Chou’s autumn poems. After Japanese domination, Shih Mei-ciao again published his article entitled “Chou Huai Shu Gan” in 《Poem News》and received warm resonance from forty-one people. This study, therefore, pivots upon the principle theme to explore various writing aspects of their correspondent poems, and to give and advanced analysis of the meanings as well as the values. The whole study is comprised by five parts: First, the Lyrical Convention of the Passion of Autumn: Second, Chou Feng-chia’s Poems of Passion of Autumn and the Correspondence Poems; Third, One Heart with Six Minds; Fourth, Re-correspondence to the Passion of autumn, Fifth, Conclusion.