:::

詳目顯示

回上一頁
題名:愛德華多.卡茨Eduardo Kac作品中的模糊性
書刊名:現代美術學報
作者:曾鈺涓 引用關係
作者(外文):Tseng, Yu-chuan
出版日期:2005
卷期:10
頁次:頁57-80
主題關鍵詞:電訊再現基因轉殖模糊特徵科技藝術Eduardo KacFuzzyTelepresenceTransgenic artTechnology art
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:41
  • 點閱點閱:123
愛德華多.卡茨(Eduardo Kac,1962~),以電訊互動、網路裝置與基因轉植藝術創作成為應用科技技術創作的先驅者。卡茨在作品中,提出有趣的觀點與對科技的省思。當人類透過科技,超越時空的藩籬,形塑出一種新的生存方式,然而生物主體卻在科技中被重新裝配、擴張、運輸與移動,此一新的生存狀態是一種遊移於真實與虛擬之中的模糊感知,讓人類藉由科技義肢的擴張,模糊存在於新的疆界裡。本文將由愛德華多.卡茨作品中所呈現的模糊特徵,談科技藝術創作中,所呈現的模糊特質。
As an internationally recognized artist, Eduardo Kac utilizes telecommunication, interactive and biotelematic to create art. He concerns the philosophical and ethic issue about technology impact. He reminds us the new formula of living form and reconstruct intention of physical material. Being have recourse to technical prostheses to expands capability. But also exist as ambiguous figure in the new boundary. The article will discuss the fuzzy characteristic reveal from Kac’s art works.
期刊論文
1.SAIC professor Eduardo Kac and students(200011)。Behold, Alba。F Newsmagazine,13-15。  new window
2.王明居(200004)。一項跨入新世紀的曖昧工程--談模糊美學與模糊美。文學評論,2000(4),134-140。  延伸查詢new window
3.Kac, Eduardo(1998)。TRANSGENIC ART。Leonardo Electronic Almanac,6(11)。  new window
4.Kac, Eduardo(1996)。Rara Avis. Omitorrinco and Rara Avis: Telepresence Art on the Internet。Leonardo,29(5),389-400。  new window
5.Kac, Eduardo(1990)。ORNITORRINCO: EXPLORING TELEPRESENCE AND REMOTE SENSING。Leonardo,24(2),233。  new window
6.Arnheim, Rudolf(1996)。From chaos to wholeness。Journal of Aesthetics and Art Criticism,54(2),117-120。  new window
會議論文
1.Kac, Eduardo(1999)。NEGOTIATING MEANING: THE DIALOGIC IMAGINATION IN ELECTRONIC ART。Computers in Art and Design Education Conference。  new window
圖書
1.Virilio, Paul、楊凱麟(2001)。消失的美學。臺北:揚智文化事業股份有限公司。  延伸查詢new window
2.Kosko, B.、陳雅雲(2004)。模糊的未來。臺北市:究竟。  延伸查詢new window
3.Baudrillard, J.、邱德亮、黃建宏(2003)。波灣戰爭不曾發生。臺北:麥田。  延伸查詢new window
4.Sokolowsk, R.、李維倫(2000)。Introduction to Phenomenology。Cambridge:Cambridge University Press。  new window
5.Gregory, Battcock(1973)。Idea Art: A Critical Anthology。USA:Penguin Books。  new window
6.Meecham, Pam、Sheldon, Julie、王秀滿(2003)。現代藝術批判。台北:韋伯。  延伸查詢new window
7.Sokolowski, Robert、李維倫(2004)。現象學十四講。心靈工坊文化事業股份有限公司。  延伸查詢new window
8.Paul, Christiane(2003)。Digital Art。Thames & Hudson Ltd.。  new window
9.王明居(1998)。模糊藝術論。中國:安徽教育出版社。  延伸查詢new window
10.Turner, Chris、Baudrillard, Jean(2003)。Passwords。Verso。  new window
11.Pam、Shedlon, Julie(2000)。Modern art: a critical introduction。Routledge。  new window
12.Danto, Authur C.(1997)。After the end of art: Comtemporary Art and The Pale of History。Washington, DC:the Board of Trustees of the National Gallery of art。  new window
13.Schilling, Jürgen、吳瑪俐(1996)。行動藝術。台北市:遠流出版事業股份有限公司。  延伸查詢new window
14.Schilling, Jürgen(1978)。Aktionskuns。Bucher, Luzern und Frankfurt/M.:Verlag C. J.。  new window
15.Gregory, battcock、連德誠(1994)。觀念藝術。台北市:遠流出版事業股份有限公司。  延伸查詢new window
16.韓定中、劉倩娟、漢斯•摩拉維克(2004)。機器人:由機器邁向超越人類心智之路。台北市:臺灣商務印書館股份有限公司。  延伸查詢new window
17.Virilio, Paul(1980)。Esthetique de la Disparition。French:Editions Balland。  new window
18.Moravec, Hans P.(2000)。Robot: Mere Machine to Transcendent Mind。Oxford University Press。  new window
19.Glaser, Shelia Faria、Baudrillard, Jean(1994)。Sumulacra and Simulation。The University of Michigan Press。  new window
20.Baudrillard, Jean(1991)。La guerre du Golfe n ’a pas eu lieu。Galilee。  new window
21.Kosko, Bart(1999)。The fuzzy future: from society and science to heaven in a chip。Random House。  new window
22.吳嘉苓、傅大為、雷祥麟(2004)。科技渴望社會。台北:群學出版有限公司。  延伸查詢new window
23.Guar, Oliver(2003)。Virtual Art, from illusion to Immersion。MIT Press。  new window
24.高宣揚(19960000)。論後現代藝術的「不確定性」。臺北:唐山。new window  延伸查詢new window
25.Danto, Arthur C.、林雅琪、鄭惠雯(2004)。在藝術終結之後:當代藝術與歷史藩籬。麥田出版社。  延伸查詢new window
其他
1.Stein, Lisa(20020510)。Chicago Tribune,http://www.ekac.org/lisastein.html。  new window
2.Nakamura, Keiji(1999)。Comments by ”ICC Biennale ’99” judges about Uirapuru reproduced in the Biennale catalogue,http://www.ekac.org/uiracomments.html。  new window
3.Kac, Eduardo(2000)。GFP Bunny,Maribor, Slovenia:Kibla。,http://www.ekac.0rg/gfpbunny.html#gQ3bunnyanch0r。  new window
4.Lewis, Maria(1999)。Art Minimal & Conceptual Only,http://members.aol.com/mindwebart3/marcel.html。  new window
5.吳鴻(20040412)。新媒體,你到底怎麼個“新”?,http://arts.tomxom/l004/2004/3/29-529ll.html。  延伸查詢new window
6.Baard, Mark(2004)。Twisted Tale of Art, Death, DNA,http://www.wired.c0m/news/medtech/0,1286,63637?00.html。  new window
7.Kac, Eduardo(2004)。MOVE 36,http://www.ekac.org/move36.html。  new window
8.Kac, Eduardo(1999)。ASPECTS OF THE AESTHETICS OF TELECOMMUNICATIONS,http://www.ekac.org/Telecom.Paper.Siggrap.html。  new window
9.Debra, Jones(200303)。DNA Spirals Into Artists’ Medium,http://www.wired.c0m/news/culture/0,1284,62539,00.html。  new window
10.Kac, Eduardo。Time Capsule,http://www.ekac.org/timcap.htm。  new window
圖書論文
1.Kac, Eduardo(1992)。ASPECTS OF THE AESTHETICS OF TELECOMMUNICATIONS。Siggraph Visual Proceedings。New York:ACM。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關著作
 
QR Code
QRCODE