| 期刊論文1. | 格羅斯伯格、劉康(2007)。關鍵時刻的語境大串聯。南京大學學報,3,75-81。 延伸查詢 | 2. | Won, J.(2004)。Withering Away of the Iron Rice Bowl? The Re-Employment Project of Post-Socialist China。Studies in Comparative International Development,39(2),71-93。 | 3. | Yeh, Emilie yueh-yu(2009)。Pitfalls of Cross-cultural analysis: Chinese Wenyi Film and Melodrama。Asian Journal of Communication,19(4),438-452。 | 4. | Hall, S.(1986)。On Postmodernism and Articulation: An Interview with Stuart Hall。Journal of Communication Inquiry,10(2),45-60。 | 5. | 楊國斌(20090701)。悲情與戲謔:網絡事件中的情感動員。傳播與社會學刊,9,39-66。 延伸查詢 | 6. | 程紹淳(20120100)。媒體市場區域化下被錯置的文化消費與生產?--臺灣「鄉土劇」在中國大陸。傳播與社會學刊,19,141-179。 延伸查詢 | 7. | 仲呈祥(2005)。電視劇《有淚盡情流》觀後隨想。中國電視,8。 延伸查詢 | 8. | 倪學禮(2005)。振興電視劇始自善待編劇--從寫電視劇《有淚盡情流》說開去。現代傳播,2005(3)。 延伸查詢 | 9. | 張慧瑜(2010)。暴露創傷與撫慰傷口:《唐山大地震》的文化功能。讀書,11,145-150。 延伸查詢 | 10. | 曹征路(2004)。那兒。當代,5。 延伸查詢 | 11. | 戴清(2005)。國家巨變下的女性精神成長--《有淚盡情流》的精神內涵與敍事藝術分析。中國電視,5。 延伸查詢 | 12. | Grossberg, Lawrance(1988)。Postmodernity and Affect: All dress up with no place to go。Communication,10,271-293。 | 13. | Lee, Haiyan(2006)。Nannies for foreigners: The enchantment of Chinese womanhood in the age of millennial capitalism。Public Culture,18(3),507-529。 | 14. | Wu, W.、Wang, T.(2008)。Cultural performance and ethnography of Ku in China。Positions: East Asian Cultural Critiques,16(2),409-433。 | 會議論文1. | 于洪梅(1999)。遮蔽與可見:新聞和文學中的下崗女工形象分析。 延伸查詢 | 圖書1. | Berry, Chris、Farquhar, Mary(2006)。China on Screen: Cinema and Nation。New York:Columbia University Press。 | 2. | Ang, Ien(1985)。Watching Dallas: Soap Opera and the Melodramatic Imagination。Methuen。 | 3. | Brooks, Peter(1985)。The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess。New Haven:Yale University Press。 | 4. | Ang, I.(1996)。Living room wars: Rethinking media audiences for a postmodern world。Sage。 | 5. | 上海電視節組委會、央視索福瑞媒介研究(2004)。中國電視劇市場報告2003-4。北京:華夏出版社。 延伸查詢 | 6. | Kristyn Gorton(2009)。Media Audience: Television, Meaning and Emotion.。Edinburgh University。 | 7. | Ma, Eric Kit-wai(1999)。Culture, politics, and television in Hong Kong。London:Routledge。 | 8. | Plantinga, Carl、Greg M. Smith(1999)。Passionate Views: Film, Cognition, and Emotion。Johns Hopkins University Press。 | 9. | Zhong, Xueping(2010)。Mainstream Culture Refocused: Television Drama, Society and the Production of Meaning in Reform-era China。Honolulu。 | 其他1. | 匿名(2006)。螢屏苦情戲還能讓人哭多久?,http://media.people.com.cn/GB/40724/40725/4597760.html, 2011/01/15。 延伸查詢 | 2. | 康洪雷(20071113)。士兵是這樣煉成的《 鳳凰非常道》專訪,http://itv.phoenixtv.com/itv/fcd_kanglan/index.html。 延伸查詢 | 3. | 程雪霏(2006)。一個廣告人的痛並快樂着--訪北京東方捷先廣告傳播有限公司總經理創意總監徐建,http://www.cnad.com/html/Article/2006/0705/20060705160907357.shtml。 Cheng Xuefei.。 延伸查詢 | 圖書論文1. | Yang, J.(2007)。Reemployment Stars: Language, Gender and Neoliberal Restructuring in China。Words, Worlds, and Material Girls: Language, Gender, Globalization。Berlin:Mouton De Gruyter。 | 2. | Zhao, Yuezhi(2002)。The Rich, the Laid-off, and the Criminal in Tabloid Tales: Read All About It!。Popular China: Unofficial Culture in a Globalizing Society。Lanham, MD:Rowman & Littlefield。 | 3. | Kaplan, E. Ann.(1999)。Melodrama, /subjectivity/ideology: Western melodrama theories and their relevance to recent Chinese cinema。Melodrama and Asian Cinema。Cambridge:Cambridge University Press。 | 4. | Sun, Wanning(2008)。Maids in the Televisual City: Competing Tales of Postsocialist Modernity。TV Drama in China。Hong Kong University Press。 | 5. | Teo, Stephen(2006)。Chinese melodrama: The Wenyi genre。Traditions of World Cinema。Edinburgh University Press。 | 6. | Wang, Zheng(2003)。Gender, Employment and Women’s Resistance。Chinese Society: Change Conflict and Resistance。London:Routledge。 | |