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題名:臺灣「水磨曲集崑劇團」的崑曲教學與劇目傳習
書刊名:戲曲學報
作者:蔡欣欣 引用關係
作者(外文):Tsai, Hsin-hsin
出版日期:2015
卷期:12
頁次:頁1-51
主題關鍵詞:臺灣崑曲水磨曲集崑劇團陳彬周志剛TaiwanKun OperaShuimo Kun Opera TroupeChen BinChou Chih-kang
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:17
  • 點閱點閱:30
戰後臺灣崑曲的傳承,仰賴跨海來臺的學壇教授與崑曲曲友,通過民間曲社與校園社團的「自娛性」傳習,開展了臺灣崑曲命脈的承先啟後。1987年6月成立的「水磨曲集崑劇團」,是臺灣歷史最悠久的崑劇團,在「笛王」徐炎之及其夫人張善薌的教導下,以培育大專院校的年青學子為起點,逐漸累積成長擴展到畢業社友與社會大眾,老幹新枝開枝散葉,成為維繫臺灣崑曲薪火的重要生力軍。本文擬綜述「水磨曲集崑劇團」成立以來,從初期徐炎之夫婦在各級學校薪傳教學,以傳承張善薌「張十齣」崑曲劇目為主;到後期大陸崑劇名家來臺傳藝,周志剛夫婦也多次來臺教學,傳習搬演了多齣新捏製或加工的崑劇劇目;且經由劇團重要推手如陳彬等人的教學薪傳與劇目傳習,讓崑曲藝術得以在臺灣「生根/深耕」傳承發展。
After World War, the inheritance of Taiwan's Kun Opera relied on Academic Forum professors across the sea to Taiwan and Kun Opera friends, through the folk songs by society and "self-entertainment" of campus community to pass along and carry the lifeblood of the past with the future of Taiwan's Kun opera. Founded in June 1987, "Shuimo Kun Opera Troupe," Taiwan's oldest Kun Opera Troupe, under the "flute king" Hsu, Yen-chih and his wife, Chang, Shan-hsiang's teaching, to nurture the young students of colleges and universities as a starting point, gradually grow and expand to graduated members and social communities. An old trunk with new branches flourishing, both seasoned and new artists become important force to maintain the eternal flame of Taiwan's Kun Opera. This paper reviewed since the establishment of "Shuimo Kun Opera Troupe," from the initial stage, the couple of Hsu, Yen-chih's teachings in schools at all levels, mainly in order to pass the Plays of Kun Opera of Chang, Shan-hsiang's "Chang Shih Chu". To the later stage, China famous Kun Opera artists came to Taiwan to inherit, the couple of Chou, Chih-kang also repeatedly came to Taiwan to teach Kun Opera. The inherited learning performed a new multiorganized or processed Kun repertoire; and by the troupe for example Chen Bin and so people as a major force, who teach, pass the torch and inherit the Plays, was able to let the Arts of Kun Opera "root / deep" of inheritance and development in Taiwan.
期刊論文
1.周秦(2012)。崑曲:遺產價值的認識深化與傳承實踐--兼論蘇州大學白先勇崑曲傳承計畫。蘇州大學學報(哲學社會科學版),2012(1),143-148。  延伸查詢new window
2.郭亮(1961)。崑曲表演藝術的一代範本--《審音鑑古錄》。戲劇報,1961(19/20),54-59。  延伸查詢new window
3.賴橋本(19940100)。四十年來臺灣的崑曲活動。國文天地,9(8)=104,8-13。new window  延伸查詢new window
會議論文
1.王安祈(20120621)。崑劇傳承中京劇因子的滲入。第四屆國際漢學會議,中央研究院 。  延伸查詢new window
2.洪惟助(2000)。臺灣崑劇活動與海峽兩岸的崑劇交流。千禧之交--兩岸戲曲回顧與展望研討會。宜蘭:國立傳統藝術中心。24-35。  延伸查詢new window
圖書
1.應平書(199809)。紀念徐炎之先生百歲冥誕文集。臺北:水磨曲集。  延伸查詢new window
2.蔡瑤銑、陳彬(2005)。瑤台仙音--我的崑劇藝術生涯。臺北:陳彬。  延伸查詢new window
3.陳彬(2006)。萬里巡行--周志剛、朱曉瑜伉儷的戲曲藝術。臺北:陳彬。  延伸查詢new window
4.洪惟助(2005)。崑劇辭典。宜蘭:傳統藝術中心。  延伸查詢new window
5.俞振飛(1996)。粟廬曲譜。  延伸查詢new window
6.陳彬(199911)。我愛唱戲--優游戲曲三十年。臺北:陳彬。  延伸查詢new window
7.陳彬(200909)。我更愛唱戲--優遊戲曲四十年。臺北:陳彬。  延伸查詢new window
8.焦承允(1971)。炎薌曲譜。中華學術院崑曲研究所。  延伸查詢new window
9.焦承允(197210)。壬子曲譜。臺北:中華書局。  延伸查詢new window
10.焦承允(198012)。增定壬子曲譜。臺北:中華書局。  延伸查詢new window
11.王季烈(1947)。與眾曲譜。上海:商務印書館。  延伸查詢new window
12.張元和(197206)。崑曲身段試譜。臺北:蓬瀛曲集。  延伸查詢new window
13.汪詩珮(20000000)。乾嘉時期崑劇藝人在表演藝術上因應之探討。臺北:學海。new window  延伸查詢new window
14.周傳瑛、洛地(1988)。崑劇生涯六十年。上海:上海文藝出版社。  延伸查詢new window
圖書論文
1.陸萼庭(2005)。〈遊園驚夢〉集說。湯顯祖與牡丹亭。臺北:中央研究院中國文哲研究所。  延伸查詢new window
2.曾永義(2009)。論說「折子戲」。戲曲之雅俗、折子、流派。臺北:國家出版社。  延伸查詢new window
3.鄭培凱(200512)。梅蘭芳對《牡丹亭》的詮釋。湯顯祖與牡丹亭。臺北:中央研究院中國文哲研究所。  延伸查詢new window
4.(200310)。審音鑑古錄。明清珍本版畫資料叢刊。北京:學苑出版社。  延伸查詢new window
5.蔡欣欣(201101)。崑曲在臺灣發展之歷史景觀。臺灣戲曲景觀。臺北:國家出版社。  延伸查詢new window
 
 
 
 
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