〈繪本跨媒介轉述為互動電子繪本之敘事策略初探：以經典繪本《好餓的毛毛蟲》改編「波隆那國際大獎」電子書為例〉_

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題名：	〈繪本跨媒介轉述為互動電子繪本之敘事策略初探：以經典繪本《好餓的毛毛蟲》改編「波隆那國際大獎」電子書為例〉
書刊名：	藝術學報
作者：	賴玉釵
作者(外文)：	Lai, Yu-chai
出版日期：	2016
卷期：	12:2=99
頁次：	頁109-135
主題關鍵詞：	改編；故事網絡；敘事策略；跨媒介敘事；繪本；Adaptation；Story network；Narrative strategy；Transmedia storytelling；Picturebook
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:2 共同引用:0 點閱:80

期刊論文
1.	Scolari, C. A.(2009)。Transmedia storytelling: Implicit consumers, narrative worlds, and branding in contemporary media production。International Journal of Communication，3，586-606。
2.	Grainge, P.(2004)。Branding Hollywood: Studio logos and the aesthetics of memory。Screen，45(4)，344-362。
3.	Jenkins, H.(2010)。Transmedia storytelling and entertainment: An annotated syllabus。Continuum: Journal of media & cultural studies，24(6)，943-958。
4.	Kattenbelt, C.(2008)。Intermediality in Theatre and Performance: Definitions, perceptions and medial relationships。Culture, language and representation，6，19-29。
5.	Murray, S.(2005)。Brand loyalties: Rethinking content within global corporate media。Media, Culture & Society，27(3)，415-435。
6.	Pavis, Patrice(2001)。Theatre Studies and Interdisciplinarity。Theatre Research International，26(2)，153-163。
7.	Padgett, D.、Allen, D.(1997)。Communicating Experiences: A Narrative Approach to Creating Service Brand Image。Journal of Advertising，26(4)，49-62。
8.	Voigts-Virchow, E.(2009)。Metadaptation: Adaptation and intermediality--Cock and Bull。Journal of Adaptation in Film & Performance，2(2)，137-152。
9.	Booth, P.(2010)。Memories, temporalities, fictions: Temporal displacement in contemporary television。Television & New Media，12(4)，370-388。
10.	Dewdney, A.(2011)。Transamediation: Tracing the social aesthetic。Philosophy of Photography，2(1)，97-113。
11.	Filice, M.、Young, S.(2012)。From mainstage to movies to media: Sustaining the live and performing arts through artistic convergence and the Balaban and Katz philosophy of continuous performance。International Journal of Arts Management，14(2)，48-56。
12.	Scolari, C. A.(2013)。Lostology: Transmedia storytelling and expansion/ compression strategies。Semiótica，195，45-68。
13.	Spiegel, D. L.(1998)。Reader response approaches and the growth of reader。Language Arts，76(1)，41-48。
14.	Akune, S.(20131210)。Eric Carle。Casa，40-45。
15.	Belting, H.(2005)。Image, medium, body: A new approach to iconology。Critical Inquiry，31(2)，302-319。
16.	Brown, S.、Patterson, A.(2010)。Selling stories: Harry Potter and the marketing plot。Psychology & Marketing，27(6)，541-556。
17.	Chappie, F.(2008)。On Intermediality。Culture, language and representation，6，7-14。
18.	Das, R.(2012)。Children reading an online genre: Heterogeneity in interpretive work。Popular communication，10(4)，269-285。
19.	Dena, C.(2008)。Emerging participatory culture practices: Player-created tiers in alternate reality games。Convergence: The International Journal of Research into New Media Technologies，14(1)，41-57。
20.	Ellis, J.(2011)。On the concept of a Game。Philosophical investigations，34(4)，381-392。
21.	Faubert, P.(2010)。‘Perfect Picture Material': Anthony Adverse and the Future of Adaptation Theory。Adaptation，4(2)，180-198。
22.	Kukkonen, K.(2011)。Comics as a test case for transmedial narratology。Substance，40(1)，34-52。
23.	Megehee, C. M.、Woodside, A. G.(2010)。Creating visual narrative art for decoding stories: That consumers and brands tell。Psychology & Marketing，27(6)，603-622。
24.	Passalacqua, F.、Pianzola, F.(2011)。Defining transmedia narrative: problems and questions. Dialogue with Mary-Laure Ryan。Enthymema，4，65-71。
25.	Rowsell, J.(2014)。Toward a phenomenology of contemporary reading。Australian journal of language and literacy，37(2)，117-127。
26.	Sasha, B.、Pettyjohn, P.、Gresalfi, M.、Volk, C.、Solomou, M.(2012)。Game-based curriculum and transformational play: Designing to meaningfully positioning person, content, and context。Computers & education，58，518-533。
27.	Smith, T.(2011)。Brand salience not brand science: A brand narrative approach to sustaining brand longevity。The marketing review，11(1)，25-40。
28.	Wutz, M.(2011)。Literature in the age of visual media。Twentieth-century literature，57(2)，285-290。
29.	Lowe, V.(2010)。‘Stages of Performance’ : Adaptation and intermediality in Theatre of Blood。Adaptation，3(2)，99-111。

會議論文
1.	石昌杰(2009)。從繪本到動畫--以微笑的魚為例。幾米繪本、電影研究及當代文化探討研討會，劉永皓（主持）。台北市。延伸查詢

學位論文
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2.	蔡曉楓(2004)。解讀少年的自我統合與追尋--一個少年小說閱讀討論會的質性研究(碩士論文)。國立臺灣師範大學。延伸查詢
3.	Beddows, E.(2012)。Consuming transmedia: How audiences engage with narrative across multiple story modes(博士論文)。Swinburne University of Technology，Melbourne。
4.	洪于茹(2008)。幾米圖像創作品跨音樂舞台劇之再創作研究(碩士論文)。國立臺灣藝術大學，新北市。延伸查詢
5.	朱伶莉(2004)。幼兒對圖畫書回應行為之探究(碩士論文)。國立屏東師範學院，屏東縣。延伸查詢

圖書
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7.	Clarke, M. J.(2013)。Transmedia television: New trends in network serial production。London：Bloomsbury Academic。
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9.	Painter, C.、Martin, J. R.、Unsworth, L.(2013)。Reading visual narratives: Image analysis of children’s picture books。London。
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19.	Nodelman, Perry(1988)。Words About Pictures: The Narrative Art of Children's Picture Books。University of Georgia Press。
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23.	Rosenblatt, Louise M.(1938)。Literature as Exploration。New York, NY：Modern Language Association of America。
24.	StoryToys Entertainment(2015)。My very hungry caterpillar。StoryToys entertainment limited。
25.	Rosenblatt, L. M.(1978)。The reader, the text, the poem。Carbondale：Southern Illinois University Press。
26.	林真美(2012)。必讀經典保障珍貴童年。延伸查詢
27.	林敏宜(2002)。圖畫書的欣賞與應用。臺北：心理。延伸查詢
28.	彭懿(2009)。遇見圖畫書百年經典。臺北：上誼。延伸查詢
29.	嚴淑女(2012)。從「玩」進入書的世界。延伸查詢
30.	Carle, E.(1969)。The very hungry caterpillar。New York, NY：Philomel books。
31.	Carroll, N.(2003)。Engaging the moving image。New Haven, CT：Yale University Press。
32.	Egenfeldt-Nielsen, S.、Smith, J. H.、Tosca, S. P.(2008)。Understanding videogames: The essential introduction。New York, NY：Routledge。
33.	Gray, J.(2010)。Show sold separately: Promos, spoilers, and other media paratexts。New York, NY：New York University Press。
34.	Harvey, Colin B.(2015)。Fantastic transmedia: Narrative, play and memory across science fiction and fantasy storyworlds。Palgrave Macmillan。
35.	Many, J.、Cox, C.(1992)。Reader stance and literary understanding: Exploring the theories, research and practice。Norwood, NJ：Ablex。
36.	Nino Studio(2013)。Love, the app。Argentina, AR：Nino Studio。
37.	許玉婷(2012)。認識國內外童書大獎。延伸查詢
38.	Deleuze, Gilles、陳蕉(2009)。法蘭西斯．培根：感官感覺的邏輯。臺北：國立編譯館。延伸查詢
39.	Bolter, J. D.、Grusin, A.(1999)。Remediation: Understanding new media。Cambridge, Mass：MIT Press。
40.	Langer, J. A.(1995)。Envisioning literature: Literary understanding and literature instruction。New York：Teachers College Press。
41.	王秀雄(1998)。觀賞、認知、解釋與評價：美術鑑賞教育的學理與實務。國立歷史博物館。延伸查詢
42.	張春興(1994)。教育心理學：三化取向的理論與實踐。東華書局。延伸查詢
43.	Mirzoeff, Nicholas(1999)。An Introduction to Visual Culture。Routledge。
44.	Jenkins, Henry(2006)。Convergence culture: Where old and new media collide。New York University Press。
45.	Jenkins, Henry、Ford, Sam、Green, Joshua(2013)。Spreadable Media: Creating Value and Meaning in a Networked Culture。New York University Press。
46.	Ryan, Marie-Laure(2004)。Narrative across media: The languages of storytelling。University of Nebraska Press。
47.	Ryan, Marie-Laure(2006)。Avatars of story。University of Minnesota Press。
48.	Nodelman, Perry、Reimer, Mavis(2003)。The Pleasures of Children's Literature。Boston：Allyn and Bacon。

其他
1.	何定照(2016)。幾米音樂劇臺灣小清新征服上海，https://video.udn.com/news/459316。延伸查詢
2.	幾米Spa(2013)。翻開幾米繪本：《向左走．向右走》與《星空》ipad繪本電子書，http://paper.udn.com/udnpaper/PIF0009/232518/web/。延伸查詢
3.	幾米Spa(2015)。幾米Spa新感動：《忘記親--下》音樂作品，http://paper.udn.com/udnpaper/PIF0009/287957/web/。延伸查詢
4.	幾米Spa(2016)。幾米Spa新感動：《向左走．向右走》音樂劇2016巡演登場，http://paper.udn.com/udnpaper/PIF0009/291402/web/。延伸查詢
5.	Calimlim, A.(2014)。Shelf control: My very hungry caterpillar is a fun app based on Eric Carle's classic book，http://appadvice.com/appnn/2014/10/shelf-control-my-very-hungry-cateipillar-is-a-fun-app-based-on-eric-caries-classic-book。
6.	Educational App Store(2016)。Counting with the very hungry caterpillar，http://www.techwithkids.com/Review_SRO 1244S_my-very-hungry-caterpillar。
7.	Gemmill, L.(2014)。Famous Children’s Authors Apps，http://www.kindertown.com/blog/famous-childrens-authors-apps-and-a-free-subscription。
8.	Gudmundsen, J.(2015)。My very hungry caterpillar(http://www.techwithkids.com/Review_SR01244S_my-very-hungi-y-caterpillar)。
9.	Gudmundsen, J.(20150412)。3 apps captivate kids with charming characters，http://www.usatoday.com/story/tech/columnist/gudmundsen/2015/04/12/kids-apps-charming-characters/25360745/。
10.	License!(2014)。Eric Carle releases caterpillar App，http://www.licensemag.com/license-global/eric-carle-releases-cateipillar-app。
11.	Lima(2014)。Announcing My very hungry caterpillar, a nurturing app from Story Toys which brings Eric Carle’s much-loved character to life in interactive 3D，https://www.licensing.org/press-release/announcing-my-very-hungry-caterpillar-a-nurturing-app-from-storytoys-which-brings-eric-carles-much-loved-character-to-life-in-interactive-3d/。
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4.	Doloughan, F. J.(2010)。Mutimodal storytelling: Performance and inscription in the narration of art history。New perspectives on narrative and multimodality。London, UK：Routledge。
5.	Gibbons, A.(2010)。"I contain multitudes": Narrative multimodality and the book that bleeds。New perspectives on narrative and multimodality。New London, UK：Routledge。
6.	Herman, D.、Page, R.(2010)。Coda/ Prelude: Eighteen questions for the study of narrative and multimodality。New perspectives on narrative and multimodality。London：Routledge。
7.	Herman, D.(2010)。Word-image/utterance-gesture: Case studies in multimodal storytelling。New perspectives on narrative and multimodality。London：Routledge。
8.	Holthuis, S.(2010)。Intertexualtiy and meaning constitution。Approaches to poetry: Some aspects of textuality, intertexuality and intermediality。New York, NY：Palgrave Macmillan。
9.	Kafalenos, E.(2004)。Overview of the music and narrative field。Narrative across media。Lincoln, Neb：University of Nebraska Press。
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11.	Ndalianis, A.(2004)。Architecture of the senses: Neo-Baroque entertainment spectalces。Rethinking media change: The aesthetic of transition。New York, NY：Routledge。
12.	Salway, A.(2010)。The computer-based analysis of narrative and multimodality。New perspectives on narrative and multimodality。London, UK：Routledge。
13.	Tarasti, E.(2004)。Music as a narrative art。Narrative across media。Lincoln, Neb：University of Nebraska Press。
14.	Wolf, W.(2005)。Intermediality。The Routledge Encyclopedia of Narrative Theory。London：Routledge。
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18.	Norgaard, N. A.(2010)。"I contain multitudes": Narrative multimodality and the book that bleeds。New perspectives on narrative and multimodality。London：Routledge。
19.	Robillard, V.(2010)。Beyond definition: A pragmatic approach to intermediality。Media borders, multimodality and intermediality。New York, NY：Palgrave Macmillan。
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27.	Dovey, L.、Kennedy, H. W.(2006)。Playing the ring: Intermedialty and ludic narratives in the "The lord of the Rings"。The lord of the rings: Popular culture in global context。London：Wallfolwer Press。
28.	Ensslin, A.(2010)。Respiratory nairative: multimodality and cybernetic corporeality in “physio-cybertext”。New perspectives on narrative and multimodality。London, UK：Routledge。
29.	Flewitt, R.、Hampel, R.、Hauck, M.、Lancaster, L.(2012)。What are multimodal data and transcription。The Routledge handbook of multimodal analysis。London, UK：Routledge。
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