中國詩歌中的自然（山水、風物）擬人化已見於《詩經》，可謂歷史悠久。其中，宋代是自然擬人化取得跨越性發展的時代。就宋詩的自然擬人化而言，最重要的詩人應是北宋的蘇軾和南宋的楊萬里。本文主要結合「詩眼」、「詩債」等宋代詩學中的獨特概念，對蘇軾和楊萬里詩歌中自然擬人化的表現樣態加以探討，進而闡明他們的自然認識及詩學認識的特質。

Personified natural scenery can be seen in Chinese poetry as early as in Shijing; it later becomes a distinct characteristic in Song poetry. This paper aims to examine the personified landscape in poems by Su Shi in the Northern Song and by Yang Wan-Li in the Southern Song in terms of ＂poetic eye＂ and ＂poetic debt＂ so as to showcase their outlook on nature and poetic aesthetics.