少數民族服裝藝術在為各族群眾提供遮體御寒的生活需要之外,還體現了各族人民的審美情趣和藝術情懷。少數民族服裝作為一種文化藝術現象,其造型豐富多樣,手法精巧絕倫,為人類藝術的發展提供了豐富的造型資源和手法借鑒。然而,在當代中國油畫藝術中,以西方造型手法為主的藝術霸權同樣存在,滯礙了中國當代油畫藝術的創新之路。有鑒于此,吸收、借鑒少數民族服裝藝術造型手法,以本土性、民族性的圖像藝術造型及其構圖手法來提升中國油畫藝術的民族特色和創作質量,增強中國油畫藝術創作的藝術表現力、文化沖擊力和歷史感染力,成為抵御西方霸權話語下文化藝術滲透的可行出路。

The ethnic minorities clothing art not only provides the cover and warm need in their lives for the masses of all nationalities,but also reflects the aesthetic taste and artistic feelings of people of all ethnic groups. The Ethnic minorities clothing is a kind of a cultural and artistic phenomenon. It has rich variety of shapes and the delicate and unsurpassed tactics. It provides a rich shapes resource and technique reference for the development of the human art. However,in the contemporary Chinese oil painting art, there is also a art hegemony predominantly in the western modelling technique,which blocks the innovation path of Chinese modern oil painting art. Because of this,the absorption and reference to the ethnic minorities clothing art shapes and gimmicks,improving the quality of national characteristics and the creation of the Chinese oil painting art with image of aboriginality,nationality art modelling and composition technique,and strengthening the Chinese oil painting art history of artistic expression, cultural impact and influence, becomes the inevitable way of infiltration under the hegemonic discourse of the western culture art.