壹、樂譜
Ludwig van Beethoven. Beethoven Piano concerto No.5 Es dur. 東京：全音樂譜出版社，1991。
Ludwig van Beethoven. Kadenzen zum Klavierkonzert in d-moll K.V. 466 von W. A. Mozart. Wien: Verlag Doblinger, 1995.
Mozart, Wolfgang Amadeus. Concerto in B-flat major for pianoforte and orchestra,KV 595. Kassel: Barenreiter, 1988.
Mozart, Wolfgang Amadeus. Piano concerto no. 20 in D minor, K. 466. Elmsford, NY: Music Minus One, 1995.
貳、外文書目
Badura-Skoda, Eva and Paul Badura-Skoda, translated by Leo Black. Interpreting Mozart on the Keyboard. New York: St. Martin’s Press, 1962.
Bailey, Derek. Improvisation: Its Nature and Practice in Music. New York: Da Capo Press, 1992.
Berliner, Paul. Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press, 1994.
Blume, Friedrich, translated by M. D. Herter Norteon. Renaissance and Baroque Music: A Comprehensive Survey. New York: W. W. Norton, 1967.
Brinkmann, Reinhold, hrsg.. Improvisation und Neue Musik. Mainz: Schott, 1979.
Cope, David. New Directions in Music. University of California, 2001.
Cyr, Mary. Performing Baroque Music. Portland, OR. : Amadeus Press, 1998.
Czerny, Carl, translated and edited by Mitchell Alice L.. A Systematic Introduction to Improvisation on the Pianoforte Opus 200. New York & London: Logman, 1983.
Dahlhaus, Carl, translated by Derrick Puffett and Alfred Clayton. Schoenberg and the New Music. Cambridge: Cambridge University Press, 1990.
————, Carl, translated by J. Bradford Robinson. Nineteenth-Century Music. Los Angeles/ Berkeley: University of California Press, 1989.
————, Carl, translated by William Austin. Esthetics of Music. Cambridge: Cambridge University Press, 1995.
Farrell, Gerry. Indian Music in Education. Cambridge: Cambridge University Press, 1990.
Ferand, Ernst T. Die Improvisation in der Musik. Zürich: Rhein-Verlag, 1938.
Ferand, Ernst T. Improvisation in Music History and Education. MTNA (Music Teachers National Association) Proceedings, 1940, 274-286.
Floyd, Leela. Indian Music. London: Oxford University Press, 1980.
Gerald, Abraham, ed.. The New Oxford History of Music, Concerted Music 1630-1750. New York: Oxford University Press, vol. 6, 1987.
Goertzen, Valerie Woodring. “By Way of Introduction: Preluding by 18th- and Early 19th-Century Pianists”. The Journal of Musicology, Vol. 14, No. 3 ( Summer, 1996). University of California Press, 299-337.
Hall, Edward T. “Improvisation as an Acquired, Multileveled Process” . Ethnomusicology 36 (1992): 223-35.
Hamm, C., Bruno Nettl and R. Byrnsidel, ed.. Contemporary Music and Music Cultures. NJ: Englewood Cliffs, 1975.
Horsley, I. “The Sixteenth-Century Variation and Baroque Counterpoint”, Musica Disciplina, xiv (1960): 159–65.
Jairazbhoy, N. A. The Rags of North Indian Music. Middletown CT: Wesleyan University Press, 1971.
Joshi, Baburao. Understanding Indian Music. Westport, Conn., Greenwood Press, 1974.
Jost, Ekkehard. Free Jazz. New York: Da Capo Press, 1994.
Kassebaum, Gayathri Rajapur. “Improvisation in Alapana Performance: A Comparative View of Raga Shankarabharana”. Yearbook for Traditional Music, vol.19 (1987): 45-64.
Katz, Mark, Capturing Sound: How Technology Has Changed Music. Berkley and Los Angeles: University of California Press, 2004.
Katz, Ruth. “The Singing of Baqqashot by Aleppo Jews”. Acta Musicologica, xl (1968): 65–85.
Lopes, Paul. The Rise of a Jazz Art World. Cambridge and New York: Cambridge University Press, 2002.
Lortat-Jacob, Bernard, ed. L’improvisation dans les Musiques de Tradition Orale. Paris: Slaf, 1987.
Mahajan, Anupam. Ragas in Hindustani Music: Conceptual Aspects. New Delhi: Gyan Publishing House, 2001.
Martin, Henry. Charlie Parker and Thematic Improvisation. MD : Scarecrow Press, 1996.
Michels, Ulrich. dtv-Atlas Musik. München: Deutscher Taschenbuch Verlag, vol. 1, 1977.
Nettl, Bruno and Melinda Russell, ed.. In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: The University of Chicago Press, 1998.
Nettl, Bruno. ”Thoughts on Improvisation: A Comparative Approach”. Musical Quarterly 60: 1-19, 1974.
Neumann, Frederick. Ornamentation and Improvisation in Mozart. Princeton, N.J.: Princeton University Press, 1986.
Neumann, Frederick. Ornamentation in Baroque and Post-baroque Music: with Special Emphasis on J. S. Bach. Princeton, N.J.: Princeton University Press, 1983.
Nooshin, Lauda. “Improvisation as ‘Other’: Creativity, Knowledge & Power — The Case of Iranian Classical Music”. Journal of the Royal Musical Association (2003): 128-296.
Palisca, Claude V. Baroque music. Englewood Cliffs, N.J.: Prentice Hall, 1991.
Ruckert, George E.. Music in North India. Oxford: Oxford University Press, 2003.
Sadie, Julie Anne, ed.. Companion to Baroque Music. Berkeley: University of California Press, 1998.
Sanyal, Ritwik and Richard Widdess. Dhrupad: Tradition and Performance in Indian Music. Vermont: Ashgate, 2004.
Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968.
Schwartz, Elliott and Godfrey, Daniel. Music Since 1945: Issues, Materials and Literature .New York: Schirmer Books, 1993.
Solis, Gabriel and Bruno Nettl, ed.. Musical Improvisation : Art, Education, and Society. Urbana : University of Illinois Press, 2009.
Sorrell, Neil. A Guide to the Gamelan. London: Faber and Faber Limited, 1990.
Telemann, Georg Philipp. Singe-, Spiel- und Generalbaß-Übungen. Hamburg, 1733/ 34. Kassel e Basel: Bärenreiter Verlag, 1968.
Treitler, Leo. “Medieval Improvisation.” The World of Music 33 (3) (1991): 66-91.
Viswanathan, T. and Matthew Harp Allen. Music in South India: The Karnatak Concert Tradition and Beyond: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 2004.
Viswanathan, T.. “The Analysis of Raga Alapana in South Indian Music”. Asian Music Vol. 9, No. 1 (1977), Second India Issue, 13-71.
Wellesz, Egon and Frederick William Sternfeld, ed.. The New Oxford History of Music, The Age of Enlightment 1745-1790. New York: Oxford University Press, vol. 7, 1987.
Zarlino, Gioseffo, translated by Guy A. Marco and Claude V. Palisca. The Art of Counterpoint-Part Three of “Le Istitutioni harmoniche”, 1558. New York: W.W. Norton & Company, 1968.
參、中文
上海音樂出版社（編）。《民族音樂學論文選》。上海：上海音樂出版社，1988。
中國民間歌曲集成全國編輯委員會（編）。《中國民間歌曲集成江蘇卷》。北京：中國ISBN中心，1998。
中國民間歌曲集成全國編輯委員會（編）。《中國民間歌曲集成浙江卷》。北京：人民音樂出版社，1993。
中國民間歌曲集成全國編輯委員會（編）。《中國民間歌曲集成福建卷》。北京：中國ISBN中心，1996。
李洪春。《京劇長談》。北京：中國戲劇出版社，1982。
陳秀芳。〈歐陽修「漁家傲十二首詠月令」聯章詞修辭藝術析論〉。大同技術學院學報第十七期（2010）：97-119。
南西‧瑞區(Nancy B. Reich)。《十九世紀最偉大的女鋼琴家克拉拉‧舒曼》。陳秋萍、游淑峰譯。台北：高談文化，2004。
劉新圓。《山歌子的即興》。台北：文津出版社，2003。
鄭榮興（編）。《苗栗縣客家戲曲發展史》。苗栗：苗栗縣立文化中心，1999。鄭榮興。《台灣客家三腳採茶戲研究》。苗栗：財團法人慶美園文教基金會，2001。鄭榮興。《苗栗地區客家八音音樂發展史（田野日誌）》。苗栗：苗栗縣立文化中心，2000。
鄭榮興。《苗栗地區客家八音音樂發展史—由苗栗陳慶松家族的民俗曲藝探討之（論述稿）》。苗栗：苗栗縣立文化中心，2000。
謝俊逢。《民族音樂理論與實證》。台北：全音樂譜出版社，1998。
韓國鐄。《韓國鐄音樂文集（三）》。台北：樂韻出版社，1992。
簡上仁。《台灣民謠》。台北：眾文圖書，1992。
羅基敏（編）。《彈音論樂》。台北：高談文化，2000。
肆、學位論文
李宜芳。〈從音樂詮釋觀點的改變探討布梭尼對《郭德堡變奏曲》的再創作〉。國立台灣師範大學音樂系博士論文，2009。
張春梅。〈東方哲學在凱吉(John Cage)作品中的實踐：以《變化的音樂》(Music of Changes)為例〉。國立台灣師範大學民族音樂研究所碩士論文，2008。
顏崇勝。〈機遇音樂探究〉。國立台灣師範大學民族音樂系碩士論文，2004。
伍、樂曲解說
Chissell, Joan. Frèdèric Chopin 26 Prèludes, played by Martha Argerich. Hamburg: Plydor International GmbH, 1986.
Scherliess, Volker. Frèdèric Chopin 26 Prèludes, played by Martha Argerich. Hamburg: Plydor International GmbH, 1986.
陸、有聲資料
陳慶松與客家陳家八音團。《台灣有聲資料庫全集傳統樂器篇1，客家八音》。台北：水晶有聲出版社，1995。
陶喆。《陶喆》。台北：俠客唱片公司，1997。
鳳飛飛。《想要彈同調（一）》。台北：EMI科藝百代唱片公司，1992。
鄭榮興。《傳統客家歌謠及音樂—客家八音系列》。台北：行政院客家委員會。2002。
鄭榮興。《鄭榮興音樂專輯，柒、客家八音系列》。苗栗：財團法人慶美園文教基金會，2006。
鄭榮興。《鄭榮興音樂專輯，參、客家八音系列》。苗栗：財團法人慶美園文教基金會，2004。
鄧麗君。《難忘的初戀情人》。台北：海山唱片公司，1971。