期刊論文1. | 王雅各(19980400)。身體:女性主義視覺藝術在再現上的終極矛盾。婦女與兩性學刊,9,1-54。 延伸查詢 |
2. | Doane, Mary Ann(1982)。Film and the Masquerade: Theorising the Female Spectator。Screen,23(3/4),74-88。 |
3. | 劉瑞琪(20030500)。迫切地追尋女性觀者:辛蒂.雪曼的《無題電影停格》系列。女學學誌:婦女與性別研究,15,153-194。 延伸查詢 |
4. | Brittain, David(1991)。Cindy Sherman interviewed: True confessions。Creative camera,308,34-38。 |
5. | Fuku, Noriko(1997)。A woman of parts。Art in America,85,74-81。 |
6. | Greenberg, Emily B.(1994)。Cindy Sherman and the female grotesque。Art Criticism,9(2),49-55。 |
7. | Howell, George(1995)。Anatomy of an artist。Art papers,19(4),2-7。 |
8. | Iversen, Margaret(1988)。Fashioning feminine identity。Art international,2,52-57。 |
9. | Mulvey, Laura(1991)。A phantasmagoria of the female body: The work of Cindy Sherman。New Left Review,188,136-150。 |
10. | Schor, Mira(1989)。From liberation to lack。Heresies,24,15-21。 |
11. | Bonitzer, Pascal(1981)。Partial Vision: Film and Labyrinth。Wild Angle,4(4),56-64。 |
12. | Foster, Hall(1991)。Armor Fou。October,56,65-97。 |
13. | Frascella, Larry(1986)。Cindy Sherman’s Tales of Terror。Aperture,103,48-53。 |
14. | Koestenbaum, Wayne(2000)。Fall Gals。ArtForum,39(1),148-151。 |
15. | Lust, Herbert(1990)。For Women Are Endless Forms: Hans Bellmer’s Dark Art。Sulfur,26,37。 |
16. | Menard, Andrew(1994)。Cindy Sherman: The Cyborg Disrobes。Art Criticism,9,38-48。 |
17. | Taylor, Paul(1985)。Cindy Sherman。Flash Art,10/11,78-79。 |
18. | Williamson, Judith(1983)。Images of ‘Woman’: The Photographs of Cindy Sherman。Screen,24(6),102-116。 |
圖書1. | Stacey, Jackie(1994)。Star Gazing: Hollywood Cinema and Female Spectatorship。Star Gazing: Hollywood Cinema and Female Spectatorship。London/New York。 |
2. | Russo, Mary(1994)。The Female Grotesque: Risk, Excess and Modernity。The Female Grotesque: Risk, Excess and Modernity。New York。 |
3. | Doane, Mary Ann(1987)。The Desire to Desire: The Women's film of the 1940s。Bloomington and Indianapolis。 |
4. | Krauss, Rosalind(1993)。Cindy Sherman, 1975-1993。New York。 |
5. | Irigaray, Luce、Porter, Catherine、Burke, Carolyn(1985)。This Sex Which is Not One。Cornell University Press。 |
6. | Isaak, Jo Anna、陳淑珍、吳介禎(2000)。女性笑聲的革命性力量--女性主義與當代藝術。臺北:遠流。 延伸查詢 |
7. | Silverman, Kaja(1996)。The Threshold of the Visible World。New York:Routledge。 |
8. | Hutcheon, Linda(1985)。A Theory of Parody: The Teachings of Twentieth-Century Art Forms。Cambridge:University Printing House。 |
9. | Huyssen, Andreas(1986)。After the Great Divide: Modernism, Mass Culture, Postmodernism。Bloomington, Indianapolis:Indiana University Press。 |
10. | Stallybrass, Peter、White, Allen(1986)。The Politics and Poetics of Transgression。London:New York:Ithaca:Methuen:Cornell University Press。 |
11. | Solomon-Godeau, Abigail(1991)。Photography at the Dock: Essays on Photographic History, Institutions, and Practices。Minneapolis, MN:University of Minnesota Press。 |
12. | Kristeva, Julia、Roudiez, Leon S.(1982)。Powers of Horror: An Essay on Abjection。Columbia University Press。 |
13. | Creed, Barbara(1993)。The Monstrous-Feminine: Film, Feminism, Psychoanalysis。Routledge。 |
14. | Butler, Judith P.(1990)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。 |
15. | Kristeva, Julia、Gora, Thomas、Jardine, Alice、Roudiez, Leon S.、Roudiez, Leon S.(1980)。Desire in Language: A Semiotic Approach to Literature and Art。Columbia University Press。 |
16. | Bakhtin, Mikhail M.、Iswolsky, Hélène(1984)。Rabelais and His World。Bloomington:Indiana University Press。 |
17. | Mulvey, Laura。Afterthoughts on "Visual Pleasure and Narrative Cinema"。Visual and Other Pleasures。Bloomington and Indianapolis。 |
18. | Suleiman, Susan Rubin(1998)。Dialogue and Double Allegiance: Some Contemporary Women Artists and the Historical Avant-Garde。Mirror Images: Women, Surrealism, and Self-Representation。Cambridge。 |
19. | Cruz, Amada(1997)。Movies, monstrosities, and masks: Twenty years of Cindy Sherman。Cindy Sherman: Retrospective。London。 |
20. | Jones, Amelia(1997)。Tracing the Subject with Cindy Sherman。Cindy Sherman: Retrospective。London。 |
21. | Mooney, Ted(1999)。Cindy Sherman: An invention for two voices。Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman。Cambridge, M. A. and London。 |
22. | Schor, Mira(1994)。Backlash and appropriation。The Power of Feminist Art: The American Movement of the 1970s, Hitory and Impact。New York。 |
23. | Arenas, Amelia(1996)。Afraid of the Dark: Cindy Sherman and the Grotesque Imagination。Cindy Sherman。Shiga, Japan。 |
24. | Betterton, Rosemary(1996)。Body Horror? Food (and Sex and Death) in Women’s Art。An Intimate Distance: Women, Artists, and the Body。London。 |
25. | Bryson, Norman(1993)。House of Wax。Cindy Sherman, 1975-1993。New York。 |
26. | Danto, Arthur C.(1991)。Cindy Sherman: History Portraits。Cindy Sherman: History Portraits。Ne York。 |
27. | Felski, Rita(1995)。Imagined Pleasures: The Erotics and Aesthetics of Consumption。The Gender of Modernity。Cambridge。 |
28. | Jacob, Mary Jane(1985)。Cindy Sherman。Self-Portraits by Women Artists。Los Angeles。 |
29. | Krauss, Rosalind(1997)。The Destiny of the Informe。Formaless: A User’s Guide。New York。 |
30. | Miles, Margaret(1997)。Carnal Abominations: The Female Body as Grotesque。The Grotesque in Art and Literature。Michigan。 |
31. | Nairne, Sandy(1987)。The State of the Art: Ideas and Images in the 1980s。The State of the Art: Ideas and Images in the 1980s。London。 |
32. | Sherman, Cindy(1996)。Cindy Sherman。Cindy Sherman。Shiga, Japan。 |
33. | Smith, Elizabeth A. T.(1997)。The Sleep of Reason Produces Monsters。Cindy Sherman: Retrospective。London。 |
34. | Taylor, Simon(1993)。The Phobic Object: Abjection in Contemporary Art。Abject Art: Repulsion and Desire in American Art。New York。 |
35. | Williams, Linda(1990)。Something Else Besides A Mother’: Stella Dallas and the Maternal Melodrama。Issues in Feminist Film Criticism。Bloomington/Indianapolis。 |
36. | Wood, Robin(1979)。An Introduction to the American Horror Film。American Nightmare: Essays on the Horror Film。Toronto。 |
37. | 阮義忠(2000)。辛蒂.雪曼。當代攝影新銳。臺北。 延伸查詢 |