目前臺灣公立博物館隨著政府推動文化創意產業，紛紛朝向商業經營的模式，對於推動「文化」具有積極意義存在，也將文化資產透過商業加值得到進一步開發利用，再創典藏品的價值與提升博物館整體形象。站在當代我們似乎已經不能停留在過去的脈絡來看「文化」，而是有責任運用前瞻性、未來性流行的新觀點，來延續屬於我們自己的文化。近年來，臺灣許多博物館舉辦相當多的活動與競賽，甚至結合藝術家或設計師創作博物館文化衍生商品，希望藉由創意人才的投入，為博物館文化商品帶來新的可能性。 本研究即探討目前尚處於實驗性質的文化創新設計商品，經由設計者對文化資產的了解與創意加值後，以一種後現代思維的角度從設計文化符碼「外－中－內」三層面分析，檢視創作出來的商品是否成功的轉化傳統符碼於未來創新設計商品上。 研究發現，博物館文化產業具有高度文化特色與資源，可作為轉換商品「創意設計」的奠基，未來開發的創新設計商品除了與流行文化時尚做結合，還必須成功的揉合其教育性、現代性與實用性，才能成功散發屬於博物館的獨特文化魅力，創造更精緻的美學生活。

National museums in Taiwan, along side government policies, have recently promoted the cultural creative industry with an aim to bring back the values of classical artifacts and to rise up the image of the museums. Standing on a modern basis, it is not appropriate to allow ourselves to just stand and look back at our prideful culture and history, we have the responsibility to let our culture live on in a modern perspective. In recent years, museums in Taiwan have held numerous activities and competitions, with some co-operating with artist and designers to create museum cultural-products, in hope that creative talent would jump in and bring new possibilities to museum cultural-products. This research looks into creative cultural products which is at the moment an experimental issue, looks through designs and designer concepts and examines if symbols have successfully been transformed through an "external-middle-inner" method. As a result of research, the museum cultural industry does contain rich cultural resources, and is a good basis for the developing of creative design. But future creative design products, however, should have to meet educational, future, and practical needs other than just blend with popular culture to make museum cultural products a bigger attraction not just for itself but also for the museum and its culture.