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題名:故事結構、鏡頭設計、動畫語言與故事強度之敘事研究--以動畫短片《回憶積木小屋》為例
書刊名:International Journal of Digital Media Design
作者:林冠廷張裕幸徐道義
作者(外文):Lin, Guan-tingChang, Yuh-shihngHsu, Tao-i
出版日期:2020
卷期:12:1
頁次:頁13-31
主題關鍵詞:動畫短片敘事分析動畫語言鏡頭設計故事結構Animated short filmNarrative skillsAnimation languageLens designStory structure
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:341
  • 點閱點閱:3
本研究針對日本短篇動畫《回憶積木小屋》進行文本敍事分析。利用內容分析法對故事結構策略、鏡頭設計、動畫語言進行編碼、統計,探討導演如何敍事、並運用上述敍事技巧提升故事及角色的張力。研究結果顯示《回憶積木小屋》動畫片符合Chris提出好萊塢動畫方程式的基本故事結構以及Todorov五階段敘事功能的結構。本研究依循拖多洛夫的五階段敘事結構。分別以路易斯.吉奈堤所定義的鏡頭運用、Chateau的鏡頭角度、Ward的鏡頭運動、Katz的鏡頭的觀點,分析導演加藤久仁生運用鏡頭計表達角色當下情境、想法,成功地把故事關鍵訊息傳達給觀眾。本研究並以動畫語言做為加強故事強度的技巧。經本研究統計「隱喻」、「符號」、「聲音」動畫語言相對於其他動畫語彙的使用次數較多,導演擅長運用「隱喻」的動畫語言來增加故事的張力,以及運用「穿透」強調當下角色的心情及反應,最後在將「符號」的動畫語言安排在劇情中的物件中,以表達的故事主人翁的心境。本研究成果可提供國內劇本寫作或動畫短片創作如何成功地傳達故事意涵以及有效提升故事的價值之參考。
This research performs a narrative analysis for the Japanese anime "La maison en petits cubes". By using content analysis, encode and count method, for the story structure strategy, lens design, animation language to discuss how the director narrates the story and enhances the story intensity. The result of this research shows that the anime accords the basic story structure of the Hollywood animation formula proposed by Chris Patmore; and the Todorov's 5 steps of story structure. In the initial equilibrium state of the story beginning, the director mostly adopts the unfocused narrative; In the steps 2 to 4 of the story, the director uses the internal focalization lens to express the character's inner emotions and ideas and tries to communicate for the key message of the story with the audience by using the external focalization lens in step 5. The director also combines the lens and animation language in his narrative skills. Through this research, we statistic the frequency of animation languages applied in story and find that the director uses the "metaphor", "symbol", and "sound" many times to improve the story strength. The director is good at using "metaphor" animation language to increase the tension of the story, and "penetrating" to emphasize the mood and emotional reaction of the character, and finally arranging the "symbol" into the plot to express the life situation of the character that successfully conveys the meaning of the story and effectively enhances the value of the story. The research results can provide references for script writing or animation short film creation.
期刊論文
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2.嚴貞、吳佩芬、方國定(20080800)。故事結構與運鏡設計於電腦動畫之關聯研究。科技學刊. 人文社會類,17(2),137-147。new window  延伸查詢new window
3.張裕幸(20091000)。超現實動畫《火影忍者》的敘事建構與動畫語彙運用。藝術學報,85,57-80。new window  延伸查詢new window
4.Brewster, B.(1982)。A Scene at the 'Movies'。Screen,23(2),7+9+12。  new window
5.李宏耕、李來春(20171200)。動畫短片敘事結構與聚焦設計研究。International Journal of Digital Media Design,9(2),23-41。new window  延伸查詢new window
6.鐘世凱、張宇晴(20091200)。3D動畫影片分鏡--好萊塢成功商業3D動畫長片研究。高雄師大學報. 人文與藝術類,27,195-217。new window  延伸查詢new window
7.Kohlbacher, F.(2006)。The Use of Qualitative Content Analysis in Case Study Research。Forum: Qualitative Social Research,7(1)。  new window
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學位論文
1.呂妮霖(2008)。好萊塢後現代童話電影的敘事轉向分析(碩士論文)。國立政治大學。  延伸查詢new window
圖書
1.Katz, S. D.(1991)。Film Directing: Shot by Shot: Visualizing from Concept to Screen。Michael Wiese Productions。  new window
2.Mascelli, Joseph V.(1998)。The Five C's of Cinematography - Motion Picture Filming Techniques。Silman-James。  new window
3.Ward, Peter、廖澺蒼(2005)。影視攝影與構圖。五南圖書出版股份有限公司。  延伸查詢new window
4.Block, B.(2001)。The Visual Story: Seeing the Structure of Film, TV, and New Media。Focal Press。  new window
5.Wells, P.(2006)。Fundamentals of Animation。AVA。  new window
6.Giannetti, Louis D.、焦雄屏(2005)。認識電影。臺北市:遠流出版公司。  延伸查詢new window
7.Zettle, Herbert、廖祥雄(1989)。映像藝術:電影電視的應用美學。臺北:志文。  延伸查詢new window
8.Wells, Paul(1998)。Understanding Animation。Routedge。  new window
9.Kawin, Bruce F.、李顯立、趙曼如(1996)。解讀電影。台北:遠流出版社。  延伸查詢new window
10.Betton, Gérard、劉俐(1990)。電影美學。遠流出版事業股份有限公司。  延伸查詢new window
11.Patmore, C.(2003)。The complete animation course: the principles, practice and techniques of successful animation。London:Thames and Hudson。  new window
12.Foss, S. K.(2004)。Rhetorical Criticism: Exploration & Practice。Illinois, Long Grove:Waveland Press。  new window
13.O'neill, P.(1994)。Fictions of Discourse: Reading Narrative Theory。Toronto:University of Toronto。  new window
14.Wells, Paul、張裕幸、黃俊榮、張恩光(2007)。動畫達人二部曲(I):劇本寫作。旭營文化事業有限公司。  延伸查詢new window
15.Babbie, E.(1995)。The Practice of Social Research。Bellmont, California:Wadsworth Publishing Company。  new window
16.林東泰(2015)。敘事新聞與數位敘事。五南圖書。  延伸查詢new window
17.蔡琰(20000000)。電視劇:戲劇傳播的敘事理論。臺北:三民。new window  延伸查詢new window
18.Brockett, Oscar G.、胡耀恆(1974)。世界戲劇藝術欣賞--世界戲劇史。台北:志文出版社。  延伸查詢new window
19.Berelson, B.(1952)。Content Analysis in Communications Research。Macmillan Pub Co。  new window
20.Chateau, D.(2006)。Esthétique du cinema。Armand Colin。  new window
21.Genette, G.、LewinJane, E.(1980)。Narrative Discourse:An Essay in Method。Ithaca:Cornell University Press。  new window
22.Mitry, J.(1965)。Esthétique et psychologie du cinéma。Cerf。  new window
23.Ryan, M.-L.、Herman, David(2007)。Toward a definition of narrative。Cambridge University Press。  new window
24.Branigan, Edward(1992)。Narrative Comprehension and Film。Routledge。  new window
25.楊裕富(19980000)。設計的文化基礎:設計、符號、溝通。臺北市:亞太圖書。new window  延伸查詢new window
26.張菁、關玲(2008)。影視視聽語言。北京:中國傳播大學。  延伸查詢new window
27.趙前、叢琳瑋(2007)。動畫影片視聽語言。重慶:重慶大學出版社。  延伸查詢new window
28.Nilsen, V.(1972)。The Cinema as a Graphic Art。Hill & Wang。  new window
其他
1.加藤久仁生(2009)。つみきのいえ,https://web.archive.org/web/20090226195755, 。  延伸查詢new window
2.AMPAS(2020)。Rule Nineteen: Short Film's Awards. Academy of Motion Picture Arts and Sciences,https://www.oscars.org/oscars/rules-eligibility。  new window
 
 
 
 
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