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J.(1999)。The Cultural Economy: Geography and the Creative Field。Media, Culture & Society,21,807-817。 | 7. | Grabher, G.(2002)。Cool Projects, Boring Institutions: Temporary Collaboration in Social Context。Regional Studies,36(3),205-214。 | 8. | Power, D.(2002)。"Cultural Industries" in Sweden: An Assessment of Their Place in the Swedish Economy。Economic Geography,78(2),103-127。 | 9. | Negus, Keith(1998)。Cultural Production and the Corporation: Musical Genres and the Strategic Management of Creativity in the US Recording Industry。Media, Culture and Society,20,359-379。 | 10. | 楊友仁、夏鑄九(20051000)。跨界生產網絡之在地鑲嵌與地方性制度之演化:以大東管地區為例。都市與計劃,32(3),277-301。 延伸查詢 | 11. | Grabher, G.(2001)。Ecologies of Creativity: The Village, the Group, and the Heterarchic Organization of the British Advertising Industry。Environment and Planning, A,33(2),351-374。 | 12. | Morgan, Kevin(1997)。The Learning Region: Institutions, Innovation and Regional Renewal。Regional Studies,31(5),491-503。 | 13. | 楊友仁、夏鑄九(20040600)。跨界生產網絡的在地化聚集與組織治理模式:以大蘇州地區資訊電子業台商爲例。地理學報,36,23-54。 延伸查詢 | 14. | Grabher, G.(2004)。Learning in projects, remembering in networks? 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Music and ICT Synergies in Stockholm, Sweden。Geoforum,35,425-439。 | 25. | Zeller, C.(2002)。Project Teams as Means of Restructuring Research and Development in the Pharmaceutical Industry。Regional Studies,36(3),275-289。 | 26. | 林奇伯(2002)。競爭或共榮-兩岸娛樂工業打造亮麗舞臺。光華,27(12),68-79。 延伸查詢 | 27. | 孫秀惠(1994)。華人旋律熱情交響。遠見雜誌,99。 延伸查詢 | 28. | 彭素華(2005)。費玉清、SHE票房不敗。TVBS週刊,386。 延伸查詢 | 29. | 劉現成(2000)。亞洲華人張惠妹旋風。廣電人,61,42-47。 延伸查詢 | 30. | Alexander, P.(1996)。Entry Barriers, Release Behaviour, and Multi-product Firms in the Music Recording Industry。Review of Industrial Organization,9,85-98。 | 31. | Bengtsson, M.、Söderholm, A.(2002)。Bridging Distances: Organizing Boundary-spanning Technology Development Projects。Regional Studies,36(3),263-274。 | 32. | Christopherson, Susan(2002)。Why Do National Labor Market Practices Continue to Diverge in the Global Economy?。Economic Geography,78(1),1-20。 | 33. | Dornisch, D.(2002)。The Evolution of Post-socialist Projects: Trajectory Shift and Transitional Capacity in a Polish Region。Regional Studies,36(3),307-321。 | 34. | Ekinsmyth, C.(2002)。Project Organization, Embeddedness and Risk in Magazine Publishing。Regional Studies,36(3),229-243。 | 35. | Gann, David M.、Salter, Ammon J.(2000)。Innovation in Project-based, Service-enhanced Firms: The Construction of Complex Products and Systems。Research Policy,29(7/ 8),955-972。 | 36. | Goodman, R. 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C.(2003)。Between Globalization and Localization: A Study of Hong Kong Popular Music。Popular Music,22(2),143-157。 | 41. | Hobday, Mike(2000)。The Project-based Organization: An Ideal form for Managing Complex Products and Systems?。Research Policy,29(7/ 8),871-893。 | 42. | Leyshon, A.(2001)。Time-space (and Digital) Compression: Software Formats, Musical Networks and the Reorganisation of the Music Industry。Environment and Planning, A,33(1),49-77。 | 43. | Lin, J. Y.(2005)。Subsequent to Movies Asian Music also Advance to USA。BusinessWeek,166-167。 | 44. | Lindkvist, L.、Söderlund, J.、Tell, F.(1998)。Managing Product Development Projects: On the Significance of Fountains and Deadlines。Organization Studies,19(6),931-951。 | 45. | Peterson, R.、Berger, D.(1996)。Measuring Industry Concentration, Diversity, and Innovation in Popular Music。American Sociological Review,61,175-178。 | 46. | Sadler, D.(1997)。The Global Music Business as an Information Industry: Reinterpreting Economies of Culture。Environment and Planning, A,29(11),1919-1936。 | 47. | Schuman, A. J.(2005)。Hey, Big Spenders! China's Expanding Class Will Provide Much-needed Retail Therapy for a Global Economy That's Dangerously Dependent on the U.S.。Time Asia。 | 48. | Starkey, K.、Barnatt, C.、Tempest, S.(2000)。Beyond Networks and Hierarchies: Latent Organizations in the UK Television Industry。Organization Science,11(3),299-305。 | 49. | Sydow, J.、Staber, U.(2002)。The Institutional Embeddedness of Project Networks: The Case of Content Production in German Television。Regional Studies,36(2),215-227。 | 學位論文1. | 張容瑛(2002)。台灣流行音樂產業網絡、創作系統與空間(碩士論文)。國立臺北大學,台北。 延伸查詢 | 2. | 施韻茹(2005)。由節拍旋律到娛樂商品:臺灣流行音樂產業產銷結構轉變研究,0。 延伸查詢 | 圖書1. | Hull, Geoffrey P.(1998)。The Recording Industry。Allyn and Bacon。 | 2. | Yang, Mayfair(1994)。Gifts, Favors, and Banquets: The Art of Social Relationships in China。New York:Cornell University Press。 | 3. | Krugman, Paul(1995)。Development, geography, and economic theory。MIT Press。 | 4. | Lash, S.、Urry, J.(1994)。Economics of Signs and Space: After Organized Capitalism。London:Sage。 | 5. | 出版年鑑編輯委員會(1998)。出版年鑑。台北:新聞局。 延伸查詢 | 6. | Krugman, P. R.(1991)。Geography and trade。Cambridge, MA:MIT press。 | 7. | (1998)。The Place of Popular Music。The Place of Popular Music。New York, NY。 | 8. | Malm, K.、Wallis, R.(1992)。Media Policy and Music Activity。Media Policy and Music Activity。London, UK。 | 9. | 金兆鈞(2002)。光天化日下的流行。光天化日下的流行。北京市。 延伸查詢 | 10. | 胡馨云(2003)。A錢女王-王牌經紀人胡馨云。A錢女王-王牌經紀人胡馨云。臺北市。 延伸查詢 | 11. | 胡馨云(2004)。紅火-明星偶像商品的炒與作。紅火-明星偶像商品的炒與作。臺北市。 延伸查詢 | 12. | 許曉峰(2004)。聲音的世界怎樣才能更完美-WTO門檻下的中國唱片業。聲音的世界怎樣才能更完美-WTO門檻下的中國唱片業。臺北市。 延伸查詢 | 13. | 劉若英(2003)。劉若英《單身日誌》演唱會記錄表。劉若英《單身日誌》演唱會記錄表。臺北市。 延伸查詢 | 14. | Brown, J. S.、Duguid, P.(1996)。Organizational Learning and Communities of Practice: Towards a Unified View of Working, Learning, and Innovation。Organizational Learning。Thousand Oaks, CA。 | 其他1. | 王磊(2004)。2004臺灣樂壇綜述:品牌根植再顯優勢,0。 延伸查詢 | 2. | 呂杰(2004)。解剖中國演出市場,0。 延伸查詢 | 3. | 柳士發(2002)。國內演出市場的發展、現狀和改革方向,0。 延伸查詢 | 4. | Ching, C. H.。Cross Taiwan Strait Software Production Networks and the Influences Government Policy,0。 | 5. | Wang, J. H.,Lee, C. K.。Global Production Networks and Local Institutional Building: The Development of the Information Technology Industry in Suzhou, China,0。 | 圖書論文1. | Meyerson, D.、Weick, K. E.、Kramer, R. M.(1996)。Swift Trust and Temporary Groups。Trust in Organizations: Frontiers of Theory and Research。Thousand Oaks, California:Sage Publications, Inc.。 | |
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