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題名：音樂產業全球化、流動著床與生產模式的重塑--臺灣流行音樂產業為例
書刊名：臺灣土地研究
作者：張容瑛 引用關係／周志龍 引用關係
作者(外文)：Chang, Jung-ying／Chou, Tsu-lung
出版日期：2006
卷期：9:1
頁次：頁33-61
主題關鍵詞：臺灣流行音樂產業；生產模式；著床；流動著床；去著床；Taiwan pop music industry；Production model；Embeddedness；Floating-embeddeness；Disembeddedness
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(4) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:4
  • 共同引用共同引用:123
  • 點閱點閱:57
流行音樂產業相關研究，大致上，藉由西方發展經驗，歸結流行音樂產業地理的內涵與軌跡；東方流行音樂脈絡，至今仍處學術領域的黑盒子。本文以台灣流行音樂產業為例，目的在於探討生產模式（production model）與產業空間著床（embeddedness），兩者之間的互動關係。以流行音樂產業發展歷程為背景認知，本文主張，基於社會、政治、經濟因素的持續變遷，產業著床關係改變與音樂生產模式轉型，為共演化的過程。換言之，流行音樂生產模式隨著時間演化，基於產業成熟度及地方能力的差異，促成產業群聚中的著床關係隨之產生變化。本文最後指出，因應全球化音樂經濟的挑戰，關鍵在於，台灣流行音樂產業透過「制度化的流動著床」，建構以小搏大能力，使地方流行音樂群聚與全球佈局，進行串接
Research on the music industry has long been focused primarily on the West. This paper investigates the relationship between production model and spatial embeddedness of Taiwan pop music industry. Considering the historical context, this paper argues that transformation of pop music production model is co-evolving with changes of embeddedness because of transitional social, political and economic factors. In other words, evolution of pop music production model over time contributes to adaptation of embeddedness in local cluster based on differences of industrial maturity and localized ability. The paper concludes that ‘institutionalized floating-embeddedness’ is crucial for current Taiwan pop music industry to develop higher leverage of local clusters, so as to integrate with the global music economy.
期刊論文
1.路寒袖、江文瑜(19960700)。雅歌的春雨--路寒袖談臺語歌詞創作。中外文學，25(2)=290，130-138。new window  延伸查詢new window
2.Maskell, Peter、Malmberg, Anders、Eskelinen, H.、Hannibalsson, I.、Vatne, E.(1999)。Localised Learning and Industrial Competitiveness。Cambridge Journal of Economics，23(2)，167-185。  new window
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4.Brown, A.、O'Connor, J.、Cohen, S.(2000)。Local music policies within a global music industry: Cultural quarters in Manchester and Sheffield。Geoforum，31，437-451。  new window
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7.Negus, Keith(1998)。Cultural Production and the Corporation: Musical Genres and the Strategic Management of Creativity in the US Recording Industry。Media, Culture and Society，20，359-379。  new window
8.Wolfe, D. A.、Gertler, M. S.(2004)。Cluster from the inside and out: Local dynamics and global linkage。Urban Studies，41(5/6)，1071-1093。  new window
9.李天鐸(19980100)。跨國傳播媒體與華語流行音樂的政治經濟分析。當代，7=125，54-71。  延伸查詢new window
10.張釗維(19910800)。流行歌謠詞曲作家大事記（初稿）。聯合文學，7(10)=82，130-151。  延伸查詢new window
11.徐進鈺(19990900)。流動的鑲嵌：新竹科學工業園區的勞動力市場與高科技發展。臺灣社會研究季刊，35，75-118。new window  延伸查詢new window
12.Granovetter, Mark S.(1985)。Economic Action and Social Structure: The Problem of Embeddedness。American Journal of Sociology，91(3)，481-510。  new window
13.Sadler, D.(1997)。The global music business as an information industry: reinterpreting economies of culture。Environment and Planning, A，29，1919-1936。  new window
14.Scott, A. J.(1999)。The US recorded music industry: on the relations between organization, location, and creativity in the cultural economy。Environment and Planning, A，31，1965-1984。  new window
15.Sadler, David(2004)。Cluster Evolution, the Transformation of Old Industrial Regions and the Steel Industry Supply Chain in North East England。Regional Studies，38(1)，55-66。  new window
16.Alexander, P.(1996)。Entry barriers, release behaviour, and multi-product firms in the popular music recording industry。Review of Industrial Organization，9，85-98。  new window
17.Bengtsson, M.、Söderholm, A.(2002)。Bridging Distances: Organizing Boundary Spanning Technology Development Projects。Regional Studies，36(3)，263-274。  new window
18.Burnett, R.(1993)。The Popular Music Industry in Transition。Popular Music and Society，17，87-114。  new window
19.Christiansen, M.(1995)。Cycles in Symbolic Production? A New Model to Explain Concentration, Diversity and Innovation in the Music Industry。Popular Music，14，55-93。  new window
20.Grabher, G.(2002)。The Project Ecology of Advertising: Tasks, Talents and Teams。Regional Studies，36(3)，245-262。  new window
21.Gronow, P.(1983)。The Record Industry: The Growth of a Mass Medium。Popular Music，3，53-75。  new window
22.Hesmondhalgh, D.(1996)。Flexibility, Post-fordism and the Music Revolution。Media, Culture & Society，18，469-488。  new window
23.Hobday, M.(2000)。The Project-based Organization: An Ideal for Managing Complex Products and Systems?。Research Policy，26，689-710。  new window
24.Jones, S.(2002)。Music that Moves: Popular Music, Distribution and Network Technologies。Cultural Studies，16(2)，213-232。  new window
25.Kong, L.(1995)。Popular Music in Geographical Analyses。Progress in Human Geography，19，183-198。  new window
26.Kong, L.(1996)。Popular Music in Singapore: Local Cultures, Global Resources and Regional Identities。Environment and Planning, D: Society and Space，14，273-292。  new window
27.Leyshon, A.(2001)。Time-space (and Digital) Compression: Software Formats, Musical Networks and the Reorganisation of the Music Industry。Environment and Planning,，33，49-77。  new window
28.Lindkvist, L.、Söderlund, J.、Tell, F.(2000)。Managing Product Development Projects: On the Significance of Fountains and Deadlines。Organization Studies，19(6)，931-951。  new window
29.Lopes, P.(1992)。Innovation and Diversity in the Popular Music Industry: 1969-1990。American Sociological Review，57，56-71。  new window
30.Morgan, K.(2004)。The Exaggerated Death of Geography: Learning, Proximity and Territorial Systems。Journal of Economics Geography，4，3-21。  new window
31.Peter, M.、Mark, L.、Maskell, P.、Lorenzen, M.(2004)。The Cluster as Market Organization。Urban Studies，41(5/ 6)，991-1009。  new window
32.Peterson, R.、Berger, D.(1996)。Measuring Industry Concentration, Diversity and Innovation in Popular Music。American Sociological Review，61，175-178。  new window
33.Power, D.、Hallencreutz, D.(2002)。Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica。Environment and Planning, A，34(10)，1833-1854。  new window
34.Power, D.、Jansson, J.(2004)。The Emergence of a Post-industrial Music Economy? Music and ICT Synergies in Stockholm, Sweden。Geoforum，35，425-439。  new window
35.Talmud, I.、Mesch, G. S.(1997)。Market Embeddedness and Corporate Instability: The Ecology of Inter-industry Networks。Social Science Research，26，419-441。  new window
36.Zeller, C.(2002)。Project Teams as Means of Restructuring Research and Development in the Pharmaceutical Industry。Regional Studies，36(3)，275-289。  new window
學位論文
1.張容瑛(2002)。台灣流行音樂產業網絡、創作系統與空間(碩士論文)。國立臺北大學，台北。  延伸查詢new window
2.王英裕(1999)。全球整編與本土共謀：台灣流行音樂工業轉變之政經分析(碩士論文)。國立中正大學。  延伸查詢new window
3.鄭金梅(2002)。服務業接觸與空間聚集關係之研究－以臺北市廣告業為例，0。  延伸查詢new window
圖書
1.彭品光(1977)。流行歌曲譚。臺北：中華日報社。  延伸查詢new window
2.劉現成(2004)。《 跨越疆界 ： 華語媒體的區域競爭 》。台北市：亞太圖書。  延伸查詢new window
3.羅悅全(2000)。秘密基地：臺北的音樂版圖。臺北：商周。  延伸查詢new window
4.Scott, A. J.(2000)。The Cultural Economy of Cities: Essays on the Geography of Image-Producing Industries。SAGE Publications。  new window
5.曾慧佳(2000)。從流行歌曲看臺灣社會。臺北：桂冠圖書。  延伸查詢new window
6.張釗維(199408)。誰在那邊唱自己的歌：一九七〇年代台灣現代民歌發展史--建制，正當性論述與表現形式的形構。臺北：時報文化。  延伸查詢new window
7.葉龍彥(2001)。臺灣唱片思想起：1895-1999。博揚文化事業有限公司。  延伸查詢new window
8.Polanyi, Michael(1967)。The Tacit Dimension。New York：M. E. Sharp Inc.。  new window
9.周志龍(2002)。全球化、知識與區域。臺北：詹氏書局。  延伸查詢new window
10.Porter, Michael E.(1990)。The Competitive Advantage of Nations。New York：Free Press。  new window
11.莊永明(1995)。臺灣歌謠追想曲。臺北：前衛出版社。new window  延伸查詢new window
12.行政院新聞局(1999)。中華民國出版年鑑。中華民國出版年鑑。臺北。  延伸查詢new window
13.翁嘉銘(1998)。從羅大佑到崔健：當代流行音樂的軌跡。從羅大佑到崔健：當代流行音樂的軌跡。臺北。  延伸查詢new window
14.Attali, J.、Susan McClary(1985)。Noise: The Political Economy of Music。Minneapolis, MN：Universuty of Minnesota Press。  new window
15.(1998)。The Place of Popular Music。The Place of Popular Music。New York, NY。  new window
16.Malm, K.、Wallis, R.(1992)。Media Policy and Music Activity。Media Policy and Music Activity。London, UK。  new window
其他
1.臺灣省政府主計處(1989)。臺灣省家庭收支調查報告，臺北。  延伸查詢new window
 
 
 
 
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