From the perspective of postmodernism, an examination of the narration of the folk novels, The Release (Huang Chun-Ming 1999) and The Lantern and Mother (Tzeng Ching-Wen 2000), shows that these two novels can be categorized as the “post rural” writing regardless of their insistence on the continuity of the folk novel or the abrupt departure from the folk novel legacy. The prefix word “post” have dual meanings: one is having gone through and the other is having happened after some events. Both meanings are related to time and don’t have any conflict: they also mean the things which have gone through and now become ideology and cultural influence lasting to this day. In The Lantern and Mother, Tzeng summons and recalls the past memory of his childhood in countryside. However, his description of the past events mixed with some fictitious expansion in a natural flow has the post modern energetic descriptive style hidden with its rich hints. Therefore Huang and Tzeng’s new folk writing is not to summon the traditional spirit of the old folk novels, but they use post folk writing to fine tune and readjust the key points of the folk novels.