網路讀者能即時、便利地閱讀、反應，這是媒介、工具給予的權力。當此種權力具備普遍性，則所有讀者的閱讀與反應呈顯的是現實狀態、存在經驗的折射。因此，理想讀者與一般讀者的數量，在網路上的懸殊差距，僅是忠實反映教育、社會、文化、經濟等之審美趣味在數量上的巨大落差。網路時代，很難看到「深刻」的評論，多是簡短的情緒宣告或是符號。如此，作家與讀者雖然產生互動，但是這種互動的指向往往不是作品的內在意義，而是閱讀瞬間的感覺。讀者的評閱以各種方式呈現而轉換為數據。另外，多數的評閱質量、內容不盡如文學理論家的期待，往往以簡短的情緒性話語、符號呈現。作者於網路多會遷就讀者意見、喜好、傾向，以達成「展示」目的。印刷時代的文學評點是一種深度的凝視，數位時代的評閱像是一種喧嘩。在某種程度來說，喧嘩並未根本性地改變作者主導作品的場域原則，然而，越來越多的作者因喧嘩而抹去作品中應存的自我印記

Early development of ＂Network＂, the avant-garde literary creators try variation, innovative works, they tried to show a new form of writing and reading, looking forward to bringing new meaning to literature. In the history of BBS and Blogs, we respect these passionate writers. But the form and function of BBS is not suitable for publication and reading literature. The development of blogs, the blog's ＂declaration＂ Significance, better than its literary publication. It must be noted, commercial websites have a substantial literature, a profound impact on popular culture, and accumulated a large number of works. Internet business has been in operation for almost two decades, the number of readers, critics, response, interactive, seem conducive to literary works to enhance the quality and form of the breakthrough. In the commercial mechanism, the public became accustomed to writing and reading in cyberspace. When the Internet began to form writing, showing the writing and reading that is only a ＂game.＂ On the abandoned limit the right to speak, write all enjoy. Readers quick read, at some extent, is an emotional vent. Each writer and reader as the main centers, fast production and consumption of literature