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題名:洛可可中國風在清宮的接受與轉化--以「飛蛇」簪為例
書刊名:故宮學術季刊
作者:白顏慈
作者(外文):Pai, Yen-tzu
出版日期:2022
卷期:39:3
頁次:頁107-168
主題關鍵詞:髮簪乾隆飛蛇自然史葛斯納洛可可中國風HairpinQianlongFlying serpentDragonNatural historyConrad GessnerRococo chinoiserie
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:24
  • 點閱點閱:2
期刊論文
1.伊沛霞(20110300)。Huizong and the Imperial Dragon: Exploring the Material Culture of Imperial Sovereignty。清華學報,41(1),39-71。new window  new window
2.柯律格(20061200)。物質文化--在東西二元論之外。新史學,17(4),195-215。new window  延伸查詢new window
3.巫鴻(2015)。馬王堆一號漢墓中的龍、璧圖像。文物,2015(1),54-61。  延伸查詢new window
4.陳凱歌(1981)。清代蘇州的鐘錶製造。故宮博物院院刊,1981(4),90-94。  延伸查詢new window
5.Wang, Cheng-hua(2014)。A Global Perspective on Eighteenth Century Art and Visual Culture。Art Bulletin,96(4),379-394。  new window
6.湯開建、黃春豔(2006)。明清之際自鳴鐘在江南地區的傳播與生產。史林,2006(3),56-62。  延伸查詢new window
7.陳慧霞(20161200)。清代宮廷婦女簪飾之流變。近代中國婦女史研究,28,53-124。new window  延伸查詢new window
8.賴毓芝(20111100)。從杜勒到清宮--以犀牛為中心的全球史觀察。故宮文物月刊,344,68-80。new window  延伸查詢new window
9.陳國棟(20120900)。內務府官員的外派、外任--與乾隆宮廷文物供給之間的關係。國立臺灣大學美術史研究集刊,33,225-269+346。new window  延伸查詢new window
10.李清泉(20160900)。引魂升天,還是招魂入墓--馬王堆漢墓帛畫的功能與漢代的死後招魂習俗。國立臺灣大學美術史研究集刊,41,a5-a6+1-60+371。new window  延伸查詢new window
11.李零(2009)。中國古代的墓主畫像--考古藝術史筆記。中國歷史文物,2009(2),12-20。  延伸查詢new window
12.施靜菲(20171200)。「選擇」及「轉譯」:全球史視野下的「西洋」多層木套杯。藝術學研究,21,1-76。new window  延伸查詢new window
13.胡櫨文(20200100)。「松鼠葡萄」的吉祥涵義及其起源。故宮文物月刊,442,4-9。new window  延伸查詢new window
14.孫機(1991)。步搖.步搖冠.搖葉飾片。文物,1991(11),55-64。  延伸查詢new window
15.張燕芬(2018)。明代金銀器的原料與製作工藝。故宮學刊,19,74-93。  延伸查詢new window
16.郭福祥(2014)。十年來宮廷鐘錶史研究述評。故宮學刊,12,403-451。  延伸查詢new window
17.郭福祥(2011)。乾隆時期宮廷鐘錶收藏考述。故宮學刊,7,225-252。  延伸查詢new window
18.陳夏生(20120600)。談清宮寶石應用文化。故宮文物月刊,351,52-63。new window  延伸查詢new window
19.陳慧霞(20120800)。瑩白放光--十八世紀清代宮廷鑲鑽飾件 。故宮文物月刊,353,66-75。new window  延伸查詢new window
20.Clarke, T. H.(1976)。The Rhinoceros in European Ceramics。Keramik-Freunde der Schweiz, Mitteilungsblatt,89,1-16。  new window
21.Le Corbeiller, Chare(1960)。James Cox and His Curious Toys。Metropolitan Museum of Art Bulletin,18(10),318-324。  new window
22.Herrick, Francis H.(1909)。Durer's "Contribution" to Gesner's Natural History。Science,30(764),232-235。  new window
23.Hunt, L. B.(1980)。The Long History of Lost Wax Casting。Gold Bulletin,13,63-79。  new window
24.Kim, Kyong-Mi(2018)。Research on The Dragon Image in Turkish Miniature Paintings。Acta Via Serica,3(1),119-138。  new window
25.Senter, Phil、Mattox, Uta、Haddad, Eid. E.(2016)。Snake to Monster: Conrad Gessner's Schlangenbuch and Evolution of Dragon in the Literature of Nature History。Journal of Folklore Research,53(1),67-124。  new window
26.Tipping, Henry Avray(1921)。English Eighteenth Century Ormolu。The Burlington Magazine for Connoisseurs,38(216),116-119。  new window
27.Zek, Yuna、Smith, Roger(2005)。The Hermitage Peacock。Antiquarian Horology,28,699-715。  new window
28.曾布川寬(1991)。南朝帝陵の石獸と磚畫。東方學報,63,115-263。  延伸查詢new window
29.Szczesniak, Baleslaw(1952)。Athanasius Kircher's: China Illustrata。Osiris,10,385-411。  new window
30.Lippincott, Louise W.(1981)。The Unnatural History of Dragons。Philadelphia Museum of Art Bulletin,77(334),2-24。  new window
會議論文
1.王津(2008)。廣州製造“LONDON(倫敦)”鐘錶的考證。科學出版社。377-383。  延伸查詢new window
2.張省卿(2003)。從Athanasius Kircher(基爾旭)拉丁文版 "China illustrata"(《中國圖像,1667》)書中龍虎對峙圖看十七、十八世紀歐洲龍與亞洲龍之交遇。天主教輔仁大學歷史學系。221-251。  延伸查詢new window
學位論文
1.佘國瑩(2017)。盛清時期清宮的廣造自鳴鐘(碩士論文)。國立臺灣大學。  延伸查詢new window
圖書
1.雷德侯、張總、黨晟(2005)。萬物:中國藝術中的模件化和規模化生產。生活.讀書.新知三聯書店。  延伸查詢new window
2.馬昌儀(2009)。古本山海經圖說。蓋亞文化。  延伸查詢new window
3.袁珂、郭璞(2014)。山海經校注。北京聯合出版公司。  延伸查詢new window
4.蔡玫芬(2012)。皇家風尚:清代宮廷與西方貴族珠寶。臺北:國立故宮博物院。  延伸查詢new window
5.郭璞、沈士龍、胡震亨(1966)。山海經圖讚。臺北:藝文印書館。  延伸查詢new window
6.揚之水(2011)。奢華之色--宋元明金銀器研究。北京:中華書局。  延伸查詢new window
7.中國第一歷史檔案館、香港中文大學文物館(2005)。清宮內務府造辦處檔案總匯。人民出版社。  延伸查詢new window
8.胡應麟、顧頡剛(1968)。四部正偽。聯華。  延伸查詢new window
9.慶桂(1986)。清實錄.仁宗睿皇帝實錄。中華書局。  延伸查詢new window
10.慶桂(1986)。清實錄.宣宗成皇帝實錄。中華書局。  延伸查詢new window
11.嵇璜、劉墉(1987)。欽定續通典.鹵簿。臺灣商務印刷館。  延伸查詢new window
12.允祿、蔣溥。皇朝禮器圖式。  延伸查詢new window
13.托津。大清會典事例.禮部十二.冊封。  延伸查詢new window
14.冉萬里(2007)。唐代金銀器文様の考古学的硏究。雄山閣。  延伸查詢new window
15.任繼愈、郭正誼、中國科學院、自然科學研究所(1995)。中國科學技術典籍通彙.科技卷。河南教育出版社。  延伸查詢new window
16.李毅華、故宮博物院(1992)。清代后妃首飾。紫禁城出版社。  延伸查詢new window
17.故宮博物院(2012)。清宮后妃首飾圖典。故宮出版社。  延伸查詢new window
18.桂林博物館(2000)。靖江藩王遺粹--桂林博物館珍藏明代梅瓶。上海人民美術出版社。  延伸查詢new window
19.陝西省文物保護研究院(2019)。花樹搖曳.細釵生輝:隋煬帝蕭后冠實驗室考古報告。文物出版社。  延伸查詢new window
20.楊式昭、國立歷史博物館編輯委員會(2015)。潮代--清繡的天衣無縫:清代女性服飾展。國立歷史博物館。  延伸查詢new window
21.羅友枝、周衛平(2009)。最後的皇族:清代宮廷社會史。中國人民大學出版社。  延伸查詢new window
22.Aldrovandi, Ulisse(1640)。Serpentum et Draconun Historia。C. Ferronium。  new window
23.Davis, Fred(2013)。Fashion, Culture, and Identity。University of Chicago Press。  new window
24.Festinger, Leon(1967)。Conflict, Decision, and Dissonance。Stanford University Press。  new window
25.Gessner, Conrad(1587)。Historiae Animalium。Ex officina typographica Ioannis Wecheli: Impensis Roberti Cambieri。  new window
26.Gesner, Konrad(1589)。Wolf, Caspar. Schlangenbuch。M. D. LXXIX。  new window
27.Jonstonus, Joannes(1657)。Historiae Naturalis de Quadrupedibus Libri: Cum Aeneis Figuris。Apud Ioannem Iacobi Fil。  new window
28.Kircher, Athanasius(1665)。Mundus Subterraneus。C. Ferronium。  new window
29.Latham, Ronald(1958)。The Travels of Marco Polo。Telegram Books。  new window
30.(1747)。The Gentleman's Magazine。  new window
31.(1766)。The Gentleman's Magazine。  new window
32.Nieuhof, Johannes(1669)。An Embassy from the East-India Company of the United Provinces, to the Grand Tartar Cham, Emperour of China, Delivered by Their Excellcies Peter de Goyer and Jacob de Keyzer, at His Imperial City of Peking。J Macock。  new window
33.Pagani, Catherine(2001)。Eastern Magnificence & Europe Ingenuity: Clocks of Late Imperial China。University of Michigan Press。  new window
34.Peng, Peng(2020)。Metalworking in Bronze Age China: The Lost-Wax Process。Cambria Press。  new window
35.Rawson, Jessica(1984)。Chinese Ornament: The Lotus and Dragon。British Museum。  new window
36.Ridley, Glynis(2005)。Clara's Grand Tour: Travels with a Rhinoceros in Eighteenth-Century Europe。Grove Press。  new window
37.Scott, Katie(1995)。The Rococo Interior: Decoration and Social Spaces in Early Eighteenth-century。Yale University Press。  new window
38.Tait, Hugh(2008)。7000 Years of Jewelry。Firefly Book。  new window
39.Topsell, Edward(1658)。The History of Four-footed Beats, Serpents, and Insects。E. Cotes。  new window
40.Uglow, Jenny Sheila(2002)。The Lunar Men: Five Friends Whose Curiosity Changed the World。Farrar, Straus, and Giroux。  new window
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44.國立故宮博物院編輯委員會(1986)。清代服飾展覽圖錄。國立故宮博物院。  延伸查詢new window
45.梁嘉彬(1937)。廣東十三行考。國立編譯館。  延伸查詢new window
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圖書論文
1.李雨航(2020)。摹仿觀音髮簪--明代女性往生的物質媒介。看見與觸碰性別--近現代中國藝術史新視野。石頭出版股份有限公司。new window  延伸查詢new window
2.柯律格、黃曉鵑(2016)。梁王的珠寶。藩屏--明代中國的皇家藝術與權力。河南大學出版社。  延伸查詢new window
3.景聞(2017)。皇室首飾從西洋材質至西洋風格。宮廷與異域--17、18世紀的中外物質文化交流。廈門大學出版社。  延伸查詢new window
4.賴毓芝(2018)。知識、想像與交流:南懷仁《坤輿全圖》之生物插繪研究。感同身受--中西文化交流背景下的感官與感覺。復旦大學出版社。  延伸查詢new window
5.Cox, James(1774)。Piece the Fortieth。A Descriptive Inventory of the Several Exquisite and Magnificent Pieces of Mechanism and Jewellery: Comprised in the Schedule Annexed to an Act of Parliament, Made in the Thirteenth Year of the Reign of His Majesty, George the Third; for Enabling Mr. James Cox of the City of London, Jeweller, to Dispose of His Museum by Way of Lottery。H. Hart。  new window
6.Luk, Yu-Ping(2016)。The Empress' Dragon Crown: Establishing Symbols of Imperial Authority in the Early Ming。Ming China: Courts and Contacts 1400-1450。British Museum Press。  new window
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