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題名：評Yuhang Li, «Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China» (New York: Columbia University Press, 2020)
書刊名：新史學
作者：詹鎮鵬
出版日期：2021
卷期：32:1
頁次：頁217-226
主題關鍵詞：觀音菩薩；女性化；中國佛教
原始連結：連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:83
  • 點閱點閱:4
期刊論文
1.Goossaert, Vincent(2008)。Irrepressible Female Piety: Late Imperial Bans on Women Visiting Temples。Nan Nü: Men, Women, and Gender in China，10(2)，212-241。  new window
2.陳玉女(20060600)。明代婦女信佛的社會禁制與自主空間。成大歷史學報，30，43-89。new window  延伸查詢new window
3.陳玉女(20050600)。明代婦女信佛的社會禁制與自主空間。成大歷史學報，29，121-163。new window  延伸查詢new window
4.Chen, Jinhua(2002)。Śarīra and Scepter: Empress Wu's Political Use of Buddhist Relics。Journal of the International Association of Buddhist Studies，25(1/2)，33-150。  new window
5.Karetsky, Patricia(2002)。Wu Zetian and Buddhist Art of the Tang Dynasty。T'ang Studies，20/21，113-150。  new window
6.McNair, Amy(2000)。On the Patronage by Tang-Dynasty Nuns at Wanfo Grotto, Longmen。Artibus Asiae，59(3/4)，161-188。  new window
7.李雨航(2012)。Communicating with Guanyin through Hair: Hair Embroidery in Late Imperial China。Journal of East Asian Science, Technology and Medicine，36，131-166。  new window
8.李雨航(2012)。Oneself as a Female Deity: Representations of Empress Dowager Cixi as Guanyin。Nan Nü: Men, Women, and Gender in China，14(1)，75-118。  new window
學位論文
1.李雨航(2011)。Gendered Materialization: An Investigation of Women's Artistic and Literary Reproductions of Guanyin in Late Imperial China(博士論文)。University of Chicago。  new window
圖書
1.Potolsky, Matthew(2006)。Mimesis。Routledge。  new window
2.于君方、陳懷宇、姚崇新、林佩瑩(2012)。觀音--菩薩中國化的演變。商務印書館。new window  延伸查詢new window
3.Weidner, Marsha(1990)。Flowering in the Shadows: Women in the History of Chinese and Japanese Painting。Honolulu：University of Hawai'i Press。  new window
4.Widmer, Ellen(2006)。The Beauty and the Book: Women and Fiction in Nineteenth-Century China。Cambridge, MA：Harvard University Asia Center。  new window
5.Li, Wai-yee(2014)。Women and National Trauma in Late Imperial Chinese Literature。Harvard University Asia Center。  new window
6.蔡鴻生(1996)。尼姑譚。廣州：中山大學出版社。  延伸查詢new window
7.Fong, Grace S.、Widmer, Ellen(2010)。The Inner Quarters and Beyond: Women Writers from Ming through Qing。Brill。  new window
8.Ko, Dorothy(1994)。Teachers of the Inner Chambers: Women and Culture in Seventeenth-century China。Stanford, California：Stanford University Press。  new window
9.Grant, Beata(2009)。Eminent Nuns: Women Chan Masters of Seventeenth-Century China。Honolulu：University of Hawaii Press。  new window
10.Zeitlin, Judith、李雨航(2014)。Performing Images: Opera in Chinese Visual Culture。Chicago：Smart Museum of Art, The University of Chicago。  new window
11.Ko, Dorothy(2017)。The Social Life of Inkstones: Artisans and Scholars in Early Qing China。University of Washington Press。  new window
12.Mann, Susan(1997)。Precious Records: Women in China's Long Eighteenth Century。Stanford University Press。  new window
13.Shen, Hsueh-man(2018)。Authentic Replicas: Buddhist Art in Medieval China。University of Hawai'i Press。  new window
圖書論文
1.Paul, Diana(1980)。Empress Wu and the Historians: A Tyrant and Saint of Classical China。Unspoken Worlds: Women's Religious Lives in Non-Western Cultures。Harper and Row。  new window
2.Wong, Dorothy(2000)。Women as Buddhist Art Patrons during the Northern and Southern Dynasties (386-581)。漢唐之間的宗教藝術與考古。文物出版社。  延伸查詢new window
3.李雨航(2020)。摹仿觀音髮簪--明代女性往生的物質媒介。看見與觸碰性別--近現代中國藝術史新視野。石頭出版股份有限公司。new window  延伸查詢new window
 
 
 
 
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