日治時期（1895-1945）對於當時臺灣社會的歷史和文化發展上有一定程度的影響，單以藝術面來看，即有許多不同層次的影響深入至庶民文化與生活裏。許多人認為臺灣書法發展傳承中國的漢文化，但其實日本對臺灣在書法發展推廣、學習制度、展示風格等皆有非常重要的影響與意義。筆者在2009 年7 月於日本「書學書道史學會」舉辦的「第五屆研究發表會」時，發表研究成果專題「台湾日本統治時代における日本人書家の活動と影響－日下部鳴鶴とその門流書家を中心に‐（臺灣日治時期的日人書家活動與影響‐以日下部鳴鶴與其門流書家為例‐）」，發表中提出了臺灣近現代的代表書家之一陳丁奇（1911-1994）（圖1）的書法成就和作品。於日本書學書道史學會，主要研究日本與中國書法史，較少注意到臺灣書法的發展，該次的發表和與會學者討論了陳丁奇的書法藝術，皆對於陳丁奇的書法成就深感興趣，也提供了更多寶貴的意見，筆者認為，該次的發表是讓日本認識臺灣書法面貌和臺日書法交流的好機會。之後，筆者再蒐集整理陳丁奇的相關資料時，雖然已相當多陳丁奇的相關研究和出版的作品圖錄等資料，但關於他和日本書道的相關研究卻相對較少。約明治維新到昭和初期是日本「近代書道」的大轉換時期。1880 年（明治13 年），楊守敬訪日本，攜帶了許多中國歷代碑帖、拓本書法研究以外，關於書法研究、相關書道書籍出版、舉辦大規模展覽會、發行競書比賽雜誌等廣泛舉行，創造了明治時代之前沒有的書法學習環境，是日本近現代書風發展的重要時期。出生於日治時期的陳丁奇擁有多樣學習日本文化的要素，筆者認為他的書風形成與日治時期的背景有重要的影響，本文以具體的文獻資料和作品為例來進行考察，探討日本書道對陳丁奇書法作品表現的影響，希望對他的書作表現與歷史價値能有更為清晰正確的評價。

The Japanese occupation of Taiwan (1895-1945) has had some degree of influence on Taiwan’s historical and cultural development from the artistic perspective. It also had various levels of impact on pop culture and life.Many people believe that Taiwan's calligraphy inheritance was strictly from the Chinese, but In fact the development of calligraphy in Japan, once promoted in Taiwan, was also a major influence on the Taiwanese learning system and display style.In July 2009 in "The Fifth Research Presentations," held by Association of Calligraphy Studies, I presented a study entitled "The Activities and Influences of Japanese Calligraphers During the Period of Japanese Rule of Taiwan Using Meikaku Kusakabe as an Example." The publication focused on a Taiwanese representative of modern calligraphy, Chen, Dingqi (1911-1994), and his accomplishments and works of calligraphy. The Japanese Association of Calligraphy Studies’ main focus is on the history of Japanese and Chinese calligraphy. They had not given notice to Taiwan’s calligraphy development. In The Fifth Research Presentation, scholars discussed the calligraphy by Chen, Dingqi, and have shown a deep interest in his achievements and calligraphy. I think this is a great opportunity to let Japanese know about Taiwanese Calligraphy. Although there are many relevant studies and published works on Chen, Dingqi, studies on the relation between his work and Japanese calligraphy is relatively rare. Calligraphy changed greatly around Meiji to Showa in Japan. In 1880 (Meiji 13) Yang Shoujing visited Japan. He brought with him a lot of ancient Chinese rubbings, not just calligraphy rubbings, but research and some books of calligraphy. He held exhibitions and made magazines, and held competitive calligraphy competitions. Before him no one had ever created a learning environment of calligraphy like this. This was an important period of development for modern Japanese calligraphic style. Chen, Dingqi was born during the Japanese occupation and with that came a diverse learning of the elements of Japanese culture. I think his style with his background and the Japanese colonial rule has important connotations. In this paper the specific works of literature to be examined are the Japanese calligraphy and calligraphy works of Chen, Dingqi. Through this article, I hope to provide a clear presentation on his works with historical values.