| 期刊論文| 1. | Caillois, Roger、Shepley, John(1984)。Mimicry and Legendary Psychasthenia。October，31，17-32。   | | 2. | 黃宗慧(19960900)。看誰在看誰？：從拉岡之觀視理論省視女性主義電影批評。中外文學，25(4)=292，41-76。 延伸查詢 | | 3. | Aoki, D. S.(1995)。Using and Abusing French Discourse Theory: Misreading Lacan and the Symbolic Order。Theory, Culture & Society，12，47-70。 | | 4. | Devereaux, Mary(1990)。Oppressive Texts, Resisting Readers, and the Gendered Spectator: The New Aesthetics。Journal of Aesthetics and Art Criticism，48(4)，337-48。 | | 5. | Garrett, Greg(1994)。Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs。Journal of Popular Culture，27(4)，1-12。 | | 6. | Klavan, Andrew(1994)。The Shrieking of the Lambs。Boston Review，19，3-4。 | | 7. | Ale, Mary Ellen(1993)。A Feminist Look at Silence of the Lambs。The Society for the Philosophic Study of the Contemporary Visual Arts Newsletter。 | | 8. | Tharp, Julie(1991)。The Transvestite as Monster: Gender Horror in The Silence of the Lambs and Psycho。Journal of Popular Film and Television，19(3)，106-13。 | | 9. | 廖朝陽(19961000)。批判與分離：當代主體完全存活手冊。中外文學，25(5)=293，119-153。 延伸查詢 | | 10. | 廖朝陽(19941100)。觀看、認同、模擬：從《香蕉天堂》看電影機器。中外文學，23(6)=270，135-159。 延伸查詢 | 圖書| 1. | Copjcc, Joan(1994)。Supposing the Subject。London：Verso。 | | 2. | Lacan, Jacques、Miller, Jacques-Alain、Sheridan, Alan(1977)。The Four Fundamental Concepts of Psycho-Analysis。W. W. Norton & Company。 | | 3. | Borsch-Jacobsen, Mikkel(1993)。The Emotional Tie: Psychoanalysis, Mimesis, and Affect。Stanford：Stanford UP。 | | 4. | Castoriadis, Cornelius、Blarney, Kathleen(1987)。The Imaginary Institution of Society。Cambridge, MA：MIT Press。 | | 5. | Field, Syd(1994)。Four Screenplays: Studies in the American Screenplay。New York：Dell。 | | 6. | Kuhn, Annette(1994)。Women's Pictures: Feminism and Cinema。London：Verso。 | | 7. | Walters, Suzanna Danuta(1995)。Material Girls: Making Sense of Feminist Cultural Theory。Berkeley：U of California Press。 | | 8. | Žižek, Slavoj(1993)。Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology。Durham：Duke UP。 | | 9. | Žižek, Slavoj(1994)。The Metastases of Enjoyment: Six Essays on Woman and Causality。London：Verso。 | | 10. | Žižek, Slavoj(1996)。The Indivisible Remainder: A n Essay on Schelling and Related Matters。London：Verso。 | | 11. | Ragland-Sullivan, Ellie(1986)。Jacques Lacan and the Philosophy of Language。London：Croom Helm。 | | 12. | Rosen, Philip(1986)。Narrative, Apparatus, Ideology: A Film Theory Reader。New York：Columbia UP。 | | 13. | Žižek, Slavoj(1991)。For They Know Not What They Do: Enjoyment as a Political Factor。Verso。 | | 14. | Žižek, Slavoj(1992)。Enjoy Your Symptom! Jacques Lacan in Hollywood and Out。London：Routledge。 | | 15. | Berger, John(1972)。Ways of Seeing。London：Penguin。 | | 16. | Žižek, Slavoj(1989)。The Sublime Object of Ideology。London：Verso。 | | 17. | Copjec, Joan(1994)。Read My Desire: Lacan against the Historicists。MIT Press。 | | 18. | Fink, Bruce(1995)。The Lacanian Subject: Between Language and Jouissance。Princeton：Princeton University Press。 | | 19. | Ragland, Ellie(1995)。Essays on the Pleasures of Death: From Freud to Lacan。Routledge。 | | 20. | Žižek, Slavoj(1991)。Looking Awry: An Introduction to Jacques Lacan through Popular Culture。MIT Press。 | | 21. | Evans, Dylan(1996)。An Introductory Dictionary of Lacanian Psychoanalysis。Routledge。 | | 22. | Bhabha, Homi K.(1994)。The Location of Culture。Routledge。 | | 23. | Anderson, Benedict(1991)。Imagined Communities: Reflections on the Origin and Spread of Nationalism。Verso。 | 單篇論文| 1. | Baudry, Jean-Louis，Andrews, Jean，Augst, Bertrand(1976)。The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema。 | | 2. | Mulvey, Laura(1975)。Visual Pleasure and Narrative Cinema。 | 其他| 1. | Rollins, Ben(1996)。The Carnage of Identity: Cyborgs and Women in Science Fiction and Horror Film，http://violet.berkeley.edu/~rollins/cyborg.html， 1996/09/01。 | | 2. | Nash, Jay Robert，Ross, Stanley Ralph(1993)。"The Silence of the Lambs", The Motion Picture Guide, In Miscrosoft Cinemania。 | 圖書論文| 1. | Bhabha, Homi K.(1996)。Culture's In-Between。Questions of Cultural Identity。London：Sage。 | | 2. | Bhabha, Homi K.(1994)。Anxious Nations, Nervous States。Supposing the subject。 | | 3. | Castoriadis, Cornelius(1994)。Psychoanalysis and Politics。Speculations after Freud: Psychoanalysis, Philosophy, and Culture。London：Routledge。 | | 4. | Gledhill, Christine(1987)。The Melodramatic Field: An Investigation。Home Is Where the Heart Is: Studies in Melodrama and the Woman's Film。London：BFI。 | | 5. | Jancovich, Mark(1995)。Screen Theory。Approaches to Popular Film。Manchester：Manchester UP。 | | 6. | Kristeva, Julia(1992)。Psychoanalysis and the Imaginary。Constructions of the Self。New Brunswick：Rutgers UP。 | | 7. | Baudry, Jean-Louis、Andrews, Jean、Augst, Bertrand(1986)。The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema。Narrative, apparatus, ideology: a film theory reader。 | | 8. | Lacan, Jacques(1994)。The Mirror-phase as Formative of the Function of the I。Mapping Ideology。London：Verso。 | | 9. | Metz, Christian、Brewster, Ben(1982)。The Imaginary Signifier。Psychoanalysis and Cinema: The Imaginary Signifier。London：Macmillan。 | | 10. | Moore, Suzanne(1988)。Here's Looking at You, Kid!。The Female Gaze: Women as Viewers of Popular Culture。London：Women’s Press。 | | 11. | Mulvey, Laura(1986)。Visual Pleasure and Narrative Cinema。Narrative, apparatus, ideology: a film theory reader。 | | 12. | Petro, Patrice(1994)。Feminism and Film History。Multiple Voices in Feminist Film Criticism。Minneapolis：U of Minnesota Press。 | | 13. | Žižek, Slavoj(1991)。The Truth Arises from Misrecognition。Lacan and the Subject of Language。London：Routledge。 | | 14. | Soler, Colette(1995)。The Subject and the Other。Reading Seminar XI: Lacan's Four Fundamental Concepts of Psychoanalysis。Albany：State U of New York Press。 | | 15. | Staiger, Janet(1993)。Taboos and Totems: Cultural Meanings of the Silence of the Lambs。Film Theory Goes to the Movies。London：Routledge。 | | 16. | Laclau, Ernesto、Zac, Lilian(1994)。Minding the Gap: The Subject of Politics。The Making of Political Identities。Verso。 | |