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題名:臺灣原住民影片:轉化中的文化刻寫技術
書刊名:國立臺灣大學考古人類學刊
作者:林文玲 引用關係
作者(外文):Lin, Wen-ling
出版日期:2003
卷期:61
頁次:頁145-176
主題關鍵詞:原住民影片社會轉化刻寫技術文化身份Indigenous filmInscriptionCultural identitySocial transformation
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(5) 博士論文(0) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:4
  • 共同引用共同引用:22
  • 點閱點閱:34
期刊論文
1.林文玲(20010900)。米酒加鹽巴:「原住民影片」的再現政治。臺灣社會研究,43,197-234。new window  延伸查詢new window
2.Clifford, James(1994)。Diasporas。Cultural Anthropology,9(3),302-338。  new window
會議論文
1.尤瑪.達陸(2000)。Teminum na Atayal -關於泰雅織物工作報告。花蓮。  延伸查詢new window
2.尤瑪.達陸(2000)。Taminum na Atayal─關於泰雅織物工作報告。花蓮。  延伸查詢new window
學位論文
1.蔣文鵑(2001)。傳承、變奏與斷裂:以當代太魯閣族女性之織布文化為例(碩士論文)。國立東華大學。  延伸查詢new window
圖書
1.Hastrup, Kirsten(1995)。Passage to Anthropology: Between Experience and Theory。London / New York:Routledge。  new window
2.Seremetakis, C. Nadia(1994)。The Senses Still: Perception and Memory as Material Culture in Modernity。Westview Press。  new window
3.Mauss, Marcel、Brewster, Ben(1979)。Sociology and Psychology: Essays。Boston:London:Routledge and Kegan Paul。  new window
4.Stoller, P.(1997)。Sensuous Scholarship。Philadelphia:University of Pennsylvania Press。  new window
5.Goffman, Erving(1959)。The Presentation of Self in Eveiyday Life。Garden City, N.Y.:Doubleday。  new window
6.Goffman, Ervin(1959)。The Presentation of the Self in Everyday Life。New York:Doubleday Anchor。  new window
7.Connerton, Paul(1989)。How Societies Remember。Cambridge University Press。  new window
8.Hastrup, Kirsten(1995)。Passage to Anthropology: Between Experience and Theory。Passage to Anthropology: Between Experience and Theory。London, UK/ New York, NY。  new window
9.Stoller, P.(1997)。Sensuous Scholarship。Sensuous Scholarship。Philadelphia, PA。  new window
10.Carroll, N.(1996)。Nonfiction Film and Postmodernist Skepticism。Post-Theory: Reconstructing Film Studies。沒有紀錄。  new window
11.Crawford, P. I.(1995)。Nature and Advocacy in Ethnographic Film: The Case of Kayapo Imagery。Advocacy and Indigenous Film-Marking。Hojbjerg, Denmark。  new window
12.MacDougall, D.(1995)。The Subject Voice in Ethnographic Film。Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography。Berkeley, CA/ London, UK。  new window
13.Stoller, P.(2003)。The Cinematic Griot: The Ethnography of Jean Rouch。The Cinematic Griot: The Ethnography of Jean Rouch。Chicago, IL/ London, UK。  new window
14.Crawford, Peter Ian(1995)。Nature and Advocacy in Ethnographic Film: The Case od Kayapo Imagery。Advocacy and Indigenous Film-Making。Hojbjerg。  new window
15.Carroll, Noël(1996)。Nonfiction Film and Postmodernist Skepticism。Post-Theory: Reconstructing Film Studies。Madison。  new window
16.Seremetakis, C. Nadia(1994)。The Senses Still: Perception and Memory as Material Culture in Modernity。The Senses Still: Perception and Memory as Material Culture in Modernity。New York。  new window
17.Stoller, Paul(2003)。The Cinematic Griot: The Ethnography of Jean Rouch。The Cinematic Griot: The Ethnography of Jean Rouch。Chicago and London。  new window
其他
1.陳龍男(1999)。尋找鹽巴,沒有紀錄。  延伸查詢new window
2.馬躍.比吼(1998)。如是生活 如是Pangcah,沒有紀錄。  延伸查詢new window
3.林為道(1997)。石壁部落的衣服,沒有紀錄。  延伸查詢new window
4.林為道(1999)。外婆的苧麻,沒有紀錄。  延伸查詢new window
5.比令.亞布(1999)。彩虹的故事,沒有紀錄。  延伸查詢new window
6.陳龍男(1999)。尋找鹽巴。  延伸查詢new window
7.馬躍.比吼(1998)。如是生活,如是Pangcah。  延伸查詢new window
8.林為道(1997)。石壁部落的衣服。  延伸查詢new window
9.林為道(1999)。外婆的苧?。  延伸查詢new window
10.比令‧亞布(1999)。彩虹的故事。  延伸查詢new window
圖書論文
1.Hall, Stuart(1997)。The Spectacle of the 'Other'。Representation: Cultural Representations and signifying practices。London:Sage。  new window
2.Hall, Stuart(1997)。The spectacle of the other。Representation: Cultural Representations and Signifying Practices。London:Sage Publications Ltd。  new window
3.MacDougall, David(1995)。The Subjective Voice in Ethnographic Film。Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography。University of California Press。  new window
 
 
 
 
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