An epitaph record’s the significant events of a person’s life. It is helpful for the understanding of the person’s life, the society, political and economic structures at that time. The article cites two epitaphs of the Song Dynasty as examples to describe the historical value and limitation of biographies. The first example is “Song Gu Fan Shi Fu Ren Mu Zhi Ming” (The Epitaph of Lady Fan of the Song Dynasty), from which one is not only able to learn about her talent, marriage and the role that she played in the family but also to trace the development of the Gao Fmaily of si Ming, in which Lady Fan played an important role. The content is therefore helpful ofr the understanding of the early development of the Gao Family. The other example is “Meng Bang Xiong Mu Zhi” (The Epitaph of Meng Bang Siong). Meng Bang Xiong was a local hero in a chaotic era. Through the epitaph one is able to acquire knowledge of the events in his life, the growth of local powers in the Song Jin warzone and the relationship between these powers, and the changes of roles in the transfer of political power epitaphs thus are indeed valuable in historical researches. However, these tow pieces of information have revealed some common phenomena especially the manifestation of good deeds and concealment of bad ones, exaggeration of the truth and the idealization of the fact. As for Lady Fan’s ability and morality, the epitaph as glamorized and idealized both. Since there are more attested records of Meng Bang Xiong, ambiguities or untruths in the epitaph can be easily disclosed. For instance, even though Meng’s political achievement and death recorded in the epitaph are inevitably exaggerated. Its description of Meng’s death violates the recorded history, and the attempt to withhold the fact of the excavation of Yong An Ling is especially obvious.