The term “folklore artifacts” refers to “artifacts connected to people’s lives including those related to food, clothing, shelter, transportation, ancestor worship, religion, festivals, leisure activities and other customs.” The folk artifacts were divided into ten categories based on their functions and how they are related to the living styles of the people. In addition, the museum also reserves Mr. Shi’s collection of Taiwanese folk artifacts and a couple of old pictures taken many decades ago, where the number of the artworks collection counts for 1412 items in total. The motivations of this project are listed as follows. (1) The original documents are mostly hand-written, which require folklore specialists to write detailed description of each artifact and then digitally documented. (2) A lot of oversea tourists visit the museum each year, unfortunately there is no English or Japanese descriptions regarding to the museum artifacts, which greatly lessened the attraction of this spot. (3) The number of domestic visitors significantly increases these years, especially students from kindergartens, primary schools, and secondary schools. If a Web site containing detailed text information, images, and 3D models of the folklore artifacts can be built, visitors from different age levels are able to browse interested artifacts before visiting the museum. Several professional photographers and folklore specialists were invited to participate in this project that 120mm positive films for those selected artifacts were taken and their accompanied descriptions were written and documented. The films were scanned with high resolution and stored in high-quality CDs using lossless format (TIFF) for latter applications and studies. Currently, we have finished dimension measurements, categorization, and picture taking and scanning for 821 artifacts. Their detailed descriptions and associated English and Japanese translations were also translated and documented. A database containing all the text information and digital images were designed based on the digitized data. Finally, a Website supporting various functions for visitors to easily browse interested artifacts has been implemented. In the future, we will keep working on (1) digitizing other 600 unfinished artifacts, (2) constructing 3D models of the artifacts for providing their solid views, and (3) authoring related training courses and their supplemental materials based on the digital contents currently built for students and general citizens.