In Chinese Buddhism, Ti-tsang p'u-sa is referred as one of the four great Bodhisattvas, and is well known for his place "the overlord of the world after death". In the spread and development of Ti-tsang's cult, a lot of stories about Ti-tsang came into being. These stories appeared not only in scriptures, notes of belief in Buddha's power, but also in fictions, dramas, and Baojuan. Because of their abundant content, these stories have played important roles in inducing Chinese people to believe in Ti-tsang. In contrast, the stories of Ti-tsang in Tang and Song dynasties are poor in plots, simple in structures, and formal in Ti-tsang's images, after Song dynasty, along with the popularization and Secularization of Ti-tsang's cult, are abundant in plots, complicated in structures, and rich in Ti-tsang's images. The appearance and development of Ti-tsang's stories enrich Chinese myths, and give an example for the relationship between myth and religion.