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題名:顛覆性圖畫書的新寓意--以《三隻小豬》改寫故事為例
書刊名:人文暨社會科學期刊
作者:許雅惠
作者(外文):Hsu, Ya-hui
出版日期:2011
卷期:7:1
頁次:頁41-48
主題關鍵詞:圖畫書顛覆圖文關係童話改寫Picture booksSubvertPictures-text relationshipStory rewriting
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:13
  • 點閱點閱:72
圖像的表達隨時代改變而更具影響力,在圖像與文字兩種不同符號系統的合作下,往往傳達出更豐富的意涵,圖畫書即為一例。現今圖畫書為童書出版大宗,其中不乏改寫自傳統童話的顛覆性作品,並展現特別的圖文設計與豐富的意涵。本研究目的在藉由實例探討創作者如何透過圖像與文字的合作,改變敘說故事的方式,顛覆傳統童話故事,並賦予新意。研究以改寫自傳統童話「三豬小豬」的兩本圖畫書-《三隻小豬的真實故事》與《豬頭三兄弟》為分析對象,透過圖像以及圖文關係的檢視,研究發現作者不僅透過圖像改變角色的刻版印象,也藉由圖文間的合作傳達更多訊息,更以拼貼、互文等方式,讓作品呈現多重視角,提供不同的價值判斷,不僅展現述說故事的創新手法,也賦予傳統童話更豐富的寓意。
The influence of images and pictures has become powerful according to the progress of societal development. Therefore, the synergy of pictures and text could convey considerably abundant meaning, and picture books are an example. Most picture books have been written for children, and some of them are parodies of traditional stories. These books show particular graphic design and are rich in meaning. The purpose of this study was to discuss how authors combined pictures and text, changed the way the story was told, subverted the original ideas, and then provided a new meaning to a highly popular story. Two rewritten picture books form The Three Little Pigs, The True Story of the Three Little Pigs and The Three Pigs, were analyzed. By inspecting the pictures and the relationship between pictures and text, this study discovered that the authors not only modified the character roles by changing their look, but also delivered more information from the comparisons of pictures and text. In addition, the authors offered various aspects through bricolage and intertextuality for different value judgments. Therefore, the combination of pictures and text was a creative way to tell a story, and it gave more meaning to traditional children’s stories.
期刊論文
1.Siegel, M.(1995)。More than words: the generative power of transmediation for learning。Canadian Journal of Education,20(4),455-475。  new window
2.Sipe, Lawrence R.(1998)。How picture books work: A semiotically framed theory of text-picture relationships。Children's Literature in Education,29(2),97-108。  new window
3.Moebius, William、馬祥來(20000500)。圖畫書符碼概論。兒童文學學刊,3,160-182。new window  延伸查詢new window
4.劉鳳芯(2003)。兒童圖畫故事書也可以很後設。毛毛蟲月刊,157,6-7。  延伸查詢new window
5.Agosto, D. E.(1999)。One and inseparable: Interdependent storytelling in picture storybooks。Children's Literature in Education,30(4),267-280。  new window
6.Kummerling-Meibauer, B.(1990)。Metalinguistic awareness and the children's developing concept of irony: The relationship between picture and text in ironic picture books。The Lion and the Unicorn,23(2),157-183。  new window
學位論文
1.林德姮(2004)。圖畫故事書中的後設策略(碩士論文)。國立臺東大學,台東市。  延伸查詢new window
2.許雅惠(2003)。傳統童話圖畫書與顛覆性童話圖畫書表現手法之比較研究--以「三隻小豬」為例(碩士論文)。臺中師範學院。  延伸查詢new window
圖書
1.徐素霞(2002)。台灣圖畫書導賞。台北市:國立台灣藝術教育館。  延伸查詢new window
2.大衛‧威斯納、黃筱茵(2002)。豬頭三兄弟。臺北:格林文化。  延伸查詢new window
3.大衛.威斯納、文郝廣才(2003)。瘋狂星期二。格林出版。  延伸查詢new window
4.Lewis, Jeff、邱誌勇、許夢芸(2005)。文化研究的基礎。臺北:韋伯文化。  延伸查詢new window
5.王寧(2003)。全球化與文化研究。臺北:揚智文化。  延伸查詢new window
6.朱立元(2005)。當代西方文藝理論。東華師範大學。  延伸查詢new window
7.珍‧杜南、宋珮(2006)。觀賞圖畫書中的圖畫。雄獅美術。  延伸查詢new window
8.陳正治(1990)。童話理論與作品賞析。臺北。  延伸查詢new window
9.莫麗.邦、楊茂秀(2003)。圖畫.話圖。臺北。  延伸查詢new window
10.林書堯(1974)。彩色學概論。臺北。  延伸查詢new window
11.雍.席斯卡、藍‧史密斯、方素珍(2001)。三隻小豬的真實故事。臺北。  延伸查詢new window
12.Nodelman, P(1988)。Works about pictures: The narrative art of children's picture books。Athens。  new window
13.洪淑苓(2000)。臺灣童話作家的顛覆藝術。擺盪在理性與感性之間--兒童文學論術選集1988-1998。臺北。  延伸查詢new window
14.張嘉驊(2000)。九○年代臺灣童話的語言遊戲。擺盪在理性與感性之間--兒童文學論術選集 1988-1998。臺北。  延伸查詢new window
圖書論文
1.Pierce, Charles S.(1955)。Logic as Semiotic : the Theory of Signs。Philosophical Writings of Pierce。New York:Dover Publications。  new window
 
 
 
 
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