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題名:數位應用程式圖標設計風格之認知分析研究
書刊名:科技學刊. 人文社會類
作者:林靜宜管倖生 引用關係
作者(外文):Lin, Ching-yiGuan, Shing-sheng
出版日期:2014
卷期:23:2
頁次:頁123-134
主題關鍵詞:圖標設計視覺設計設計風格風格認知Icon designVisual designDesign styleStyle cognition
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:169
  • 點閱點閱:44
微型應用程式夾帶著類型多元與價格優勢崛起,為市場帶來完全不一樣的商業模式,如何透過獨特且精緻的圖標設計,做強有力的廣告宣傳,成為致勝之關鍵。本研究針對 100件數位應用程式圖標設計代表性樣本,進行圖標設計風格分群調查,目的在瞭解數位應用程式圖標設計風格認知與設計要素之間關係,並利用「集群分析」,歸納出典型數位應用程式圖標設計風格類型及其特徵,期望對數位應用程式之圖標設計,於創意表現和視覺傳達功能上發揮最大功效。透過第一階段研究結果,歸納出五類圖標設計之視覺風格典型,並依據每一集群之共同特徵進行命名,分別為:「特徵強化」風格、「向量造形」風格、「功能演示」風格、「文字編排」風格、「主題表現」風格,然而每種風格所呈現的風格特徵屬性因其辨識風格類目使用上之不同而有所差異,藉以呈現數位應用程式系統圖標設計風格之多元面貌;透過第二階段研究結果,發現影響受測者對數位應用程式圖標設計之風格辨識依據,主要分為:製作題材、表現技法、色彩配置、版面構成、外觀造形五大重要設計風格辨識要素,而從受測者分群的方式與訪談過程中發現,數位應用程式圖標設計之風格分群,最容易受到「表現技法」、「製作題材」要素影響,受測者多以上述兩種風格辨識要素做為主要設計風格區分之依據,其次才是版面構成、色彩配置與外觀造形。
Emerging with their diverse categories and price advantage, micro application programs bring the market a totally different business model. The key to success thus lies in powerful advertisement and promotions through unique and exquisite icon design. In this study, Multidimensional Scaling, Questionnaire Survey, and Interview were used to conduct a clustering investigation of icon design styles based on 100 representative icon design samples of digital application systems. The analysis was aimed to understand the relationship between the design style cognition and design elements of the icons of digital application systems and to generalize typical icon design styles and features of digital application systems through clustering analysis in hopes of generating maximum efficiency in the icon design of digital application systems in terms of creative expression and visual communication. In total, 5 visual styles of icon design were categorized according to the first-stage research result, and based on the common features, each style was named. The styles were respectively Feature Enhancement, Vector Symbol, Function Display, Lettering Layout, and Topic Presentation. However, the characteristics that each style showed varied according to the style cognitive categories, by which the multiple aspects of the icon design styles of digital application systems were displayed. The second-stage research concluded that the basis for the participants to perceive the icon design styles of digital application systems included five major design style cognitive elements, respectively Production Theme, Expression Technique, Color Configuration, Layout, and Appearance. It was found from the participant clustering method and the interview process that Expression Technique and Production Theme most easily influenced the icon design style clustering of digital application systems. Based on the two aforementioned cognitive elements, most of the participants differentiated the design styles. The following elements were Layout, Color Configuration, and Appearance.
期刊論文
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2.李貴豐(20010700)。明清之際木雕素面筆筒風格側論。國立歷史博物館館刊,11(7)=96,27-43。  延伸查詢new window
3.陳俊智、莊明振(199410)。中西座椅設計風格認知之探討。工業設計,23(4)=87,228-241。new window  延伸查詢new window
4.Rieber, L. P.(1995)。A historical review of visualization in human cognition。Educational Technology Research & Development,43(1),45-56。  new window
會議論文
1.Simon, H. A.(1975)。Style in design。International Conference on Engineering Design。New York:American Society of Mechanical Engineer。  new window
學位論文
1.許峻誠(2001)。網頁風格與視覺要素對設計評價影響之研究(碩士論文)。國立交通大學。  延伸查詢new window
圖書
1.Arenheim, R.(1986)。New Essay on Psychology of Art, Berkeley and Los Angeles, California。London:University of California Press, Ltd。  new window
2.Gombrich, E. H.(1968)。Style in international encyclopedia of social science。New York:Macmillan and Free Press。  new window
3.Schapiro, M.(1953)。Style in A. kroeber, A. ed, Anthropology Today。Chicago:University of Chicago Press。  new window
4.Torossian, A.(1937)。A guide to aesthetics。California, London:Stanford University Press。  new window
5.郭繼生(1995)。藝術史與藝術批評。臺北:書林出版有限公司。new window  延伸查詢new window
6.Crow, D.(2003)。Visible signs。New York:John Wiley and Sons。  new window
7.Horton, William L.(1994)。The Icon Book: Visual symbols for Computer Systems and Document。New York:John Wiley and Sons。  new window
8.何懷碩(1981)。風格的誕生。臺北:大地出版社。  延伸查詢new window
9.陳俊宏、楊東民(2004)。視覺傳達設計概論。臺北市:全華科技圖書股份有限公司。  延伸查詢new window
10.Walker, John A.(1989)。Design History and the History of Design。London:Pluto Press。  new window
11.黃俊英(2000)。多變量分析。台北:中國經濟企業研究所。  延伸查詢new window
12.方裕民(2003)。人與物的對話--互動介面設計理論與實務。台北市:田園城市出版社。  延伸查詢new window
13.劉思量(19920000)。藝術心理學:藝術與創造。臺北:藝術家。new window  延伸查詢new window
14.Meyer, Leonard B.(1989)。Style and Music: Theory, History, and Ideology。University of Pennsylvania Press。  new window
圖書論文
1.佟景韓、易英(1995)。作為風格史的美術史。造形藝術美學。臺北:洪葉文化事業有限公司。  延伸查詢new window
2.黃崇冀(1990)。人之因素與電腦介面--圖像研究。前期研究。臺北:行政院國家科學委員會。  延伸查詢new window
3.Marcus, A.(1984)。Baby Face: Interface Design for Small Displays。ACM。  new window
4.Saunders, A. C.(1994)。Graphics and how tey communicate。Visual literacy。Englewood Cliff NJ:Educational Technology Publication。  new window
 
 
 
 
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