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題名:國中表演藝術專家教師班級經營之研究
書刊名:戲劇教育與劇場研究
作者:謝佳雯
作者(外文):Hsieh, Chia Wen
出版日期:2014
卷期:5
頁次:頁115-143
主題關鍵詞:專家教師表演藝術教學班級經營策略Performing artsClassroom management strategiesExpert teacher
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:16
  • 點閱點閱:205
本研究旨在探討國中表演藝術專家教師的班級經營策略。採質性研究法,觀察專家教師在動態的表演藝術教學中的班級經營策略,過程中採用訪談法及觀察法蒐集資料,搭配錄音、錄影、現場記錄,進行現場資料蒐集與分析,並根據文獻探討,總結研究發現與討論。研究結果發現:班級經營策略的妥適運用有助於表演藝術教學。而表演藝術教學班級經營之特性包含:「敏銳洞察」、「多元表達」、「分身處理」、「角色轉換」四項特點。最後,教師魅力有助於表演藝術班級經營。
The aim of this study is to explore classroom-management strategies for teachers from three countries who have specialized in the performing arts. A qualitative research method was adopted using interviews and observation to collect data by means of audio-, video- and live recordings as well as on-site data collection and analysis. Taking into account the literature review, the research findings and discussion, the derived conclusions are as follows: Classroom management strategies are helpful for teaching the performing arts and there is a high correlation between the strategic use of national experts and the performing arts teachers’ classroom management. There are four features of classroom management when teaching the performing arts. First, at all times during the teaching process, there needs to be an atmosphere of "keen insight" expressed as a characteristic of the teaching. Second, the performing arts use "bodily," "expressive" and "oral" communication. Third, teachers need to include "spare processing" in teaching and classroom management. Fourth, in the teaching process, teachers need to perform "role switching" in a timely manner. In addition, participation and charm help teachers with performing arts classroom management.
期刊論文
1.陳學志(20040600)。從「哈哈」到「啊哈」--統整知、情、意、行的幽默課程對創造力培養的影響。教育心理學報,35(4),393-411。new window  延伸查詢new window
2.陳韻文(2010)。台灣當代戲劇教育探究。亞洲戲劇教育學刊,1,81-96。  延伸查詢new window
3.單文經(19980100)。談班級經營的任務。班級經營,3(1),21-27。  延伸查詢new window
會議論文
1.陳仁富(2002)。創造性戲劇的課程設計與實踐。國民中小學戲劇教育國際學術研討會,國立藝術教育館舉辦 。臺北市:國立臺灣藝術教育館。229-260。  延伸查詢new window
學位論文
1.林欣怡(2009)。「那方小小講台是阿拉丁的魔毯」--國中經驗教師有效班級經營策略之研究(碩士論文)。臺北市立教育大學。  延伸查詢new window
圖書
1.Neeland, J.、歐怡雯(2006)。開始玩戲劇11-14歲:中學戲劇課程教師手冊。臺北:心理出版社。  延伸查詢new window
2.Neelands, Jonothan、陳仁富、黃國倫、呂彥蓉(2010)。透視戲劇--戲劇教學實作指南。台北:心理。  延伸查詢new window
3.Wagner, B. J.(1998)。Educational drama and language arts: What research shows。Portsmouth, New Hampshire:Heinemann。  new window
4.O'Neill, C.(1995)。Drama worlds: A framework for process drama。Portsmouth, NH:Heinemann。  new window
5.McCaslin, Nellie(1984)。Creative Drama in the Classroom。New York:Longman Inc.。  new window
6.O'Toole, John、Plunkett, Anna、林玫君、歐怡雯(2007)。酷凌行動:應用戲劇手法處理校園霸凌和衝突。台北:心理。  延伸查詢new window
7.Dmm& O'Toole、劉純芬(2005)。假戲真做’作中學--以戲劇作爲教學工具,幫助學生有效盡入主題學習。台北:成長。  延伸查詢new window
8.Dickinson, R.、Neelands, J.(2006)。Improve your primary school through drama。London:David Fulton Publishers Ltd.。  new window
9.Neelands, J.(1984)。Making sense of drama: A guide to classroom practice。London:Haineman Educational。  new window
10.Salisbury, Barbara T.、林玫君(1994)。創造性兒童戲劇入門。臺北:心理。  延伸查詢new window
11.朱文雄(1992)。班級經營。高雄:復文圖書出版社。  延伸查詢new window
12.Morgan, Norah、Saxton, Juliana、鄭黛瓊(1999)。戲劇教學:啟動多彩的心。臺北:心理出版社。  延伸查詢new window
13.林玫君(2005)。創造性戲劇理論與實務:教室中的行動研究。臺北:心理出版社。  延伸查詢new window
14.張春興(1997)。教育心理學:三化取向的理論與實踐。臺北:東華書局。  延伸查詢new window
圖書論文
1.Manning, M. L.、Bucher, K. T.、蘇順發(2004)。Jacob Kounin的教學管理理論。班級經營的理論與實務。台北:學富文化。  延伸查詢new window
 
 
 
 
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