Wong Bik Wan (1961-), one of the most important writers of contemporary Hong Kong literature, is renowned for her particular language style as well as her self-conscious use of language. However, previous studies of Wong seldom put emphasis on the originality of her language style. It was not until her work Children of Darkness, which combines the use of Cantonese dialect and spoken language, received the Dream of the Red Chamber Award that the critics' attentions to her idiosyncratic styles were aroused. This paper aims at investigating her fiction Silence. Dullness. Slightness., a work published right before the author's seven-year hiatus in writing. As I would like to argue in this paper, this fiction had already shown a metacognitive attempt in experimental use of language. My study aims to provide a foundation for further studies on the development of Wong's language style. Based on the approach of Linguistic Stylistics, I will analyze the unique usage of language in Silence. Dullness. Slightness. I will also introduce the concept of "minor literature" to explore the "minor usage" of language in this text, which creates a line of flight that evades the impregnable power of history and destiny