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K.(1971)。Pitch as a medium: A new approach to psychophysical scaling。The American Journal of Psychology，84(2)，147-166。 | | 8. | Bod, R.(2002)。A unified model of structural organization in language and music。Journal of Artificial Intelligence Research，17，289-308。 | | 9. | Cassidy, J.(2001)。Listening maps: Undergraduate students' ability to interpret various iconic representations。Update: Applications of Research in Music Education，19(2)，15-19。 | | 10. | Costanza, A. P.(1971)。Programed instruction in score reading skills。Journal of Research in Music Education，19(4)，453-459。 | | 11. | Cuddy, L. L.(1971)。Absolute judgment of musically-related pure tones。Canadian Journal of Psychology/Revue canadienne de psychologie，25(1)，42-55。 | | 12. | Cuddy, L. L.、Cohen, A. J.、Miller, J.(1979)。Melody recognition: The experimental application of musical rules。Canadian Journal of Psychology/Revue canadienne de psychologie，33(3)，148-157。 | | 13. | De Gainza, V. H.(1970)。Absolute and relative hearing as innate complementary functions of man's musical ear。Bulletin of the Council for Research in Music Education，22，13-16。 | | 14. | Deutsch, D.、Boulanger, R. C.(1984)。Octave Equivalence and the Immediate Recall of Pitch Sequences。Music perception: An Interdisciplinary Journal，2(1)，40-51。 | | 15. | Dyson, M. C.、Watkins, A. J.(1984)。A figural approach to the role of melodic contour in melody recognition。Perception & Psychophysics，35，477-488。 | | 16. | Edworthy, J.(1982)。Pitch and contour in music processing。Psychomusicology: Music, Mind & Brain，2(1)，44-46。 | | 17. | Friberg, A.、Ahlbäck, S.(2009)。Recognition of the main melody in a polyphonic symbolic score using perceptual knowledge。Journal of New Music Research，38(2)，155-169。 | | 18. | Grutzmacher, P. A.(1987)。The effect of tonal pattern training on the aural perception, reading recognition, and melodic sight-reading achievement of first-year instrumental music students。Journal of Research in Music Education，35(3)，171-181。 | | 19. | Holahan, J. M.、Saunders, T. C.(1997)。Children's discrimination of tonal patterns: Pattern contour, response time, and item difficulty level。Bulletin of the Council for Research in Music Education，132，85-101。 | | 20. | Holahan, J. M.、Saunders, T. C.、Goldberg, M. D.(2000)。Tonal cognition in pattern discrimination: Evidence from three populations。Journal of Research in Music Education，48(2)，162-177。 | | 21. | MacKnight, C. B.(1975)。Music reading ability of beginning wind instrumentalists after melodic instruction。Journal of Research in Music Education，23(1)，23-34。 | | 22. | McDonald, D. T.、Ramsey, J. H.(1979)。A study of musical auditory information processing of preschool children。Contributions to Music Education，7，2-11。 | | 23. | Pearce, M.、Wiggins, G.(2012)。Auditory expectation: The information dynamics of music perception and cognition。Topics in Cognitive Science，4，625-652。 | | 24. | Povel, D. J.、Essens, P.(1985)。Perception of temporal patterns。Music Perception: An Interdisciplinary Journal，2(4)，411-440。 | | 25. | Ramsey, J. H.(1983)。The effects of age, singing ability, and instrumental experiences on preschool children's melodic perception。Journal of Research in Music Education，31(2)，133-145。 | | 26. | Raphael, C.、Stoddard, J.(2004)。Functional harmonic analysis using probabilistic models。Computer Music Journal，28(3)，45-52。 | | 27. | Rasch, R. A.(1985)。Perception of melodic and harmonic intonation of two-part musical fragments。Music Perception: An Interdisciplinary Journal，2(4)，441-458。 | | 28. | Sadakata, M.、Desain, P.、Honing, H.(2006)。The Bayesian way to relate rhythm perception and production。Music Perception: An Interdisciplinary Journal，23(3)，269-288。 | | 29. | Sergeant, D.、Roche, S.(1973)。Perceptual shifts in the auditory information processing of young children。Psychology of Music，1(2)，39-48。 | | 30. | Stoffer, T. H.(1985)。Representation of phrase structure in the perception of music。Music Perception: An Interdisciplinary Journal，3(2)，191-220。 | | 31. | Temperley, D.(2014)。Probabilistic models of melodic interval。Music Perception: An Interdisciplinary Journal，32(1)，85-99。 | | 32. | Thompson, W. F.(2004)。From sounds to music: the contextualizations of pitch。Music Perception: An Interdisciplinary Journal，21(3)，431-456。 | | 33. | Tsuzaki, M.(1991)。Effects of the preceding scale on melodic interval judgment in terms of equality and size。Music Perception: An Interdisciplinary Journal，9(1)，47-70。 | | 34. | Upitis, R.(1987)。Children's understanding of rhythm: The relationship between development and music training。Psychomusicology，7(1)，41-60。 | 研究報告| 1. | 程緯華(1997)。兒童聽音能力之發展與聽音教育 (計畫編號：NSC85-2413-H026-001)。國科會微縮小組。 延伸查詢 | 學位論文| 1. | Chung, W. J.(1997)。An investigation of the use of music aptitude profile with Taiwanese students in grades four to twelve(博士論文)。Michigan State University。 | | 2. | 蘇郁惠(1998)。兒童音樂性向測量及其相關因素之探討(博士論文)。國立政治大學。 延伸查詢 | | 3. | 李君儀(2004)。國小四年級兒童「曲調」聽音能力之調查研究(碩士論文)。國立台北師範學院。 延伸查詢 | | 4. | 阮璿文(2015)。曲調聽視測驗之編製與測量--以臺北市國小六年級學生為例(碩士論文)。國立臺灣師範大學。 延伸查詢 | | 5. | 許瑾翎(2004)。中部地區國民小學學生調式旋律辨認之研究(碩士論文)。國立台北師範學院。 延伸查詢 | | 6. | 郭芳吟(2014)。國小學童聽覺完形組織法則表現情形之調查研究(碩士論文)。臺北市立大學。 延伸查詢 | | 7. | 黃怡娟(2004)。國小五年級學生聽辨二聲部曲調能力之研究(碩士論文)。國立台北師範學院。 延伸查詢 | | 8. | Levy, K.(2001)。Music readers and notation: Investigation of an interactive model of rhythm reading(博士論文)。University of Iowa。 | | 9. | Taylor, J. A.(1971)。Perception of music intervals within melodic context(博士論文)。University of Washington。 | 圖書| 1. | Krumhansl, C. L.(1990)。Cognitive Foundations of Musical Pitch。New York：Oxford University Press。 | | 2. | Dowling, W. Jay、Harwood, Dane L.(1986)。Music cognition。Academic Press。 | | 3. | Mursell, J. L.(1937)。The psychology of music。New York：W. W. Norton。 | | 4. | Schwadron, A. A.(1967)。Aesthetics: Dimensions for music education。Washington, DC：Music Educators National Conference。 | | 5. | Consortium of National Arts Education Associations(1994)。National standards for arts education。Reston, VA：Music Educators National Conference。 | | 6. | Hebb, Donald Olding(1949)。The Organization of Behavior。New York：John Wiley & Sons。 | | 7. | Bower, G. H.、Hilgard, E. R.(1981)。Theories of learning。Prentice-Hall。 | | 8. | Radocy, R. E.、Boyle, J. D.(2012)。Psychological foundations of musical behavior。Springfield, IL：Charles C. Thomas Publisher。 | | 9. | Leonhard, C.、House, R. W.(1972)。Foundations and principles of music education。New York：McGraw-Hill。 | | 10. | Serafine, M. L.(1988)。Music as cognition: The development of thought in sound。New York：Columbia University Press。 | | 11. | Gordon, Edwin E.(1971)。The psychology of music teaching。Prentice-Hall。 | | 12. | Bamberger, J. S.(1995)。The mind behind the musical ear: How children develop musical intelligence。Harvard University Press。 | | 13. | Gordon, E.(1978)。A factor analytic study of tonal and rhythm patterns。GIA。 | | 14. | Gordon, E.(1993)。Learning sequences in music: Skills, content, and patterns. A music learning theory。GIA Publications。 | | 15. | Sloboda, J. A.(1985)。The musical mind: The cognitive psychology of music。Oxford University Press。 | | 16. | Temperley, D.(2007)。Music and probability。MIT Press。 | | 17. | Huron, D. B.(2006)。Sweet Anticipation: Music and the Psychology of Expectation。Cambridge, Massachusetts：MIT Press。 | 圖書論文| 1. | Davidson, L.、Colley, B.(1987)。Children's rhythmic development from age 5-7: Performance, notation, and reading of rhythmic patterns。Music and child development。New York：Springer-Verlag。 | | 2. | Walker, R.(1992)。Auditory-visual perception and musical behavior。Handbook of research on music teaching and learning。New York：Schirmer Books。 | | 3. | Cuddy, L. L.、Upitis, R.(1992)。Aural perception。Handbook of research on music teaching and learning。New York：Schirmer Books。 | | 4. | Davidson, L.、Scripp, L.(1988)。Young children's musical representations: Windows on cognition。Generative processes in music: The psychology of performance, improvisation, and composition。New York：Oxford University Press。 | | 5. | Hargreaves, D. J.、Zimmerman, M. P.(1992)。Developmental theories of music learning。Handbook of research on music teaching and learning。New York：Schirmer Books。 | | 6. | Edworthy, J.(1985)。Melodic Contour and Musical Structure。Musical Structure and Cognition。London：Academic press Inc.。 | | 7. | Boyle, J. D.(1992)。Evaluation of music ability。Handbook of research on music teaching and learning。Schirmer Books。 | | 8. | Gembris, H.(2002)。The development of music abilities。New handbook of research on music teaching and learning。Oxford University Press。 | | 9. | Jones, M. R.(2010)。Music perception: Current research and future directions。Music perception。Springer。 | | 10. | Smith, L. A.、McNab, R. J.、Witten, I. H.(1998)。Sequence-based melodic comparison: a dynamic programming approach。Melodic similarity: concepts, procedures, and applications。MIT Press。 | |
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