本文探討上海洋場1870 年代以降新聞傳播的商品化層面以及現代化的物質面相如何形塑滬地文藝圈以及「海上」文化：申報館文藝期刊上連載的「域外」小說——《昕夕閒談》——中的巴黎圖像為上海的地方性書寫注入嶄新的元素與變數，也創造出多元文化與互文性的翻譯模式。探討這些課題將使我們重新「認識」：在這些洋場才子的書寫中開創出新的地方想像，不僅呈現都市空間文明條件與女性自我實踐的議題，反映現代化國際城市之新奇視野與女性文化的現代特徵，也促成近代海上文學的蛻變衍異。

This essay shows the description of how the commercial aspects in the news propagating and the materialistic dimensions of modernization since 1870’s have shaped the intellectual circles in Shanghai and the culture of “Shanghai-style.” Analyzing: how the images of Paris, as are presented in the “exterritorial” novel of literary monthly of Shen bao press ---Night and Morning--- have injected brand new elements and variables to the place-based writings of Shanghai urban, and they created the translating modes of multiculture and intertextuality. From the issues shown, we are made to “re-evaluate”: the modern urban space and the female self-realizations in these writings of “Yangchang Caizi” (talented intellectuals in the Shanghai International Settlement) have reflected the novelty of international city; and also how the modern signs of the changes of female positions have both made new place-based imaginations possible and completed the changes and variations of Late-Qing Shanghai-style literature.